What topics are discussed in the story The Garnet Bracelet. “Garnet Bracelet”: the theme of love in Kuprin’s work

« Garnet bracelet»

On Sheina’s name day, her younger sister comes to visit her, who, like Pushkin’s Olga, who sets off the image of Tatyana in Eugene Onegin, sharply contrasts with Vera both in character and in appearance. Anna is playful and wasteful, and Vera is calm, reasonable and economical. Anna is attractive but ugly, while Vera is endowed with aristocratic beauty. Anna has two children, but Vera has no children, although she passionately desires to have them. Important artistic detail, revealing Anna’s character is the gift she gives to her sister: Anna brings Vera a small notebook made from an old prayer book. She enthusiastically talks about how she carefully selected leaves, clasps and a pencil for the book. Faith, the very fact of altering the prayer book into notebook seems blasphemous. This shows the integrity of her nature and emphasizes how much more seriously the older sister takes life. We will soon learn that Vera graduated from the Smolny Institute - one of the best educational institutions for women in noble Russia, and her friend is famous pianist Zhenya Reiter.

Among the guests who arrived for the name day, General Anosov is an important figure. It is this man, wise in life, who has seen danger and death in his lifetime, and therefore knows the value of life, who tells in the story several stories about love, which can be described in artistic structure works as insert novellas. Unlike the vulgar family stories narrated by Prince Vasily Lvovich, Vera’s husband and the owner of the house, where everything is distorted and ridiculed, turns into a farce, the stories of General Anosov are filled with real life details. This is how a dispute arises in the story about what real love. Anosov says that people have forgotten how to love, that marriage does not at all imply spiritual closeness and warmth. Women often get married to get out of care and be the mistress of the house. Men are tired of single life. A significant role in marriages is played by the desire to continue the family line, and selfish motives are often not in last place. “Where is the love?” - asks Anosov. He is interested in the kind of love for which “to accomplish any feat, to give one’s life, to go to torment is not work at all, but one joy.” Here, in the words of General Kuprin, in essence, reveals his concept of love: “Love must be a tragedy. The greatest secret in the world. No life conveniences, calculations or compromises should concern her.” Anosov talks about how people become victims of their love feelings, about love triangles, which exist contrary to all meaning.

Against this background, the story examines the love story of telegraph operator Zheltkov for Princess Vera. This feeling flared up when Vera was still free. But she did not reciprocate his feelings. Contrary to all logic, Zheltkov did not stop dreaming about his beloved, wrote tender letters to her, and even sent her a gift for her name day - a gold bracelet with garnets that looked like droplets of blood. An expensive gift forces Vera’s husband to take measures to stop the story. He, together with the princess's brother Nikolai, decides to return the bracelet.

The scene of Prince Shein's visit to Zheltkov's apartment is one of the key scenes of the work. A.I. Kuprin appears here as a genuine master-artist in the creation psychological portrait. The image of telegraph operator Zheltkov is typical of Russian classical literature 19th century image little man. A notable detail in the story is the comparison of the hero’s room with the wardroom of a cargo ship. The character of the inhabitant of this humble dwelling is shown primarily through gesture. In the scene of the visit of Vasily Lvovich and Nikolai Nikolaevich, Zheltkov either rubs his hands in confusion, or nervously unbuttons and fastens the buttons of his short jacket (and this detail becomes repetitive in this scene). The hero is excited, he is unable to hide his feelings. However, as the conversation progresses, when Nikolai Nikolaevich voices a threat to turn to the authorities in order to protect Vera from persecution, Zheltkov suddenly transforms and even laughs. Love gives him strength, and he begins to feel that he is right. Kuprin focuses on the difference in mood between Nikolai Nikolaevich and Vasily Lvovich during the visit. Vera's husband, seeing his opponent, suddenly becomes serious and reasonable. He tries to understand Zheltkov and says to his brother-in-law: “Kolya, is he really to blame for love and is it possible to control such a feeling as love - a feeling that has not yet found an interpreter.” Unlike Nikolai Nikolaevich, Shane allows Zheltkov to write a farewell letter to Vera. Huge role in this scene, to understand the depth of Zheltkov’s feelings for Vera, a detailed portrait of the hero plays. His lips become white, like those of a dead man, his eyes fill with tears.

