The image of Evgeny Onegin essay
Plan
1. A novel in verse.
2.1. Characteristics of the main character.
2.2. Onegin and Tatiana.
2.3. Onegin and Lensky.
3. My attitude towards the hero.
This is a talented creation. The work captures the reader's attention with its beautiful rhyme, unusual plot development, vivid images, and relevance of the issues raised. The poet wrote his novel for almost ten years, he grew up along with his main character.
The story begins with Onegin going to the village to visit his dying uncle. He rushes there not out of good intentions, but to receive an inheritance: “for the sake of money, for sighs, boredom and deception.” This behavior, characteristic of most young nobles of that time, speaks of Eugene’s selfishness and selfishness. Onegin is no different from his contemporaries. He is not accustomed to work, he looks down on others, he is cynical and selfish. Onegin is young, handsome and smart, educated.
On the other hand, the hero gets tired of secular falsehood and the idleness of life. He retires to his estate and wants to fix something, change something. Evgeniy is in constant search of his path: he is either writing, reading, or the peasant question. But it’s all out of boredom, “just to pass the time.” The hero's disappointment and restlessness prevent him from finding meaning in life and having a worthwhile occupation. As we see, Onegin’s character is contradictory.
In the village, Onegin meets Tatyana Larina, a simple girl, pleasant and pretty. He understands that she is not like other young noblewomen, she has spiritual charm, Tatyana is pure both in thoughts and words, sincere, thoughtful, modest. Having fallen in love with Eugene, she cannot live in ignorance. The heroine confesses her feelings to him. But the young man does not appreciate Larina. Besides, he's afraid true love, afraid of serious family relations. And he refuses the girl, causing her pain.
The main character’s relationship with Lensky is just as complicated. They are so different, but they got along and became friends. Despite the difference in opinions and disputes on numerous issues, young people spend a lot of time together and develop sincere sympathy for each other. However, a stupid disagreement leads to a terrible quarrel and an inevitable duel. Onegin bears no ill will towards Lensky, he does not want to fight. But the prejudices of the world and fear of other people's opinions force him to take part in the duel. He kills a man who could have become his true friend. This act leaves an indelible mark on Evgeniy’s soul. Frustrated and sad, he leaves to travel around Russia.
I have mixed feelings about the main character. The way he treated Lensky and Tatyana deserves condemnation. But at the end of the novel I see that Onegin is improving. He becomes a different person, he realizes his guilt and is ready to learn from his mistakes. His explanation with Tatyana is an explanation of a wise man who regrets his rash actions and reflects on his behavior. And although the girl rejects Eugene, although his love for her remains the basis for an answer, I feel that Onegin will be able to rise and become a real person.
I did not describe him in the traditions of romanticism, as a person who experienced suffering that led to a hardening of the soul. He immediately looks for the reason for this state of the hero in Eugene’s childhood and youth.
His father is a typical nobleman who squandered his estate. Pushkin portrays Onegin as a representative and product of a certain environment, the capital's noble secular society.
The child was raised by an English governess, then "poor" a French tutor whose upbringing consisted of superficial instruction in everything "jokingly" and walks in Summer garden.
As a young man, Eugene appears before the reader as a dandy, a rake, a dandy. Pushkin describes in detail Evgeniy’s toiletries (perfume, combs, nail files, scissors "and brushes of thirty kinds"), his clothes.
The hero's knowledge and skills were enough to “the world decided that he was smart and very nice”: he could speak and write French, danced the mazurka and "bowed casually". Onegin's knowledge is superficial, but the key to success is secular behavior.
Onegin's lifestyle must inevitably cause boredom, "longing laziness". Pushkin talks about the hero’s ordinary day: in the morning he receives invitations for the evening, then walks along the boulevard, and when it gets dark, he rushes to visit for dinner. Then Onegin, being late, comes to the theater to show himself, and having changed clothes, he finds himself at the ball.
Onegin, half asleep, returns home, "morning turns to midnight" to wake up in the afternoon and start the whole cycle again: "Tomorrow is the same as yesterday".
Character and its origins, character development
The novel "Eugene Onegin" begins internal monologue the main character, in which he explains the reason for his forced trip to the village. The character traits revealed in this monologue are mental acuity, selfishness, skepticism and cynicism. At the same time, the hero submits to public morality, which disgusts him. That is, he himself lies and is a hypocrite. At the connection of positive and negative traits Pushkin creates a multifaceted realistic character.
Onegin thoroughly comprehended only one science - "the science of tender passion". Pushkin lists everything "skills" ladies' man The hero quickly cooled in heart, he was fed up. Onegin is disappointed in love (more precisely, in what light means by this word), in friendship and thrills.
