How animals live in Bianca's stories. Vitaly Bianchi short biography

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Brief biography of Vitaly Bianchi

Vitaly Valentinovich Bianchi is a Russian writer and author of popular children's works. Born in St. Petersburg on January 30 (February 11), 1894. The writer had German-Swiss roots. His father was an entomologist at the Zoological Museum of the Academy of Sciences. The writer's great-grandfather was an outstanding opera singer. On one of his Italian tours, he changed his surname Weiss (from German “white”) to Bianchi (from Italian “white”). Vitaly was educated at Petrograd University at the Faculty of Physics and Mathematics.

In his youth, he was fond of football and even participated in the St. Petersburg city championships. In 1916 he was drafted into the army, and a year later he joined the Socialist Revolutionary Party. Since 1918, Vitaly Bianki worked in the Social Revolutionary propaganda newspaper “People”. Soon he was mobilized by the Russian army, from where he deserted. The writer hid under the surname Belyanin, which is why he had a double surname until the end of his life. In the 1920-1930s, he was arrested more than once for participating in non-existent underground organizations. M. Gorky and his first wife E. P. Peshkova interceded for him.

Bianchi did not participate in the Great Patriotic War due to developing heart disease. In 1949, he suffered a heart attack and then two strokes. The writer's work had an original literary form. The first story, "The Journey of the Red-headed Sparrow", appeared in 1923. It was followed by the book “Whose nose is better?” In his works, he revealed the world of nature and taught how to penetrate its secrets. All of Bianca's stories were written in easy and colorful language, accessible primarily to children.

One of the innovations was the “Forest Newspaper for Every Year,” first published in 1928. It was a kind of calendar of forest life. The writer had a dacha in the Lebyazhy village, where he loved to gather the scientific society of St. Petersburg. During his life, he wrote more than three hundred stories, fairy tales, novellas, 120 books, etc. Bianchi's works were widely used in kindergartens and primary schools in the USSR. His followers were S.V. Sakharnov and N.I. Sladkov. V.V. Bianchi died on June 10, 1959 in Leningrad.

Private bussiness

Vitaly Valentinovich Bianchi (1894-1959) born in St. Petersburg. His father Valentin Lvovich Bianchi worked in the ornithological department of the Zoological Museum of the Academy of Sciences. The father began to take the boy with him to the forest early and instilled in him a lifelong interest and love for nature. “He called every grass, every bird and animal to me by name, fatherland and surname,” Vitaly recalled about his father. Their large apartment always had numerous aviaries and cages with birds, aquariums with fish, terrariums with turtles, lizards, and snakes. Every spring, my father transported the entire family to the dacha in Lebyazhye and this move, according to Vitaly’s recollections, was always “the greatest holiday” for him.

After school, Vitaly Bianki entered the natural sciences department of the Faculty of Physics and Mathematics of Petrograd University, but never completed it. In 1916 he was drafted into the army. He graduated from accelerated courses at the Vladimir Military School and was sent to an artillery brigade with the rank of warrant officer.

In February 1917 he participated in the overthrow of the tsarist government. He was elected by the soldiers of his unit to the Council of Soldiers' and Workers' Deputies. At the same time he joined the Socialist Revolutionary Party.

He was a member of the commission for the protection of artistic monuments of Tsarskoe Selo.

In the spring of 1918, together with his unit, Bianchi ended up in Samara. In the summer of 1918, he worked for the Samara newspaper “People,” which was published by the Agitation Cultural and Educational Department of the Socialist Revolutionary Komuch.

In connection with the offensive of the Red Army, Bianki was evacuated from Samara and lived for some time in Ufa, Yekaterinburg, Tomsk, until he finally settled in Biysk.

During the Kolchak revolution, Bianchi, who had by that time broken with the Social Revolutionaries, fell under mobilization. Having concealed his military past, he served as a clerk for an artillery division in Barnaul, helping those mobilized to escape from the unit, destroying their service records. In the summer of 1919, his unit was transferred to the front in the Orenburg province. Bianchi and other “suspicious” persons were transferred from artillery to infantry. In the fall of 1919, he managed to escape from Kolchak’s army and return to Biysk. After deserting, Bianchi was forced to hide under someone else's name. At this time he was Vitaly Belyanin, a student at Petrograd University and an ornithologist-collector at the Zoological Museum of the Russian Academy of Sciences. As a result, the double surname Bianchi-Belyanin remained with the writer until the end of his life.

