Aksakov Sergei Timofeevich was born in 1791 in Ufa, and died in Moscow in 1859. This is a Russian writer, public figure, official, memoirist, literary critic, as well as the author of books about hunting and fishing, and collecting butterflies. He is the father of the Slavophiles, and the writers Ivan, Konstantin and Vera Aksakov.
In this article we will look at Aksakov's works in chronological order.
"Buran"
During 1820-1830 the main creative activity Sergei Timofeevich were translations, as well as literary and theater criticism, several poems were created. He wrote his first significant work only in 1833. This was the essay "Buran", published a year later anonymously in an almanac called "The Right Hand". The basis of this work by Aksakov is real event, which the writer knew about from the words of his eyewitnesses. This essay already carried the main features of the author’s subsequent work, the main one of which was an interest in reality. This work already outlines characteristic properties Aksakov’s poetics, by which we recognize this author. S. Mashinsky wrote about this creation that the picture of the storm was painted with such expressive power, laconic colors and courageous simplicity, as only Pushkin could write in prose until then.
After publication, the work received very high marks various critics. Alexander Sergeevich himself appreciated Aksakov’s description of the snowstorm. Later, 20 years later, Leo Tolstoy would turn to the experience of this author when creating the story “Blizzard”.
We continue to describe Aksakov’s works. The list will be supplemented by “Notes” about hunting and fishing. From the end of the 1830s, Aksakov’s life began new period. He, as he dreamed, left public service, focusing entirely on managing family and business affairs.
"Notes on Fishing"
Aksakov's works underwent significant thematic changes in the 40s. Then he began to create a “Family Chronicle”, and later, in 1845, he decided to write a book dedicated to fishing. Work on it was completed a year later, and in 1847 it was published under the title “Notes on Fishing.” In form, this work is a selection of essays by a fisherman. This creation of Aksakov was also met with unanimous approval. A significantly expanded and revised edition was published in 1854 under the title “Notes on Fishing,” and two years later a third appeared.
"Notes of a Gun Hunter"
Aksakov’s works, the list of which we are compiling, will be supplemented by a book entitled “Notes of a Gun Hunter.” In 1849, Sergei Timofeevich began working on a work about hunting. It was published in 1852. In style, this creation resembled the previous one: its chapters were essays. This book also soon became popular, and the circulation of this work was instantly sold out. And again rave reviews various critics, including Gogol, Turgenev, Chernyshevsky.
"Family Chronicle"
In 1840, Aksakov began creating the Family Chronicle. However, then his attention switched to the above-mentioned books about hunting and fishing, and only in 1852 did work on these memoirs resume.
Individual episodes of Aksakov’s work were published as they were written in periodicals. A small excerpt was published already in 1846, and in 1854 the first episode from the “Family Chronicle” appeared in “Moskvityanin”, followed by the fourth (in “Russian Conversation” in 1856) and the fifth (in “Russian Messenger” in 1856 year). At the same time, “Memoirs” was published, which later became the third, separate book of the trilogy.
The second edition, published in 1856, included two more excerpts from this work, which finally acquired its final form.
The release of "Family Chronicle" was associated with censorship friction. Aksakov also feared the reaction of his neighbors and relatives who did not want publicity family secrets. Therefore, the writer changed many geographical names and faces. The book introduces the reader to a picture of landowner life in the provinces. took important place V Russian literature, met with enthusiastic reception from critics and readers alike.
"Childhood years of Bagrov the grandson"
This work was created in the period from 1854 to 1856. The author wanted to create a unique book for children, which should be written as if for adults, without being adjusted to the age of the audience, with a lack of moralizing. The birth of this work by Aksakov for children occurred in 1858. The book shows the transformation inner world hero with age.
Aksakov's fairy tales, the list of which consists, strictly speaking, of only one work, are considered by some for some reason to be numerous. This is understandable: such a beautiful fairy tale could only be created by an experienced author. Aksakov was very experienced, but worked mainly in other genres. This work was placed by the author as an appendix to the book “The Childhood Years of Bagrov the Grandson.” Aksakov’s works for children, as you can see, are few in number, but very interesting and popular even today.