Having moved to the village, Onegin did not get rid of the blues. Everything was just new "first". Onegin even set about establishing a new order, replacing corvee with quitrent. But he didn’t want to communicate with his neighboring landowners, being considered ignorant and crazy.
Onegin and other heroes
Onegin's character is revealed through trials of friendship, love and the murder of a friend. It emerges using the technique of contrast. Onegin and his young neighbor, the poet and dreamer Lensky, are opposites: “Wave and stone, poetry and prose, ice and fire are not so different from each other”. Having become friends, the young people became inseparable also because both were alien to the village environment: Onegin as a resident of the capital, and Lensky, "half-Russian neighbor", as a graduate of the University of Göttingen. And only with the Larin family, with whom Lensky soon introduces Onegin, young poet He is still connected by his childhood love for his youngest sister, Olga, whose wedding has already been announced. Onegin was more interested in the eldest, Tatyana. A girl raised on sentimental novels, acts like their heroine. She writes a letter to Evgeniy declaring her love. This is where our hero lives up to his name (Eugene means “noble”), keeps the girl’s confession secret, but not in order to take advantage of unexpected love, out of the habit of an experienced libertine, but in order to teach young Tatyana a lesson in restraint and caution: “Not everyone will understand you like I do; inexperience leads to trouble.”.
However, nobility comes cheap to Evgeny: young Tatyana does not interest him as a woman, and he is already quite tired of visits to the Larins’ village. During the next such visit, wishing "to take revenge" friend for boring evening, Onegin is courting Olga, who responds to his advances with her characteristic coquetry. Enraged by the behavior of his fiancée and friend, Lensky challenges Onegin to a duel, and he sluggishly, semi-automatically allows the matter to be brought to a conclusion. fatal shot- and now an innocent friend is killed by his merciless hand.
After the duel, Onegin flees abroad, and Tatyana, having visited his house and office in his absence, seeing his furnishings, his books, begins to understand what kind of person he is. Soon she gets married. This is a brilliant match, her husband is a general, but Tatyana married him without love. Now she is a society lady, and Onegin, returning to the capital, falls in love with the one he rejected. The situation is repeated in a mirror way: now he writes her a letter, and she gives a lesson in restraint and caution: “I love you (why lie?), but I am given to someone else, I will be faithful to him forever.”.
- “Eugene Onegin”, a summary of the chapters of Pushkin’s novel
- “Eugene Onegin”, analysis of the novel by Alexander Pushkin
Pushkin's works belong to the history of literature. In each of them there is an imprint of an original thought, an imprint worthy of attention in its novelty, clarity and beauty. The author's mind, by nature unusually insightful and sharp, was expressed in all its strength in his writings.
The novel in verse “Eugene Onegin” is an encyclopedia of the morals of Russian society, a work of a new type. Before "Eugene Onegin" Russian society I haven’t encountered it with novels in verse.
According to the apt remark of V.G. Belinsky, Pushkin took up a novel in verse, “when there was not a single decent novel in prose in the Russian language.”
Let's meet the main character, Evgeny Onegin. We first meet him in the first chapter of the novel:
"With the hero of my novel
Without preamble, right now
Let me introduce you."
What is he like, the hero of Alexander Pushkin's novel?
The author introduces us to his character, disposition, thoughts and feelings gradually, throughout the entire narrative.
Onegin is a young nobleman, an aristocrat. He was brought up in the classical traditions of those times: French teachers, tutors. Learning “a little something and somehow”, Onegin mastered quite a small amount of knowledge true knowledge. In a conversation he could “touch everything lightly, with the learned air of an expert.”
“The time of hope and tender sadness” came quite quickly. Evgeniy began to appear in the world. He was dressed appropriately, with his hair cut in the latest fashion. He spoke French easily, danced excellently, knew how to make ladies smile “with the fire of unexpected epigrams,” kept jokes in his memory, read Adam Smith...
“What do you want more? The light has decided
That he is smart and very nice."
But Onegin is a contradictory type. Having studied early the “science of tender passion,” he also cooled his feelings early and became indifferent to big world and the blues gradually began to take hold of him.
Under the influence of this melancholy, Onegin locks himself in his office and begins to write. But nothing comes of this writing, because he is sick of hard work. Then he starts reading, but no sense comes out of reading either, and he is forced to give up the books.
Onegin manages to become embittered against the world and begins to despise people. In such a spiritual mood, he finds himself in a village where his uncle fell ill. Here Onegin meets the romantic Lensky and, despite the contrast of characters, becomes close to him. Here, in the village, in the Larin family, Onegin meets the thoughtful and dreamy Tatyana, who soon falls in love with him, and, following the attraction of her heart, openly confesses her love to him in a letter. Onegin responds to the girl’s sincere confession with the assurance that he survived the play of passions and ends his long sermon with a dry moral lesson:
“Learn to control yourself;
Not everyone will understand you, as I understand..."