Zheltkov calls Vera and asks her for a small thing - for the opportunity to see her at least occasionally, without appearing in front of her. These meetings could have given his life at least some meaning, but Vera refused him this too. Her reputation and the peace of her family were more valuable to her. She showed cold indifference to Zheltkov’s fate. The telegraph operator found himself defenseless against Vera’s decision. The strength of love and maximum spiritual openness made him vulnerable. Kuprin constantly emphasizes this defenselessness with portrait details: a child’s chin, a gentle girl’s face.

In the eleventh chapter of the story, the author emphasizes the motive of fate. Princess Vera, who never read newspapers for fear of getting her hands dirty, suddenly unfolds the very sheet on which the announcement of Zheltkov’s suicide was printed. This fragment of the work is intertwined with the scene in which General Anosov says to Vera: “...Who knows? - maybe yours life path, Verochka, crossed exactly the kind of love that women dream about and that men are no longer capable of.” It is no coincidence that the princess recalls these words again. It seems that Zheltkov was really sent to Vera by fate, and she could not discern selfless nobility, subtlety and beauty in the soul of a simple telegraph operator.

A unique plot structure in the works of A.I. Kuprin lies in the fact that the author gives the reader peculiar signs that help to predict further development narratives. In “Oles” this is the motive of fortune-telling, in accordance with which all further relationships between the characters develop; in “The Duel” it is the officers’ conversation about a duel. In “The Garnet Bracelet” there is a sign foreshadowing tragic ending, is the bracelet itself, the stones of which look like droplets of blood.

Having learned about Zheltkov’s death, Vera understands what she had a presentiment tragic outcome. In his farewell message to his beloved, Zheltkov does not hide his all-consuming passion. He literally deifies Faith, turning to her the words from the prayer “Our Father...”: “Hallowed be the your name».

In literature " Silver Age“God-fighting motives were strong. Zheltkov, deciding to commit suicide, commits the greatest Christian sin, because the church prescribes to endure any spiritual and physical torment sent to a person on earth. But with the entire course of development of the plot, A.I. Kuprin justifies Zheltkov’s action. Not by chance main character The story's name is Vera. For Zheltkov, thus, the concepts of “love” and “faith” merge together. Before his death, the hero asks the landlady to hang a bracelet on the icon.

Looking at the late Zheltkov, Vera is finally convinced that there was truth in Anosov’s words. Through his actions, the poor telegraph operator was able to reach his heart cold beauty and touch her. Vera brings Zheltkov a red rose and kisses him on the forehead with a long, friendly kiss. Only after death did the hero receive the right to attention and respect for his feelings. Only with his own death did he prove the true depth of his experiences (before that, Vera considered him crazy).

Anosov's words about eternal, exclusive love become the running theme of the story. IN last time they are remembered in the story when, at Zheltkov’s request, Vera listens to Beethoven’s second sonata (“Appassionata”). At the end of the story by A.I. Kuprin sounds another repetition: “Hallowed be Thy name,” which is no less significant in the artistic structure of the work. He once again emphasizes the purity and sublimity of Zheltkov’s attitude towards his beloved.

Putting love on a par with such concepts as death, faith, A.I. Kuprin emphasizes the importance of this concept for human life as a whole. Not all people know how to love and remain faithful to their feelings. The story “The Garnet Bracelet” can be considered as a kind of testament to A.I. Kuprin, addressed to those who are trying to live not with their hearts, but with their minds. Their life, correct from the point of view of a rational approach, is doomed to a spiritually devastated existence, for only love can give a person true happiness.

The problem of Loyalty and betrayal is raised in many works. I want to draw your attention to the “Garnet Bracelet”. Here you can find quality USE argument and examples that will make the essay more interesting and rich.

So, before us main character Zheltkov, who is worried serious condition. He is madly in love with one woman, but cannot be with her. She's already married. No matter how strong his feelings are, Zheltkov chooses loyalty. He does not indulge in intrigues or vulgarity, but boldly adheres to his principles and ideals.

In this state he can only suffer. But Zheltkov has no self-pity. He looks at the world soberly and understands that he will only cause his beloved a lot of trouble.

