RUSSIAN LITERATURE XVIII CENTURIES
Prepared by Alena Khasanovna Borisova,
teacher of Russian language and literature
MBOU Algasovskaya secondary school
Russian literature of the 15th-3rd century developed under the influence of the great changes that were introduced into the socio-political and cultural life countries of the reform of Peter I.
From the beginning of the XV I II century, old Moscow Rus' turned into Russian Empire. Peter I introduced something new that he considered necessary for the state.
The second third of the 18th century is an important period in the development of Russian literature
Appeared prominent figures Russian fiction (theorists and writers); the whole is born and formed literary direction, that is, in the work of a number of writers, common ideological and artistic features are revealed that are common to all of them.
Literary directions XVIII century
The main direction was classicism
(from Latin classicus - exemplary).
Representatives of this trend proclaimed the highest image of artistic creativity of Ancient Greece and Rome.
These works were recognized as classic, that is, exemplary, and writers were encouraged to imitate
them to create truly artistic works themselves.
Artist, in thought
the founders of classicism,
comprehends reality to
then display it in your work
not a specific person with his
passions, and the type of person is a myth.
If this is a hero, then without flaws,
if the character is satirical, then he is completely funny.
- Russian classicism originated and developed on original soil. It was distinguished by its satirical focus and choice of national and historical themes.
- Russian classicism gave special meaning"high" genres: epic poem, tragedy, ceremonial ode.
Since the 70s of the 18th century. a new direction is emerging in literature - sentimentalism
- Everyday life was placed at the center of the image common man. His personal emotional experiences. His feelings and moods.
- With it new genres appear: travel and sensitive story. Special merit in the development of this genre belongs to N. M. Karamzin (the story “Poor Liza”, “Letters of a Russian Traveler”). A new view of life invaded literature, a new narrative structure arose: the writer looked more closely at reality, portrayed it more truthfully.
Antioch Kamtemir (1708-1744)
On January 1, 1732, A. Cantemir was appointed Russian ambassador in London. It was at this time that his literary talent blossomed. He writes and translates a lot.
A. Cantemir also wrote a religious and philosophical work
"Letters on Nature and Man".
Greek monastery.
V. K. Trediakovsky (1703-1768)
Poet and philologist Vasily Kirillovich Trediakovsky was born in Astrakhan, into the family of a priest. He received his education at the Slavic-Greek-Latin Academy. In 1726 he fled abroad, to Holland, and later moved to France. At the Sorbonne he studied theology, mathematics and philosophy. In 1730 he returned to Russia, becoming one of the most educated people of his time and the first Russian academician. In the same year, he published his first printed work, “A Trip to the Island of Love,” a translation of an ancient book by a French author. There were also poems by Trediakovsky himself. The publication immediately made him a famous, fashionable poet.
Sincerely devoted to Russian literature, V.K. Trediakovsky was the author of dozens of volumes of translations and a brilliant expert on the theory of European poetry.
A. P. Sumarokov (1718-1777)
At the age of 13, A.P. Sumarokov was sent to the “knightly academy” - the Land Noble Corps. There were so many lovers of Russian literature here that a “society” was even organized: in free time The cadets read their works to each other. Sumarokov also discovered talent; he became interested in French songs and began composing Russian songs based on their model.
In the cadet corps, for the first time, A. P. Sumarokov’s tragedies “Khoreev”, “The Hermit” (1757) were performed; "Yaropolk and Dimiza" (1758) and comedies. One of the best is “The Guardian,” staged in 1768.
Sumarokov rose to the rank of actual state councilor and became the most popular poet of his era. He also wrote philosophical and mathematical works.
M.V. Lomonosov (1711-1765)
Lomonosov was a brilliant son of the Russian people, who passionately loved his country. He embodied the best traits characteristic of the Russian people
The breadth, depth and variety of his scientific interests were amazing. He truly was the father of new Russian science and culture. The most remarkable thing about him was the combination of a scientist, public figure and a poet.
He wrote odes, tragedies, lyrical and satirical poems, fables, and epigrams. He carried out a reform of versification, outlined the theory of three “calms”
G. R. Derzhavin (1743-1816)
Gavrila Romanovich Derzhavin was born in
Kazan in the family of an army officer. In childhood
he was frail and weak, but he was different
“extreme inclination towards science.”
In 1759, Derzhavin nevertheless entered Kazan in
gymnasium. In 1762 G. R. Derzhavin entered
for military service.
After ten years of military service, G.R.
Derzhavin was promoted to officer.
In 1784 G. R. Derzhavin was appointed Olonets
governor. Not getting along with the governor of the region, he was
transferred by the governor to Tambov.
He wrote the odes “Felitsa”, “Monument” and many poems.
D. I. Fonvizin (1745-1792)
D. I. Fonvizin was born in Moscow on April 3, 1745. In 1762, Fonvizin graduated from the noble gymnasium at Moscow University and entered the service of the College of Foreign Affairs.
Since 1769 he has been one of the secretaries of Count N.I. Panin.
In the mid-60s of the 18th century. Fonvizin becomes a famous writer. The comedy “Brigadier” brought him fame. One of the most significant works of D.I. Fonvizina - comedy"Undergrown."
In 1782 he retired and decided to devote himself entirely to literature.
In the last years of his life, D.I. Fonvizin thought intensely about the high responsibilities of the Russian nobility.