"Design" Scarlet flower" represents artistic treatment(not the first one) famous story about the meeting of beauty and the beast. It was published many times separately, becoming the most published work of Sergei Timofeevich and creating the myth of “Aksakov’s fairy tale.”
Other works
Work on the trilogy inspired the writer, who conceived the idea of another memoir work dedicated to the period of his life in 1820-1830. He, however, did not have time to bring it to life, but in the course of his work he created a number of interesting memoir essays. “Acquaintance with Derzhavin”, “Biography of M. N. Zagoskin” and “Memories of M. N. Zagoskin” appeared in 1852.
In the period from 1856 to 1858 the author created memoir essays, which continued the series about A. S. Shishkov, Ya. E. Shusherin and G. R. Derzhavin. This book was published in "Russian Conversation" in parts, and then, in 1858, was included in the collection entitled " Various essays S. T. Aksakov." This time the memoirs were greeted without enthusiasm by critics, including N. A. Dobrolyubov. The author was accused of partiality and subjectivity in relation to his friends of his youth.
Latest works
“Collecting Butterflies” is a story written in 1858 for the collection “Bratchina,” a charity publication for the benefit of students at Kazan University. This creation is thematically related to the author’s university memoirs. It was born after his death. Aksakov, 4 months before his death, dictated another work - “Essay winter day". "Meeting with the "Martinists" was the last creation published during the life of Sergei Timofeevich and published in "Russian Conversation" in 1859.
Aksakov Sergey Timofeevich was born in October 1 1791 in Ufa, and died in Moscow in 1859 -m. This is a Russian writer, public figure, official, memoirist, literary critic, and also the author of books about hunting and fishing, and collecting butterflies. He is the father of the Slavophiles, public figures and writers Ivan, Konstantin and Vera Aksakov.
In this article we will look at Aksakov's works in chronological order.
"Buran"
During 1820-1830, Sergei Timofeevich's main creative activity was translations, as well as literary and theatrical criticism, and several poems were created. He wrote his first significant work only in 1833. This was the essay “Buran”, published a year later anonymously in an almanac called “The Right Hand”. The basis of this work by Aksakov is a real event, which the writer knew about from the words of eyewitnesses. This essay already carried the main features of the author’s subsequent work, the main one of which was an interest in reality. This work already outlines the characteristic properties of Aksakov’s poetics, by which we recognize this author. S. Mashinsky wrote about this creation that the picture of the storm was painted with such expressive power, laconic colors and courageous simplicity, as only Pushkin could write in prose until then. After publication, the work received very high marks from various critics. Alexander Sergeevich himself appreciated Aksakov’s description of the snowstorm. Later, 20 years later, Leo Tolstoy would turn to the experience of this author when creating the story “Blizzard”.
We continue to describe Aksakov’s works. The list will be supplemented by “Notes” about hunting and fishing. From the end of the 1830s, a new period began in Aksakov’s life. He, as he dreamed, left public service, concentrating entirely on managing family and economic affairs.
"Notes on Fishing"
Aksakov's works underwent significant thematic changes in the 40s. Then he began to create a “Family Chronicle”, and later, in 1845, he decided to write a book dedicated to fishing. Work on it was completed a year later, and in 1847 it was published under the title “Notes on Fishing.” In form, this work is a selection of essays by a fisherman. This creation of Aksakov was also met with unanimous approval. A significantly expanded and revised edition was published in 1854 under the title “Notes on Fishing,” and two years later a third appeared.
"Notes of a Gun Hunter"
In 1849, Sergei Timofeevich began working on a work about hunting. It was published in 1852. In style, this creation resembled the previous one: its chapters were essays. This book also soon became popular, and the circulation of this work was instantly sold out. And again, rave reviews from various critics, including Gogol, Turgenev, Chernyshevsky.