Therefore, all he can do is give her the opportunity to be happy.

I am amazed by the actions and thoughts of the hero. Everything that says about him inner strength will, wisdom, patience. This person is not guided by feelings alone. We need to follow his example.

This example from literature is very difficult, but it fits perfectly into the area of ​​fidelity and betrayal. If you need to write about love or married life, then you should definitely use the example from the Garnet Bracelet. Zheltkov is an excellent example of perseverance and determination, which can only be envied.

In the introduction of this essay, it is worth saying that fidelity and betrayal are our personal choices.

Nobody does it for us. Therefore, we will have to sort out all the consequences ourselves. You can also additionally give an example of betrayal from other literary works. In the conclusion it is worth saying your attitude towards fidelity and betrayal. Do you think betrayal is something scary? Is it possible to change? Are there certain situations for this?

A good example would be a real life story. It can also provide a second argument for the essay. Here you can talk about how you showed loyalty or how it was shown to you. Don't be afraid to talk about cheating. If you betrayed or were betrayed, then this will be a good basis for reasoning, which will build a successful conclusion to the entire work.

Updated: 2017-11-03

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Introduction
“The Garnet Bracelet” is one of the most famous stories by Russian prose writer Alexander Ivanovich Kuprin. It was published in 1910, but for the domestic reader it still remains a symbol of unselfish, sincere love, the kind that girls dream about, and the one that we so often miss. Previously, we published a summary of this wonderful work. In this same publication we will tell you about the main characters, analyze the work and talk about its problems.

The events of the story begin to unfold on the birthday of Princess Vera Nikolaevna Sheina. They celebrate at the dacha with their closest people. At the height of the fun, the hero of the occasion receives a gift - a garnet bracelet. The sender decided to remain anonymous and signed a short note only the initials GSG. However, everyone immediately guesses that this is Vera’s long-time admirer, a certain petty official who has been inundating her with love letters for many years. The princess's husband and brother quickly figure out the identity of the annoying suitor and the next day they go to his home.

In a wretched apartment they are met by a timid official named Zheltkov, he meekly agrees to take the gift and promises never to appear in front of the respectable family again, provided that he makes a final farewell call to Vera and makes sure that she does not want to know him. Vera Nikolaevna, of course, asks Zheltkov to leave her. The next morning the newspapers will write that a certain official took his own life. In his farewell note, he wrote that he had squandered government property.

Main characters: characteristics of key images

Kuprin is a master of portraiture, and through appearance he draws the character of the characters. The author pays a lot of attention to each character, devoting a good half of the story to portrait characteristics and memories, which are also revealed by the characters. The main characters of the story are:

• – princess, central female image;
• - her husband, the prince, the provincial leader of the nobility;
• - a minor official of the control chamber, passionately in love with Vera Nikolaevna;
• Anna Nikolaevna Friesse– Vera’s younger sister;
• Nikolai Nikolaevich Mirza-Bulat-Tuganovsky– brother of Vera and Anna;
• Yakov Mikhailovich Anosov- general, military comrade of Vera’s father, close friend families.

Vera is the ideal representative high society both in appearance, and in manners, and in character.

“Vera took after her mother, a beautiful Englishwoman, with her tall, flexible figure, gentle, but cold and proud face, beautiful, although rather big hands and that charming sloping shoulders that can be seen in ancient miniatures”

Princess Vera was married to Vasily Nikolaevich Shein. Their love had long ceased to be passionate and moved into that calm stage of mutual respect and tender friendship. Their union was happy. The couple did not have children, although Vera Nikolaevna passionately wanted a baby, and therefore gave all her unspent feelings to her children younger sister.

Vera was royally calm, coldly kind to everyone, but at the same time very funny, open and sincere with close people. She was not characterized by such feminine tricks as affectation and coquetry. Despite her high status, Vera was very prudent, and knowing how poorly things were going for her husband, she sometimes tried to deprive herself so as not to put him in an uncomfortable position.

Vera Nikolaevna’s husband is talented, pleasant, gallant, noble man. He has an amazing sense of humor and is a brilliant storyteller. Shein keeps a home journal in which she records true stories with pictures about the life of the family and its relatives.