After a quarrel, Onegin kills his friend Lensky in a duel.
Continuing to languish in the “inactivity of leisure,” he leaves the village and begins “wandering without a goal.” After two years of wandering, Onegin ends up in Moscow, where he meets the same Tatyana, but finds her already an indifferent princess, an unapproachable lady. This change that happened to her struck Onegin so much that he “falls in love with Tatyana like a child” and begins to pursue her with his love. In response to his love confession, he receives the same sensitive lesson that he once taught Tatyana. She tells him that although she loves him, she is given to someone else and will remain faithful to him forever.
In Russian literature, types such as Onegin are classified as “superfluous people.” Onegin's path is long and thorny. On this path he finds no use for his powers anywhere. Onegin’s inability to work effectively, to do real work - this is where main reason his mental discomfort, endless blues and incessant boredom.
Onegin is not able to look at life from the other side, to understand the principles of life on other spiritual principles.
Conclusion
Pushkin was ahead of his time. He created a completely unique novel. A novel in verse. In it we follow the narrative and, at the same time, enjoy the crystal purity of Pushkin’s poems.
The author introduced us to Onegin, a man with a complex and contradictory nature. The image of this hero, according to A.I. Herzen, “is so national that it is found in all novels and poems that receive any recognition in Russia.”
Bibliographic description:
Nesterova I.A. The image of Evgeny Onegin in Pushkin's novel. [ Electronic resource] // Educational encyclopedia website
How Pushkin reveals the image of Eugene Onegin.
The novel in verse "Eugene Onegin" undoubtedly represents one of the most priceless diamonds in the treasury of Russian literature. The great Russian critic V.G. Belinsky wrote in his article: "...Eugene Onegin is a historical poem in in every sense this word, although among its heroes there is not a single historical person". Historical value The poem is that it was in Rus' "... the first and brilliant experience of this kind."
In his novel A.S. Pushkin introduces us to the life of secular society, ridiculing the life and way of life of the nobility, but this is laughter through tears. Using the example of Evgeny Onegin, the poet shows what he can do with a smart and educated person life full of fun.
Evgeny Onegin was born in St. Petersburg, a beautiful city on the banks of the Neva. His family was not rich. A.S. Pushkin says this at the beginning of the novel:
Having served excellently and nobly,
His father lived in debt
Gave three balls annually
And finally squandered it.
Evgeny Onegin received a typical upbringing for that time:
At first Madame followed him,
Then Monsieur replaced her.
The child was harsh, but sweet.
Monsieur l "Abbé, poor Frenchman, So that the child does not become tormented,
I taught him everything jokingly,
I didn’t bother you with strict morals,
Lightly scolded for pranks
And he took me for a walk in the Summer Garden.
Childhood ended, and Onegin enthusiastically plunged into the world of secular permissiveness and entertainment. Evgeniy was not accustomed to work. He took on various jobs, but nothing came of it because he lacked perseverance and hard work. Evgeny Onegin did not have deep knowledge, but “...he had the lucky talent” to give the impression of being smart and knowledgeable person. Evgeny Onegin learned to lie and be a hypocrite early on, and this largely determines his success in society. Onegin did not value either friendship or love.
How early could he be a hypocrite?
To harbor hope, to be jealous,
To dissuade, to make believe,
Seem gloomy, languish,
Be proud and obedient
Attentive or indifferent!
However, Onegin quickly became bored with the game of love. His feelings cooled down, betrayal became a habit. Evgeniy wanted to experience something new, but metropolitan society there is no novelty. Boredom caused a deep melancholy in him. It was for new impressions and changes that he went to the village.
Despite everything, Onegin was a realist. He did not like and did not know how to get lost in dreams, but poetry lived deep in his soul. Eugene can experience deep, strong feelings. This becomes obvious after he meets Tatyana. The village girl awakened them in him, but the fear of losing freedom was stronger. Later, Onegin deeply repents of this.
Once I met you by chance,
Noticing a spark of tenderness in you,
I didn't dare believe her:
I didn’t give in to my dear habit;
Your hateful freedom
I didn't want to lose.
For Evgeny Onegin, the opinion of society played a big role. For the sake of the approving glance of noble dandies, Onegin was ready to betray and deceive.
Second Chadayev, my Evgeniy,
Fearing jealous judgments,
There was a pedant in his clothes
And what we called dandy.
Fear of jealous condemnation prevented the duel with Lensky from being prevented. However, despite all the above, Onegin cannot be called a narcissistic egoist. However, selfishness is not alien to him. He never forgets himself. The conversation with Tatyana is evidence of this. This “lesson in the dark” itself is an attempt by the protagonist to avoid responsibility.