After the establishment of Soviet power in Biysk, Bianki worked in the department of public education, was appointed head of the museum, and later also became a teacher at the school named after the Third Comintern. He was an active participant in the Biysk Society of Nature Lovers and gave lectures on ornithology at the Altai People's University. While living in Biysk, he organized two scientific expeditions to Lake Teletskoye. In Altai, Vitaly Bianchi met his future wife, “the closest person in the whole world” - Vera Klyuzheva, who taught French at the same school. In Altai he began to write the Lesnaya Gazeta, which later became so famous.

In September 1922, fearing arrest, Bianchi left with his family for Petrograd, where he remained. In 1923, his first story, “The Journey of the Red-Headed Sparrow,” was published, and then the book “Whose Nose is Better?” was published.

During the Great Patriotic War, due to heart disease, Bianchi was not drafted into the army, was evacuated to the Urals, then returned to Leningrad. For most of the year, from early spring to late autumn, the writer lived in the country and only returned to the city for the winter.

In the last years of his life, Bianchi was seriously ill. In 1949 he suffered a heart attack, then two strokes. Systemic vascular disease caused constant severe pain in his legs, almost completely depriving him of the ability to walk. Vitaly Bianchi died on June 10, 1959.

What is he famous for?

Vitaly Bianchi

Vitaly Bianki is a famous children's writer-animalist. During his life, he wrote more than 300 stories, fairy tales, novellas and articles, published 120 books, which were printed with a total circulation of 40 million copies. Many of the tales about nature that he wrote became classics of children's literature: “The First Hunt,” “Who Sings What,” “How the Ant Hurried Home,” “The Orange Neck,” “Trapper’s Tales” and others.

In his works, Bianchi reveals the world of nature, teaches the reader to admire it and penetrate its secrets. We can say that his books are a self-teaching manual for the love of nature.

Bianchi considered the main work of his life to be the “Forest Newspaper”, in which, using newspaper techniques - a telegram, a chronicle, an advertisement, a feuilleton - a calendar of forest life was given for each month. “Lesnaya Gazeta” grew out of many years of publications in the magazine “New Robinson”, where Bianchi kept a phenological calendar from issue to issue. During the author's lifetime, Lesnaya Gazeta was expanded and republished many times - from 1928 to 1958, 9 editions of the book were published.

Based on the works of Bianchi, a well-known tetralogy about a tame lynx named Kunak was filmed, consisting of the films “The Path of Selfless Love” (1971), “The Lynx Takes the Path” (1982), “The Lynx Returns” (1986) and “The Lynx Follows the Trail” ( 1994) and many cartoons.

Streets in Moscow, Veliky Novgorod, Rostov-on-Don, Borovichi, and the village of Charyshskoye are named in honor of Vitaly Bianki. The Biysk Museum of Local Lore bears his name, as do children's libraries in Novosibirsk, Moscow, Nizhny Novgorod, Veliky Novgorod and Perm.

What you need to know

His short stay in the Socialist Revolutionary Party, as well as his involuntary stay in Kolchak’s army, haunted Vitaly Bianchi throughout his life. He was arrested six times.

In 1921, in Biysk, he was arrested twice by the Cheka and once sat in prison with 79 other “hostages” for three weeks.

In September 1922, having learned from friends that he was facing a new arrest, Bianchi, not wanting to tempt fate any longer, sold his favorite gun, thus obtaining money for the trip, and left with his family for Petrograd, saying goodbye to Biysk forever.

But Petrograd did not become a salvation. In December 1925, Vitaly Bianchi was arrested again. On a trumped-up charge of involvement in some underground organization, he was sentenced to three years of exile. Many petitioned for his release, including Maxim Gorky, who turned directly to G. Yagoda. As a result, Bianchi was allowed to move to Novgorod (beyond the notorious 101st kilometer), and at the beginning of 1929 to return to Leningrad. But three years later - in November 1932 - a new arrest followed, albeit a short one. After three and a half weeks, Vitaly Bianchi was released “for lack of evidence.”