Vasily Lvovich loves his wife, perhaps not as passionately as in the first years of marriage, but who knows how long passion actually lasts? The husband deeply respects her opinion, feelings, and personality. He is compassionate and merciful to others, even those who are much lower in status than him (this is evidenced by his meeting with Zheltkov). Shein is noble and endowed with the courage to admit mistakes and his own wrongness.

We first meet Official Zheltkov towards the end of the story. Until this moment, he is present in the work invisibly in the grotesque image of a klutz, an eccentric, a fool in love. When the long-awaited meeting finally takes place, we see before us a meek and shy person, such people are usually not noticed and called “little”:

“He was tall, thin, with long, fluffy, soft hair.”

His speeches, however, are devoid of the chaotic whims of a madman. He is fully aware of his words and actions. Despite his apparent cowardice, this man is very courageous; he boldly tells the prince, Vera Nikolaevna’s legal husband, that he is in love with her and cannot do anything about it. Zheltkov does not fawn over the rank and position in society of his guests. He submits, but not to fate, but only to his beloved. And he also knows how to love – selflessly and sincerely.

“It so happened that I am not interested in anything in life: neither politics, nor science, nor philosophy, nor concern for the future happiness of people - for me life lies only in you. I now feel that I have crashed into your life like some kind of uncomfortable wedge. If you can, forgive me for this.”

Analysis of the work

Kuprin got the idea for his story from real life. In reality, the story was more of an anecdotal nature. A certain poor telegraph operator named Zheltikov was in love with the wife of one of Russian generals. One day this eccentric was so brave that he sent his beloved a simple gold chain with a pendant in the form easter egg. It's hilarious and that's it! Everyone laughed at the stupid telegraph operator, but the inquisitive writer’s mind decided to look beyond the anecdote, because real drama can always be hidden behind the apparent curiosity.

Also in “The Pomegranate Bracelet,” the Sheins and their guests first make fun of Zheltkov. Vasily Lvovich even has a funny story in a home magazine called “Princess Vera and the telegraph operator in love.” People tend not to think about other people's feelings. The Sheins were not bad, callous, soulless (this is proven by the metamorphosis in them after meeting Zheltkov), they just did not believe that the love that the official admitted could exist..

There are many symbolic elements in the work. For example, a garnet bracelet. Garnet is a stone of love, anger and blood. If a feverish person picks it up (a parallel with the expression “love fever”), the stone will take on a more saturated hue. According to Zheltkov himself, this special kind pomegranate (green garnet) gives women the gift of foresight, and protects men from violent death. Zheltkov, having parted with his amulet bracelet, dies, and Vera unexpectedly predicts his death.

Another symbolic stone - pearls - also appears in the work. Vera receives pearl earrings as a gift from her husband on the morning of her name day. Pearls, despite their beauty and nobility, are an omen of bad news.
The weather also tried to predict something bad. On the eve of the fateful day, a terrible storm broke out, but on the birthday everything calmed down, the sun came out and the weather was calm, like a calm before a deafening clap of thunder and an even stronger storm.

Problems of the story

The key problem of the work is the question “What is true love?” In order for the “experiment” to be pure, the author provides different types“love.” This is the tender love-friendship of the Sheins, and the calculating, convenient love of Anna Friesse for her indecently rich old man-husband, who blindly adores her soul mate, and the long-forgotten ancient love General Amosov, and Zheltkov’s all-consuming love and worship for Vera.

The main character herself cannot understand for a long time whether it is love or madness, but looking into his face, albeit hidden by the mask of death, she is convinced that it was love. Vasily Lvovich draws the same conclusions after meeting his wife’s admirer. And if at first he was somewhat belligerent, then later he could not be angry with the unfortunate man, because, it seems, a secret was revealed to him, which neither he, nor Vera, nor their friends could comprehend.

People are selfish by nature and even in love, they think first of all about their feelings, masking their own egocentrism from their other half and even themselves. True love, which occurs between a man and a woman once every hundred years, puts the beloved in first place. So Zheltkov calmly lets Vera go, because that’s the only way she will be happy. The only problem is that he doesn’t need life without her. In his world, suicide is a completely natural step.