"Whenever life around home
I wanted to limit;
When would I be a father, a husband?
A pleasant lot has decreed;
When would a family picture
I was captivated at least for a single moment, -
That would be true, except for you alone,
I was looking for no other bride.
I will say without madrigal sparkles:
Found my former ideal,
I would definitely choose you alone
To the friends of my sad days,
All the best as a pledge,
And I would be happy... as much as I could!
When talking with Tatyana, Onegin shows nobility. He tries to protect the girl from misfortune, but this is no longer possible.
Boredom haunts Onegin. He quickly gets bored with everything, and this makes him a person unable to benefit society. Evgeny Onegin is trying with all his might to find his place in life, but he is not succeeding, since the lifestyle and worldview of the nobility prevents his ambitious nature from expressing itself. For his mind, the life of secular society is boring and monotonous.
A.S., Pushkin emphasizes that Onegin is doomed. He has nothing: no friends, no beloved woman. He became embittered and closed in on himself.
The hero of Pushkin’s novel can be compared with A.A. Chatsky. They both became victims of the way of life of society. However, the nineteenth century is rich in great and talented people. Why did neither Onegin nor Chatsky achieve anything? The problem lies in the very nature of the heroes. Onegin, like Chatsky, turned out to be " extra person"Chatsky suffered from his intelligence and inability to take a decisive action, while Onegin was destroyed by laziness and boredom.
Before us is an eighteen-year-old young aristocrat with a rich inheritance, which he received from his uncle. Onegin was born into a rich, but ruined noble family. He calls caring for a seriously ill uncle “ low cunning“, since Evgeny is bored in the village and it’s tiring to look after his relative.
Onegin’s education and upbringing was not serious: “at first Madame followed him,” the Frenchman “taught him everything jokingly.” According to the world, Onegin is “a learned fellow, but a pedant,” however, “He had the lucky talent ... to touch everything lightly with the learned air of an expert.” A.S. Pushkin speaks about the level of education of the nobles of the 20s of the 20th century like this: “We all learned a little something and somehow.”
But more than all other disciplines, Onegin was interested in the “science of tender passion.” He could seem at the same time indifferent and attentive, gloomy, gloomy and eloquent, languid, he knew how to amuse the ladies, slander his rivals and be friends with the husbands of his lovers. Only this is all a game of love, its image. “How early he could have been a hypocrite,” the author says about the hero’s feelings. The main qualities that can be used to describe Onegin in the first chapter of the novel are indifference, indifference to everything that happens, frivolity. The hero is not interested in the suffering and experiences of other people.
The author attaches great importance to depicting Onegin’s daily routine: waking up in the afternoon, with invitations to social events, a walk along the boulevard, visiting the theater, a ball, returning home in the morning. For Onegin, his appearance, the hero spends about three hours a day in front of the mirror: “He has his hair cut in the latest fashion, like a London dandy.” The hero follows fashion, dresses stylishly in everything sophisticated and foreign, mainly English and French. Fashion dooms you to a superficial attitude towards everything, therefore, following fashion, the hero cannot be himself.
Onegin is not interested in theatrical performances; he attends them only for the sake of observing social etiquette: “He bowed to the men on all sides, then looked at the stage with great absentmindedness, turned away - and yawned.” Evgeny Onegin is surrounded by women, friends, famous people sphere of art, and he believes that it will always be so. Having danced and become tired at the balls, Onegin returns home, but tomorrow the same thing is repeated: sleep until noon, invitations and balls.
The hero lived like this for about eight years. On the one hand, life is colorful, on the other – gray, monotonous and empty. And such a life quickly bored the hero; he soon lost interest in life in general: “the Russian melancholy took possession of him little by little,” “nothing touched him, he did not notice anything.” Thus, the literate, extraordinary Onegin could not change his lifestyle, because secular society stronger and requires adherence to etiquette.
In the first chapter, the author’s attitude towards the hero is noticeable: Pushkin calls Onegin “my good friend” and talks about how he became friends with him, spent time on the Neva embankment, talks about how they shared memories with each other, discussed young ladies. However, everything positive traits Pushkin evaluates his hero with irony.
So, based on the analysis of the first chapter of the novel, we can conclude that Onegin is shown contradictory: a talented, outstanding young man who has not received a systematic education, wants love, but treats feelings frivolously, knows how to behave in society and lives active life, but is bored in the world. Onegin is subordinate to society, but is forced to live in it. The usual pretense is boring and irritating. Words by P.Ya. Vyazemsky successfully characterizes the hero: “And he is in a hurry to live and in a hurry to feel,” but to live true values Onegin doesn't know how yet.