However, his misadventures did not end there. In March 1935, during the cleansing of Leningrad from “socially dangerous elements” after the murder of Kirov, Bianchi was again arrested as “the son of a personal nobleman, a former Social Revolutionary, an active participant in the armed uprising against Soviet power.” At a special meeting of the NKVD of the USSR, he was sentenced to five years of exile along with his family in the city of Irgiz, Aktobe region. Only thanks to the active intercession of Maxim Gorky’s wife Ekaterina Peshkova, the exile was canceled and the writer was able to return to Leningrad.

Direct speech

“I have always tried to write my fairy tales and stories so that they would be accessible to both adults and children. And now I realized that all my life I wrote for adults who still have a child in their souls,” Vitaly Bianchi.

“The rooks arrived yesterday. In the spring, a kind of madness takes over me. I can’t hear when migratory birds whistle, quack, cackle, and trumpet overhead. I’m becoming not myself. Now, if only I could learn to convey even a hundredth of this feeling in my books!” Vitaly Bianchi.

“Vitaly Valentinovich did not like the word “nature”. “They’ve worn out this word,” he said, “all you hear is: the bosom of nature, natural phenomena, let’s go to nature, oh, nature, oh, nature - your ears are withering! And, most importantly, they say one thing, but see another. They say “bosom,” but they see a trampled beach, they say “beauty,” but they remember the trimmed lawn. And they won’t simply, without any fuss, say “rain” or “snow,” but certainly “precipitation,” that’s what they left behind from nature!” N. Sladkov “For children, for adults, for everyone”.

3 facts about Vitaliy Bianchi

• The Bianchi family appeared in Russia at the beginning of the 19th century. One branch of the family had Swiss roots, the other - German. Vitaly's great-grandfather was a famous opera singer. Before a tour of Italy, at the request of his impresario, he changed his German surname Weiss (German weiß means white) to Bianchi (Italian bianco also means white). This is how the Russian writer got such an unusual last name.
• In his youth, Vitaly Bianchi played football well. He played for the St. Petersburg clubs “Petrovsky” (1911), “Neva” (1912), “Unitas” (1913-1915, 1916 spring) and even won the 1913 St. Petersburg Spring Cup. According to the memoirs of contemporaries, he “kicked with both feet, was famous for his sharp jerk and accurate shooting pass. He took corners superbly, with a biting, cutting shot right at the goal.”
• When a mammoth was found in the Far East and brought to the Leningrad Zoological Museum to make a stuffed animal, Vitaly Bianki’s father brought home a piece of mammoth meat. They made soup from it, which the whole family ate.

Materials about Vitaly Bianchi

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BIANCHI VITALY VALENTINOVICH About the life and work of the writer

BIANKI V.V. (1894–1959) Vitaly Bianchi was born in St. Petersburg. He got his melodious surname from his Italian ancestors. Perhaps they also have an enthusiastic, artistic nature. From his father - an ornithologist - the talent of a researcher and interest in everything “that breathes, blooms and grows.”

My father worked at the Zoological Museum of the Russian Academy of Sciences. The collection curator's apartment was located directly opposite the museum, and the children - three sons - often visited its halls. There, behind glass display cases, frozen animals were brought from all over the globe. How I wanted to find a magic word that would “revive” the museum animals. There were real houses: a small zoo was located in the keeper’s apartment.

In the summer, Bianchi’s family went to the village of Lebyazhye. Here Vitya first went on a real forest journey. He was then five or six years old. Since then, the forest has become a magical land for him, a paradise.

His interest in forest life made him a passionate hunter. No wonder he was given his first gun at the age of 13. He also loved poetry very much. At one time he was fond of football, even being a member of the gymnasium team. Interests were different, education was the same. First - a gymnasium, then - the Faculty of Natural Sciences at the university, and later - classes at the Institute of Art History. And Bianchi considered his father to be his main forest teacher. It was he who taught his son to write down all his observations. After many years, they were transformed into fascinating stories and fairy tales.