One of the most famous works of Alexander Kuprin is “Garnet Bracelet”. What genre is the story about the unrequited love of the modest official Zheltkov? More often this work is called a story. But it also contains features characteristic of the story. It turns out that defining the genre of “Garnet Bracelet” is not easy.

In order to do this, one should remember the content of Kuprin’s work, and also consider the features of both the story and the story.

What is a story?

Underneath this literary term understand the essay short prose. A synonym for this word is “short story”. Russian writers usually called their works stories. Novella is a concept inherent more foreign literature. There is no significant difference between them. In both the first and second cases we're talking about about the work small volume, in which only a few heroes appear. An important feature is the presence of only one storyline.

The structure of such a work is quite simple: beginning, climax, denouement. In Russian XIX literature centuries, a story was often called what today is commonly called a story. A shining example for everyone famous works Pushkin. The writer created several stories, the plot of which was allegedly told to him by a certain Belkin, and called them stories. In each of these works there are few characters and only one storyline. So why didn’t Pushkin call his collection “Belkin’s Stories”? The fact is that the literary terminology of the 19th century is somewhat different from the modern one.

But the genre of Chekhov’s works is beyond doubt. Events in the stories of this writer revolve around some seemingly minor incidents that allow the characters to look at their lives differently. There are no unnecessary characters in Chekhov's works. His stories are clear and concise. The same can be said about the prose of later authors - Leonid Andreev, Ivan Bunin.

What is a story?

A work of this genre occupies an intermediate position between a short story and a novel. In foreign literature, the concept of “story” is absent. English and French authors created either short stories or novels.

IN Ancient Rus' any story was called prose work. Over time, the term acquired a narrower meaning. Before mid-19th centuries, it was understood as a work of small size, but larger than a story. There are usually significantly fewer heroes in the story than in the epic "War and Peace", but more than in Chekhov's "Wallet". Yet modern literary scholars sometimes it is difficult to determine the genre of a work written more than 200 years ago.

In the story, events revolve around the main character. Actions take place over a short period of time. That is, if the work tells how the hero was born, graduated from school, university, did successful career, and then, closer to his seventieth birthday, died safely in his bed, then this is a novel, but not a story.

If only one day in the life of a character is shown, but the plot contains two or three actors, this is a story. Perhaps the clearest definition of a story is the following: “a work that cannot be called either a novel or a story.” What is the genre of "Garnet Bracelet"? Before answering this question, let's remember the content.

"Garnet bracelet"

A work can be confidently classified as a short story if it involves two or three characters. There are more heroes here.

Vera Sheina is married to a kind and well-mannered man. She doesn't care about the telegraph operator who regularly writes her love letters. Moreover, she had never even seen his face. Vera's indifference gives way to a feeling of anxiety, and then pity and regret after she receives a garnet bracelet as a gift from the telegraph operator.

The genre of this work could be easily determined if Kuprin had excluded from the narrative such characters as General Anosov, Vera’s brother and sister. But these characters are not just present in the plot. They, and especially the general, play a certain role.

Let us recall several stories included by Kuprin in “Garnet Bracelet”. The genre of a work can be determined in the process of its artistic analysis. And to do this, you should again turn to the content.

Crazy Love

The officer fell in love with the wife of the regimental commander. This woman was not attractive, and she was also a morphine addict. But love is evil... The romance did not last long. The experienced woman soon became tired of her young lover.

Garrison life is boring and monotonous. The military wife, apparently, wanted to brighten up her everyday life with thrills, and she demanded proof of love from her former lover. Namely, throw yourself under a train. He did not die, but remained disabled for life.

Love triangle

Another incident from garrison life is told in another story included in the “Garnet Bracelet.” Its genre could be easily determined if it were separate work. It would be a classic story.

The wife of a brave officer, highly respected by the soldiers, fell in love with the lieutenant. A passionate romance ensued. The traitor did not hide her feelings at all. Moreover, the husband was well aware of her relationship with her lover. When the regiment was sent to war, she threatened him with divorce if something happened to the lieutenant. The man went to sapper work instead of his wife's lover. I checked the guard posts for him at night. He did everything to preserve the health and life of his opponent.