"Family Chronicle"
In 1840, Aksakov began to create the “Family Chronicle”. However, then his attention switched to the above-mentioned books about hunting and fishing, and only in 1852 did work on these memoirs resume. Individual episodes of Aksakov’s work were published as they were written in periodicals. A small excerpt was published already in 1846, and in 1854 the first episode from the “Family Chronicle” appeared in “Moskvityanin”, followed by the fourth (in “Russian Conversation” in 1856) and the fifth (in “Russian Messenger” in 1856 year). At the same time, “Memoirs” was published, which later became the third, separate book of the trilogy. The second edition, published in 1856, included two more excerpts from this work, which finally acquired its final form. The release of “Family Chronicle” was associated with censorship friction. Aksakov was also afraid of the reaction of his neighbors and relatives, who did not want family secrets to be made public. Therefore, the writer changed many geographical names and faces. The book introduces the reader to a picture of landowner life in the provinces. This trilogy has occupied an important place in Russian literature, having met with an enthusiastic reception from both critics and readers.
“Childhood years of Bagrov the grandson”
This work was created in the period from 1854 to 1856. The author wanted to create a unique book for children, which should be written as if for adults, without being adjusted to the age of the audience, with a lack of moralizing. The birth of this work by Aksakov for children occurred in 1858. The book shows the transformation of the hero's inner world with age. Aksakov's fairy tales, the list of which consists, strictly speaking, of only one work - "The Scarlet Flower", are considered by some for some reason to be numerous. This is understandable: only an experienced author could create such a beautiful fairy tale. Aksakov was very experienced, but worked mainly in other genres. This work was posted by the author as an appendix to the book “The Childhood Years of Bagrov the Grandson.”Aksakov’s works for children, as you can see, are few in number, but very interesting and popular even today.
The idea " Scarlet flower» is an artistic adaptation (not the first) of the famous story about the meeting of beauty and the beast. It was published many times separately, becoming the most published work of Sergei Timofeevich and creating the myth of “Aksakov’s fairy tale.” The list of creations of this author is not yet complete; after writing this work, he created others.
Other works
Work on the trilogy inspired the writer, who conceived the idea of another memoir work dedicated to the period of his life in 1820-1830. He, however, did not have time to bring it to life, but in the course of his work he created a number of interesting memoir essays. “Acquaintance with Derzhavin”, “Biography of M. N. Zagoskin” and “Memories of M. N. Zagoskin” appeared in 1852. In the period from 1856 to 1858, the author created memoir essays that continued the series about A. S. Shishkov, Ya. E. Shusherin and G. R. Derzhavin. This book was published in “Russian Conversation” in parts, and then, in 1858, was included in the collection entitled “Miscellaneous Works of S. T. Aksakov.” This time the memoirs were greeted without enthusiasm by critics, including N. A. Dobrolyubov. The author was accused of partiality and subjectivity in relation to his friends from his youth.
Latest works
“Collecting Butterflies” is a story written in 1858 for the collection “Bratchina,” a charity publication for the benefit of students at Kazan University. This creation is thematically related to the author’s university memoirs. It was born after his death. Aksakov, 4 months before his death, dictated another work - “Essay on a Winter Day”. “The meeting with the “Martinists” was the last creation published during the life of Sergei Timofeevich and published in “Russian Conversation” in 1859.
Aksakov Sergei Timofeevich was born in 1791 in Ufa, and died in Moscow in 1859. This is a Russian writer, public figure, official, memoirist, literary critic, and also the author of books about hunting and fishing, and collecting butterflies. He is the father of the Slavophiles, public figures and writers Ivan, Konstantin and Vera Aksakov.
In this article we will look at Aksakov's works in chronological order.
"Buran"
During 1820-1830, Sergei Timofeevich's main creative activity was translations, as well as literary and theatrical criticism, and several poems were created. He wrote his first significant work only in 1833. This was the essay "Buran", published a year later anonymously in an almanac called "The Right Hand". The basis of this work by Aksakov is a real event, which the writer knew about from the words of eyewitnesses. This essay already carried the main features of the author’s subsequent work, the main one of which was an interest in reality. This work already outlines the characteristic properties of Aksakov’s poetics, by which we recognize this author. S. Mashinsky wrote about this creation that the picture of the storm was painted with such expressive power, laconic colors and courageous simplicity, as only Pushkin could write in prose until then.