Bianchi never attracted observations from the window of a cozy office. All his life he traveled a lot (though not always of his own free will). I especially remember the hikes in Altai. Bianki then, in the early 20s, lived in Biysk, where he taught biology at school and worked in the local history museum.

In the fall of 1922, Bianchi and his family returned to Petrograd. In those years, in the city, at one of the libraries, there was an interesting literary circle, where writers who worked for children gathered. Chukovsky, Zhitkov, Marshak came here. Marshak once brought Vitaly Bianchi with him. Soon his story “The Journey of the Red-Headed Sparrow” was published in the magazine “Sparrow”. In the same year, 1923, the first book (“Whose nose is better”) was published.

Bianchi's most famous book was The Forest Newspaper. There was simply no other one like it. All the most curious, most unusual and most ordinary things that happened in nature every month and day found their way onto the pages of the Lesnaya Gazeta.

Here one could find an announcement by starlings “We are looking for apartments,” or a message about the first “peek-a-boo” sounded in the park, or a review of the performance that the great grebe birds gave on a quiet forest lake. There was even a criminal chronicle: trouble in the forest is not uncommon. The book “grew” from a small magazine section. Bianchi worked on it from 1924 until the end of his life, constantly making some changes.

Since 1928, it has been reprinted several times, become thicker, and been translated into different languages ​​of the world. Stories from Lesnaya Gazeta were heard on the radio and published, along with other works by Bianchi, on the pages of magazines and newspapers. The house in Biysk where Bianchi lived in 1921-1922. Vitaly Bianchi wrote his “Forest Newspaper” in this house.

Bianchi not only constantly worked on new books (he is the author of more than three hundred works), he managed to gather around him wonderful people who loved and knew animals and birds. He called them “translators from the wordless.”

These were N. Sladkov, S. Sakharnov, E. Shim. Bianchi helped them work on their books. Together they hosted one of the most interesting radio programs, “News from the Forest.”

Bianchi wrote about the forest for thirty-five years. This word often appeared in the titles of his books: “Forest Houses”, “Forest Scouts”. Bianchi's stories, short stories, and fairy tales uniquely combined poetry and accurate knowledge. He even called the latter in a special way: non-fairy tales.

They don't have magic wands or walking boots, but there are no less miracles there. Bianchi could talk about the most unprepossessing sparrow in such a way that we are only surprised: it turns out that he is not at all simple. The writer managed to find the magic words that “disenchanted” the mysterious forest world.

Read books by children's writers about nature!

The presentation was prepared by Yulia Stanislavovna Gugnina, a primary school teacher at secondary school No. 64 in Novosibirsk. Read the text on the website http://www.bibliogid.ru/authors/pisateli/bianki

Bianki Vitaly Valentinovich (01/30/1894 - 06/10/1959) is a Russian and Soviet writer, whose works are overwhelmingly intended for children. With the help of interesting stories, tales and fairy tales, he described living nature. The author wrote more than 120 books, which included about 300 different works.

“A writer is a child of the people, he grows from the depths of the people’s worldview”

Noble childhood

Vitaly Bianki was born in St. Petersburg on January 30, 1984. His father, Valentin Lvovich, was a famous ornithologist (bird expert), he was even a member of the Academy of Sciences and worked at the Zoological Museum. It is not surprising that from an early age the son became interested in nature - he listened to his father’s stories at home, came to his work, and compiled various notes about the world around him. Later, Vitaly will call his dad “the first forest teacher.”

By the way, the Bianchi family goes back to the beginning of the 19th century. Moreover, one half of the writer’s ancestors were Swiss, and the other were German. And their last name was Weiss, which translates as “white.” But the surname Bianchi appeared under Vitaly’s great-grandfather. He was a famous opera singer. And one day he was offered to go on tour in Italy. But there was one condition - to take a pseudonym so that they would be better accepted. And the great-grandfather, without hesitation, called himself Bianchi, which also means “white,” but only in Italian. And then he liked it, and he officially changed his last name.