General

These stories are not given by chance. They were told to Vera by General Anosov, one of the most striking characters in “The Garnet Bracelet.” The genre of this work would not be in doubt if it were not for this colorful character. In that case it would be a story. But the general distracts the reader from the main storyline. In addition to the above stories, he also tells Vera about some facts from his biography. In addition, Kuprin paid attention to other minor characters(for example, sister Vera Sheina). This made the structure of the work more complex, the plot deeper and more interesting.

The stories told by Anosov make an impression on the main character. And his thoughts about love make the princess look differently at the feelings of the faceless telegraph operator.

What genre does “Garnet Bracelet” belong to?

It was said above that in literature previously there was no clear division between such concepts as story and story. But this was only the case early XIX century. The work discussed in this article was written by Kuprin in 1910. By that time, the concepts used by modern literary scholars had already been formed.

The writer defined his work as a story. Calling "The Garnet Bracelet" a story is incorrect. However, this mistake is forgivable. As one famous person said, not without a bit of irony, literary critic, no one can perfectly distinguish a story from a story, but philology students love to argue on this topic.

Alexander Ivanovich Kuprin is a Russian writer who, without a doubt, can be classified as a classic. His books are still recognizable and loved by readers, and not only because of coercion school teacher, but at a conscious age. Distinctive feature his work is documentary, his stories were based on real events or real events became the impetus for their creation - among them the story “Garnet Bracelet”.

"Garnet bracelet" - real story, heard by Kuprin from friends while watching family albums. The governor's wife made sketches for letters sent to her by a certain telegraph official who was unrequitedly in love with her. One day she received a gift from him: a gold-plated chain with a pendant in the shape of an Easter egg. Alexander Ivanovich took this story as the basis for his work, turning these meager, uninteresting data into a touching story. The writer replaced the chain with the pendant with a bracelet with five garnets, which, according to what King Solomon said in one story, mean anger, passion and love.

Plot

“The Pomegranate Bracelet” begins with preparations for the celebration, when Vera Nikolaevna Sheina suddenly receives a gift from an unknown person: a bracelet with five garnets flecked in green. The paper note that came with the gift stated that gem capable of endowing the owner with foresight. The princess shares the news with her husband and shows a bracelet from unknown person. As the action progresses, it turns out that this person is a petty official named Zheltkov. He first saw Vera Nikolaevna at the circus many years ago, and since then the suddenly flared up feelings have not faded away: even her brother’s threats do not stop him. However, Zheltkov does not want to torment his beloved, and he decides to commit suicide so as not to bring shame on her.

The story ends with the realization of the strength of the stranger’s sincere feelings, which comes to Vera Nikolaevna.

Love theme

The main theme of the work “Garnet Bracelet” is undoubtedly the theme of unrequited love. Moreover, Zheltkov is a shining example of selfless, sincere, sacrificial feelings that he does not betray, even when his loyalty cost his life. Princess Sheina also fully feels the power of these emotions: years later she realizes that she wants to be loved and love again - and the decoration donated by Zheltkov marks coming soon passions. Indeed, she soon falls in love with life again and feels it in a new way.

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The theme of love in the story is frontal and permeates the entire text: this love is high and pure, a manifestation of God. Vera Nikolaevna feels internal changes even after Zheltkov’s suicide - she learned the sincerity of a noble feeling and willingness to sacrifice herself for the sake of someone who will give nothing in return. Love changes the character of the entire story: the princess’s feelings die, fade, fall asleep, having once been passionate and ardent, and turned into a strong friendship with her husband. But Vera Nikolaevna still continues to strive for love in her soul, even if this has become dulled over time: she needed time to let passion and sensuality come out, but before that her calmness could seem indifferent and cold - this puts a high wall for Zheltkov.