After publication, the work received very high marks from various critics. Alexander Sergeevich himself appreciated Aksakov’s description of the snowstorm. Later, 20 years later, Leo Tolstoy would turn to the experience of this author when creating the story “Blizzard”.
We continue to describe Aksakov’s works. The list will be supplemented by “Notes” about hunting and fishing. From the end of the 1830s, a new period began in Aksakov’s life. He, as he dreamed, left public service, concentrating entirely on managing family and economic affairs.
"Notes on Fishing"
Aksakov's works underwent significant thematic changes in the 40s. Then he began to create a “Family Chronicle”, and later, in 1845, he decided to write a book dedicated to fishing. Work on it was completed a year later, and in 1847 it was published under the title “Notes on Fishing.” In form, this work is a selection of essays by a fisherman. This creation of Aksakov was also met with unanimous approval. A significantly expanded and revised edition was published in 1854 under the title “Notes on Fishing,” and two years later a third appeared.
"Notes of a Gun Hunter"
Aksakov’s works, the list of which we are compiling, will be supplemented by a book entitled “Notes of a Gun Hunter.” In 1849, Sergei Timofeevich began working on a work about hunting. It was published in 1852. In style, this creation resembled the previous one: its chapters were essays. This book also soon became popular, and the circulation of this work was instantly sold out. And again, rave reviews from various critics, including Gogol, Turgenev, Chernyshevsky.
"Family Chronicle"
In 1840, Aksakov began creating the Family Chronicle. However, then his attention switched to the above-mentioned books about hunting and fishing, and only in 1852 did work on these memoirs resume.
Individual episodes of Aksakov’s work were published as they were written in periodicals. A small excerpt was published already in 1846, and in 1854 the first episode from the “Family Chronicle” appeared in “Moskvityanin”, followed by the fourth (in “Russian Conversation” in 1856) and the fifth (in “Russian Messenger” in 1856 year). At the same time, “Memoirs” was published, which later became the third, separate book of the trilogy.
The second edition, published in 1856, included two more excerpts from this work, which finally acquired its final form.
The release of "Family Chronicle" was associated with censorship friction. Aksakov was also afraid of the reaction of his neighbors and relatives, who did not want family secrets to be made public. Therefore, the writer changed many geographical names and faces. The book introduces the reader to a picture of landowner life in the provinces. This trilogy has occupied an important place in Russian literature, having met with an enthusiastic reception from both critics and readers.
"Childhood years of Bagrov the grandson"
This work was created in the period from 1854 to 1856. The author wanted to create a unique book for children, which should be written as if for adults, without being adjusted to the age of the audience, with a lack of moralizing. The birth of this work by Aksakov for children occurred in 1858. The book shows the transformation of the hero's inner world with age.
Aksakov's fairy tales, the list of which consists, strictly speaking, of only one work - "The Scarlet Flower", some consider for some reason to be numerous. This is understandable: only an experienced author could create such a beautiful fairy tale. Aksakov was very experienced, but worked mainly in other genres. This work was placed by the author as an appendix to the book “The Childhood Years of Bagrov the Grandson.” Aksakov’s works for children, as you can see, are few in number, but very interesting and popular even today.
The concept of "The Scarlet Flower" is an artistic adaptation (not the first) of the famous story about the meeting of beauty and the beast. It was published many times separately, becoming the most published work of Sergei Timofeevich and creating the myth of “Aksakov’s fairy tale.”
Other works
Work on the trilogy inspired the writer, who conceived the idea of another memoir work dedicated to the period of his life in 1820-1830. He, however, did not have time to bring it to life, but in the course of his work he created a number of interesting memoir essays. “Acquaintance with Derzhavin”, “Biography of M. N. Zagoskin” and “Memories of M. N. Zagoskin” appeared in 1852.