As a child, Vitaly Bianchi did not really think about composing and writing stories. He was much more attracted to sports and exact sciences. So, he played football at a professional level, played in several teams in St. Petersburg and even won the City Cup. And after school he entered Petrograd University at the Faculty of Mathematics and Physics.

Soviet maturity

Vitaly Bianchi never had to work in his specialty. In 1916 he was drafted into the army. A year later the Revolution occurred. And the future writer, like many young people of that time, was fascinated by Bolshevik romance. He quickly changed his views and joined the Council of Workers' and Soldiers' Deputies. And since he was an educated man, he was even included in a special commission that dealt with the protection of cultural monuments in Tsarskoe Selo. And then he was transferred to Samara, where he began to write a propaganda column in the local newspaper “People”.

During the Civil War, Vitaly Bianchi had to move from city to city to avoid falling into the hands of the White Guards. One day he nevertheless encountered Kolchak’s army and was even forcibly mobilized into it. But at the first opportunity he deserted, changing his last name to Belyanin. From then on until the end of his life he will bear a double surname - Bianki-Belyanin.

When Soviet power was finally established in the country, Vitaly Valentinovich began working in the department of public education in the city of Biysk. He oversaw the work of museums. And at the same time, he was invited to give lectures on ornithology at a local university.

By the way, despite his absolute devotion to the Soviet regime, Vitaly Bianka very often came under the thumb of the security officers. They could not forgive him for his noble origin. It got to the point that he spent several weeks in prison. And only the help of influential friends, among whom was Maxim Gorky, helped him avoid long-term imprisonment, or even exile to camps.

Literary activity

In fact, Vitaly Bianchi began writing quite early - immediately after the army. But this was creativity “for himself”; he did not show his stories to anyone. He has accumulated quite a lot of similar texts over several years. And Vitaly Valentinovich himself called them “dead weight.”

“It was reminiscent of the Zoological Museum, where numerous inanimate creatures are collected - the animals are frozen, and the birds do not sing or fly. And I really wanted, like in childhood, to use a magic spell to bring it all to life.”

The culmination of Vitaly Bianchi’s creative career was the book “Forest Newspaper”, published in 1928. In terms of the form of content, it had no analogues in the world at that time. And the idea was to create a kind of calendar in which each month was dedicated to the life of the inhabitants of the forest. Moreover, this was presented in different genres - there were stories, chronicles, telegrams, feuilleton, and even simple advertisements. This book was reprinted at different times, the pages were filled with pictures, the covers changed, but one thing remained forever - the author’s unique style and the insane interest of readers, especially the youngest.

Introduction

Biography of V.V. Bianchi.
Creativity V.V. Bianki for children.

Introduction
Nature is full of extraordinary wonders. It never repeats itself, so we should teach children to seek and find new things in what is already known and seen, and the works of V. Bianchi help us with this.
Literature promotes the mental development of children, their logical thinking and speech.
Fiction and observations serve as a powerful tool in the environmental education of children and contribute to the formation of the first concepts of the unity of man and nature, help develop creative imagination, fantasy, flight of thought and provide an opportunity to reveal the enormous potential inherent in every person, educate a person.
Over 35 years of creative work V.V. Bianchi created more than 300 stories, fairy tales, novellas, essays and articles. All his life he kept diaries and naturalistic notes, and answered many letters from readers. His works have been published in a total circulation of more than 40 million copies and translated into many languages ​​of the world. Shortly before his death, Bianchi wrote in the preface to one of his books: “I always tried to write my fairy tales and stories so that they would be accessible to adults. And now I realized that all my life I wrote for adults who still have a child in their soul.”

Biography of V.V. Bianchi.