1. Main characters (characteristics) Zheltkov worked as a minor official in the control chamber (the author placed him there to emphasize that the main character was a small man). Kuprin does not even indicate his name in the work: only the letters are signed with initials. Zheltkov is exactly how the reader imagines a man of low position: thin, pale-skinned, straightening his jacket with nervous fingers. He has delicate facial features and eyes. According to the story, Zheltkov is about thirty years old, he is not rich, modest, decent and noble - even Vera Nikolaevna’s husband notes this. The elderly owner of his room says that during the eight years that he lived with her, he became like family to her, and he was a very nice person to talk to. “...Eight years ago I saw you in a box at the circus, and then in the first second I said to myself: I love her because there is nothing like her in the world, there is nothing better...” - this is how it begins modern fairy tale about Zheltkov’s feelings for Vera Nikolaevna, although he never cherished hopes that they would be mutual: “...seven years of hopeless and polite love...”. He knows the address of his beloved, what she does, where she spends her time, what she wears - he admits that he is not interested in anything but her and is not happy.
2. you can also find it on our website. Vera Nikolaevna Sheina inherited her mother's appearance: a tall, stately aristocrat with a proud face. Her character is strict, uncomplicated, calm, she is polite and courteous, kind to everyone. She has been married to Prince Vasily Shein for more than six years, together they are full members high society
3. , organize balls and receptions, despite financial difficulties. Vera Nikolaevna has Native sister
4. , the youngest, Anna Nikolaevna Friesse, who, unlike her, inherited her father’s features and his Mongolian blood: narrow eyes, femininity of features, flirtatious facial expressions. Her character is frivolous, perky, cheerful, but contradictory. Her husband, Gustav Ivanovich, is rich and stupid, but he idolizes her and is constantly nearby: his feelings seem to have not changed from the first day, he looked after her and still adored her just as much. Anna Nikolaevna cannot stand her husband, but they have a son and a daughter, she is faithful to him, although she treats him quite contemptuously. General Anosov - Godfather Anna, him full name
5. - Yakov Mikhailovich Anosov. He is fat and tall, good-natured, patient, hard of hearing, he has a large, red face with clear eyes, he is very respected for the years of his service, fair and courageous, has a clear conscience, always wears a frock coat and cap, uses a hearing horn and a stick. Prince Vasily Lvovich Shein is the husband of Vera Nikolaevna. Little is said about his appearance, only that he has blonde hair

, and the head is big. He is very soft, compassionate, sensitive - he treats Zheltkov’s feelings with understanding, and is unshakably calm. He has a sister, a widow, whom he invites to the celebration.

Features of Kuprin's creativity life truth. He saw the world around him in a special way and sought to learn something new; his works are characterized by drama, a certain anxiety, and excitement. “Cognitive pathos” - they call it business card his creativity.

In many ways, Dostoevsky influenced Kuprin’s work, especially early stages, when he writes about fatal and significant moments, the role of chance, the psychology of characters’ passions, the writer often makes it clear that not everything can be understood.

It can be said that one of the features of Kuprin’s work is a dialogue with readers, in which the plot is traced and reality is depicted - this is especially noticeable in his essays, which in turn were influenced by G. Uspensky.

Some of his works are famous for their lightness and spontaneity, poeticization of reality, naturalness and authenticity. Others are the theme of inhumanity and protest, the struggle for feelings. At some point, he begins to be interested in history, antiquity, legends, and so they are born fantastic stories with the motives of the inevitability of chance and fate.

Genre and composition

Kuprin is characterized by a love of plots within plots. “The Garnet Bracelet” is further proof: Zheltkov’s note about the qualities of the jewelry is the plot within the plot.

The author shows love from different points of view - love according to general concepts and Zheltkov’s unrequited feelings. These feelings have no future: Family status Vera Nikolaevna, the difference in social status, circumstances are all against them. This doom reveals the subtle romanticism invested by the writer in the text of the story.

The entire work is ringed by references to the same thing. piece of music- Beethoven sonatas. Thus, the music that “sounds” throughout the story shows the power of love and is the key to understanding the text, heard in the final lines. Music communicates the unsaid. Moreover, it is Beethoven’s sonata at the climax that symbolizes the awakening of Vera Nikolaevna’s soul and the awareness that comes to her. Such attention to melody is also a manifestation of romanticism.

The composition of the story implies the presence of symbols and hidden meanings. So the fading garden implies the fading passion of Vera Nikolaevna. General Anosov tells short stories about love - these are also small plots within the main narrative.

Difficult to determine genre affiliation"Garnet bracelet" In fact, the work is called a story largely due to its composition: it consists of thirteen short chapters. However, the writer himself called “The Garnet Bracelet” a story.

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