In the period from 1856 to 1858, the author created memoir essays that continued the series about A. S. Shishkov, Ya. E. Shusherin and G. R. Derzhavin. This book was published in “Russian Conversation” in parts, and then, in 1858, was included in the collection entitled “Miscellaneous Works of S. T. Aksakov.” This time the memoirs were greeted without enthusiasm by critics, including N. A. Dobrolyubov. The author was accused of partiality and subjectivity in relation to his friends from his youth.
Latest works
“Collecting Butterflies” is a story written in 1858 for the collection “Bratchina,” a charity publication for the benefit of students at Kazan University. This creation is thematically related to the author’s university memoirs. It was born after his death. Aksakov, 4 months before his death, dictated another work - “Essay on a Winter Day”. “Meeting with the “Martinists” was the last creation published during the life of Sergei Timofeevich and published in “Russian Conversation” in 1859.
Answers to school textbooks
Odoevsky's tales "Moroz Ivanovich", " Broken jug" Garshin's fairy tales: “The Tale of Proud Haggai”, “The Frog Traveler”. Tales of Bazhov: collection “Malachite Box” (tales “Housewife” copper mountain", "Fire Snake"). Aksakov’s works: “Notes on Fishing”, “Notes of a Gun Hunter of the Orenburg Province”, “Childhood of Bagrov the Grandson”.
2. Explain in your own words what a literary fairy tale is. How is it different from a folk tale? Give examples.
The fairy tale is one of the main genres of folk oral poetry. This is a predominantly prosaic artistic oral story of a fantastic, adventurous or everyday nature with a fictional attitude. Along with fairy tales created by the collective creativity of the people, literary fairy tales that were written by various writers and differ from folk tales in their uniqueness, highly artistic style of presentation, special edifying manner and philosophy inherent in this or that writer have widely entered into the reading circle of children. Examples of literary fairy tales: P. P. Ershov “The Little Humpbacked Horse”, A. S. Pushkin “The Tale of Tsar Saltan”, “The Tale of the Golden Cockerel”, “The Tale of the Priest and His Worker Balda”, M. E. Saltykov -Shchedrin " The wise minnow", "How a man fed two generals", " Wild landowner", A. P. Gaidar "Malchish-Kibalchish", Y. Olesha "Three Fat Men", V. Kaverin "Pipe and Jug".
3. Do you think the tales from this section are close? folk tales or different from them?
Tales of writers from the section " Literary tales"are very close to folk tales, but still differ from them in their highly artistic style, stylization of the dialect of a certain area, well-written characters, a more complex and intricate plot, greater edification and instructiveness.
4. Do writers use the device of personification in their fairy tales? Give examples.
Writers use personification in their fairy tales. For example, the rose and the toad are represented as thinking beings capable of experiencing inherent in man feelings, to be upset, to cry, to be irritated, to be happy. The bell boys look like ordinary boys, Princess Spring looks like an ordinary girl, but these are parts of the mechanism of a musical snuffbox. Personification is a depiction of inanimate or abstract objects in which they are endowed with the properties of living beings - the gift of speech, the ability to think and feel.
5. Imagine that the writer did not use this technique. How would his work change? Could we call it a fairy tale?
If the writer did not use personification, then such a work could no longer be called a fairy tale, it would be a description of everyday life, realistic image reality.
6. How do you understand what a narrative is? Find the definition of this concept in the encyclopedia. Compare it with this one. Name works that can be called narrative.
Narration is a story about the events that happened to the heroes of the work. Events are depicted in a certain sequence: the author talks about how they began, how they developed and how they ended.
From Ozhegov’s dictionary: a narrative is a coherent story about some events, about something that happened. If we compare these two statements, the first is more detailed, expanded and precise than the second, which gives a more general and less specific idea of \u200b\u200bwhat a narrative is.
Narrative can be called the following works: L. N. Tolstoy “Childhood”, “Adolescence”, “Youth”; M. Yu. Lermontov “Ashik-Kerib”, “Mtsyri”; A.P. Chekhov “Boys”, “Kashtanka”, “Chameleon”; A. S. Pushkin " Captain's daughter", "Young Peasant Lady", "Blizzard", "Shot".