2. Creativity V.V. Bianki for children.
V.V. Bianchi, having entered children's literature in 1924 as the author of the magazine Sparrow, created many works about nature for young readers. Their heroes are animals, birds, plants. In 1923, his first fairy tale, “The Journey of the Red-Headed Sparrow,” appeared in the magazine “Sparrow.” In the next two years, his books “The First Hunt”, “Whose Legs Are These?”, “Who Sings What?”, “Whose Nose is Better?” were published. In total, V. Bianchi owns more than 250 works. The writer created educational picture books, natural history tales, short stories, essays, hunting stories; he invented and launched the famous “Forest Newspaper” into literary life.
In his books we can find funny fairy tales and fairy tales full of drama, stories about animals with a skillfully constructed plot and stories with almost no plot at all, full of poetry and lyrical reflection. His tales intertwine humor, simplicity and naturalness of speech, richness of language, and swift action. But these are not just fairy tales. These fairy tales teach us not only to observe nature, but also to enjoy its beauty and take care of its riches.
The topics of V. Bianchi's books are varied. The writer’s fairy tales, short stories, and stories contain extensive biological knowledge. Bianchi's works give the reader correct ideas about nature and cultivate a caring attitude towards it.
All Bianca's tales are educational, in them we get acquainted with the important laws of natural life. Even within the same genre, the writer creates works that are very diverse, from a short fairy tale-dialogue (“The Fox and the Little Mouse”) to an extended fairy tale (“Mouse Peak”, “Orange Neck”).
In Bianchi's stories about nature there is less fiction and play than in fairy tales, and the role of man in them is different - he is a hunter, observer, naturalist. Everything that happens in stories can happen in reality. The surroundings turn out to be as interesting as in a fairy tale, if only you know how to observe properly. By reading the writer's stories, the young reader learns to see and observe. Bianchi very carefully introduces descriptions of nature into his stories, because... This does not appeal to all children.
For young readers, Bianchi wrote short anecdotes, the entire content of which is based on some curious or edifying adventure (“Musician”, “Music Box”).
Along with individual fairy tales, the writer also creates cycles of stories. In the cycle “My Cunning Son” a boy hero appears. On walks with his father, he learns the secrets of the forest. He manages to spy on how a frightened fox to death takes off running from a desperate little squirrel, who jumped almost into her mouth.
The writer’s stories for older children, included in the collection “Unexpected Meetings,” have a harmonious composition, a poetic beginning and ending. They are also combined into cycles: “Thoughtful Stories”, “Stories about Silence”, etc. Simple in plot, the stories make the reader think about what happened.
V. Bianki knows how to arouse the reader’s interest in the surrounding nature, in getting to know animals and birds. To interest the little reader, the writer often gives titles to his works in the form of a question: “Whose nose is better?” The writer involves the child in independently solving questions and riddles, teaches him to observe nature and reveal its secrets. The writer creates his works based on accurate scientific facts; all his characters have specific characteristics.
Therefore, V. Bianchi’s books about nature are an encyclopedia of biological knowledge for children of primary school age. This is an encyclopedia created by a scientist and writer who clearly understands the needs of his little reader.
Almost all of Bianchi’s tales are scientific; they take the reader into the world of living nature and show this world as the author himself sees it. All fairy tales are educational; in them we get acquainted with the important laws of natural life. In every work of the writer one can feel a deep love for nature, for the animal world, for people. His works teach us not only to observe nature, but also to enjoy its beauty and take care of it. In Bianchi's tales, the presence of the author is not felt; in them, animals act and reason like people.
Researcher of the works of V. Bianchi Gr. Grodensky rightly writes: “And even though most of the heroes of Vitaly Bianchi’s works are just forest animals and birds, they awaken in a child great human feelings: courage, perseverance, kindness to the weak, the desire to achieve a goal. Here the justice of the triumph of reason and the victory of good over evil is affirmed; humanism and patriotism are instilled. A poetic vision of the world is revealed.”
V. Bianchi's books teach children a scientific vision of nature. His works help the teacher to reveal complex natural phenomena to children in an entertaining way and show the patterns that exist in the natural world. Thus, the fairy tale “The First Hunt” by V. Bianchi introduces young children to such a complex phenomenon in nature as mimicry, shows various forms of animal protection: some cleverly deceive, others hide, others scare, etc. Interesting tales by V. Bianchi “Whose are these legs?”, “Who sings with what?”, “Whose nose is better?”, “Tails.” They make it possible to reveal the dependence of the structure of a particular organ of an animal on its habitat and living conditions. The teacher also uses the works of V. Bianchi to show the child that the natural world is in constant change and development. From the works of V. Bianchi “Forest Newspaper”, “Our Birds”, “Titmouse Calendar”, children learn about seasonal changes in inanimate nature, in the life of plants and various representatives of the animal world.
Books by V. Bianchi are works of a natural history nature; they take us into the world of living nature, full of unique charm. The books are usually based on a specific biological fact, the geographical location of the action is precisely indicated, the calendar season of the year is determined, the biological specific accuracy of the animal, bird, insect, plant is preserved, i.e. everything that is mandatory in natural history books.
To talk with children, V. Bianchi very often resorts to a fairy tale, because it is psychologically closer to the child. He created the genre of scientific fairy tales on a folklore basis. His tales are emotional, optimistic, imbued with love for his native nature (“Forest Houses”, “The Adventures of Ant”, “Mouse Peak”, etc.).
In each of Bianchi’s works one can feel a deep love for nature, for the animal world, for people who treat animals intelligently and kindly. This is noted in the article by the writer N. Sladkov about Bianchi: “His birds and animals are not symbols, not people dressed up as birds and animals: they are genuine, real, truthful. And at the same time, they are deeply connected with a person, naturally included in his circle of interests, arouse his curiosity and excite his thoughts.”
One of Bianchi’s most famous works is his “Forest Newspaper”. “Lesnaya Gazeta” was originally born as a permanent natural history department in the magazine “Sparrow”. In 1926 - 1927, Bianchi worked on materials from this department for the publication of the book “Forest Newspaper for Every Year,” and in 1928 the book was published. This big book is an encyclopedia of Russian nature. First published in 1928, it remains one of the most beloved and popular works of Soviet children's literature for children.
The success of this book is largely determined by the author’s imagination: the material in it is selected and arranged as in a real newspaper, with articles and essays, short notes, telegrams from the field, letters from readers, interesting drawings, riddles at the end of the issue. The newspaper is based on the repeating cycle of seasonal changes in nature. Therefore, the names of the months in its twelve issues are unusual: “Month of Chicks”, “Month of Flocks”, “Month of Full Pantries”, etc.
"Forest Newspaper" is a game book. The reader does not remain passive. The author constantly draws him into observations. The book is conceived and implemented as a single whole, it contains
This book, like all the works of V.V. Bianchi, contributes to the formation of a materialistic worldview in the young reader. “In all his works, in every page, in every word there is such a love for his land, such an inextricable connection with it, such a purity of moral attitude that one cannot help but be infected by them.”
Translated into many languages, Lesnaya Gazeta is included in the golden fund of world children's literature. Essentially, it includes the entire work of Vitaly Bianchi.
Bianchi's works are excellent material for reading, raising and developing children, especially today, when humanity is on the brink of an environmental disaster.
With all his creative activity, the writer sought to reveal to the young reader the richness and diversity of his native nature, and to instill a love for it. In the article “Education with Joy” he wrote: “But in order to teach children a kindred attention to everything living with us on earth, we need only one thing: to passionately love their native land. Having passed on this love to the children, the teacher will give them all the endless joys that knowledge of one’s native land brings to a person, revealing the small and then the big secrets of nature.”

Conclusion
In Soviet Russia of the post-revolutionary period, the formation of politically and class-biased children's literature almost immediately began, which was supposed to open for children “the path to a clear understanding of the great things that are happening on earth,” which called for freeing children from the pernicious yoke of the old book. The country's leadership takes a tough position on creating class- and politically oriented children's literature, which is reflected in the decrees of the party and government. So, in fact, the party documents clearly state the task of forming a “new man”.
In the first post-revolutionary decade, writers working in children's literature appeared. V.V.Bianki and many others are involved in creating works for children. Functional orientation, propaganda certainty, the requirement to attract party, trade union and Soviet organizations to create children's literature to help the Komsomol were still there when Soviet children's literature was just emerging as a mass phenomenon.
Thus, after 1917, children's literature began to have a purposefully ideological character. Children's writers were tasked with creating a new type of children's book. The children's book became one of the main tools with which the Soviet government solved the problem of creating a “new man.” During this period, the publication and content of children's books were shaped by those who led the country and determined its future.
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