A. N. Radishchev (1749-1802)
Alexander Nikolaevich Radishchev was born in Moscow and spent his childhood on a Saratov estate. The richest landowners, the Radishchevs, owned thousands of serf souls.
During the Pugachev uprising, the peasants did not hand them over, they hid them in their yards, smeared with soot and dirt - they remembered that the owners were kind.
In his youth, A. N. Radishchev was the page of Catherine II. Together with other educated young men, he was sent to Leipzig to study, and in 1771, 22-year-old Radishchev returned to Russia and became a protocol officer for the Senate. As part of his job, he had to deal with a lot of court documents.
Based on the information received, he writes his famous work “Journey from St. Petersburg to Moscow”
Results of the development of literature XVIII century
Throughout the 17th century, Russian
Fiction has made significant progress.
Literary trends appear, drama, epic, lyricism develops
In Russian literature of the 18th century, the first independent direction began to take shape - classicism. Classicism developed on the basis of examples of ancient literature and art of the Renaissance. The development of Russian literature in the 18th century was greatly influenced by the school of European enlightenment.
Vasily Kirillovich Trediakovsky made a significant contribution to the development of literature of the 18th century. He was a wonderful poet and philologist of his time. He formulated the basic principles of versification in the Russian language.
His principle of syllabic-tonic versification was the alternation of stressed and unstressed syllables in a line. The syllabic-tonic principle of versification, formulated back in the 18th century, is still the main method of versification in the Russian language.
Trediakovsky was a great connoisseur of European poetry and translated foreign authors. Thanks to him, the first fiction novel, exclusively secular topics. It was a translation of the work “Ride to the City of Love” by the French author Paul Talman.
A.P. Sumarokov was also a great man of the 18th century. The genres of tragedy and comedy developed in his work. Sumarokov’s dramaturgy contributed to the awakening in people human dignity and higher moral ideals. Antioch Cantemir was noted in the satirical works of Russian literature of the 18th century. He was a wonderful satirist, making fun of nobles, drunkenness and self-interest. In the second half of the 18th century, the search for new forms began. Classicism ceased to meet the needs of society.
He became the largest poet in Russian literature of the 18th century. His work destroyed the framework of classicism and brought alive colloquial speech into a literary style. Derzhavin was a wonderful poet, thinking person, poet-philosopher.
At the end of the 18th century, a literary movement called sentimentalism emerged. Sentimentalism is aimed at exploring the inner world of a person, personality psychology, experiences and emotions. The heyday of Russian sentimentalism in Russian literature of the 18th century was the works of a and a. Karamzin, in the story, expressed interesting things that became a bold revelation for Russian society of the 18th century.
In Russian literature of the 18th century, the first independent direction began to take shape - classicism. Classicism developed on the basis of examples of ancient literature and art of the Renaissance. The development of Russian literature in the 18th century was greatly influenced by Peter's reforms, as well as the school of European enlightenment.
Vasily Kirillovich Trediakovsky made a significant contribution to the development of literature of the 18th century. He was a wonderful poet and philologist of his time. He formulated the basic principles of versification in the Russian language.
His principle of syllabic-tonic versification was the alternation of stressed and unstressed syllables in a line. The syllabic-tonic principle of versification, formulated back in the 18th century, is still the main method of versification in the Russian language.
Trediakovsky was a great connoisseur of European poetry and translated foreign authors. Thanks to him, the first fictional novel with exclusively secular themes appeared in Russia. It was a translation of the work “Ride to the City of Love” by the French author Paul Talman.
A.P. Sumarokov was also a great man of the 18th century. The genres of tragedy and comedy developed in his work. Sumarokov’s dramaturgy contributed to the awakening of human dignity and the highest moral ideals in people. Antioch Cantemir was noted in the satirical works of Russian literature of the 18th century. He was a wonderful satirist, making fun of nobles, drunkenness and self-interest. In the second half of the 18th century, the search for new forms began. Classicism ceased to meet the needs of society.
The largest poet in Russian literature of the 18th century was Gavrila Romanovich Derzhavin. His work destroyed the framework of classicism and introduced lively colloquial speech into the literary style. Derzhavin was a wonderful poet, a thinking person, a poet-philosopher.
At the end of the 18th century, a literary movement called sentimentalism emerged. Sentimentalism is aimed at exploring the inner world of a person, personality psychology, experiences and emotions. The heyday of Russian sentimentalism in Russian literature of the 18th century was the works of Radishchev and Karamzin. Karamzin, in the story “Poor Liza,” expressed interesting things that became a bold revelation for Russian society of the 18th century.
Children's works occupy important place among other types of fiction, since they largely reflect the cultural characteristics of a particular people and their value system. Each culture has its own concepts of good and evil, right and wrong, beautiful and ugly, fair and unfair. As children, we absorb values that stay with us throughout our lives. The importance of literature for children, therefore, should not be underestimated.
It should be noted characteristic feature children's books - a combination of artistry and pedagogical requirements. Such literature should not only entertain, but also instruct, guide, and orient. Children's writers of the 18th century (and their works, of course) sought to convey to children important knowledge about the world, instill the right values.
Let's take two countries - Great Britain and Russia - and using the example of children's works created in these countries, we will see that this is indeed the case. writers and their works are offered to your attention.
British children's literature of the 18th century
Each of us has favorite books from childhood: fairy tales "Alice in Wonderland", "The Kid and Carlson Who Lives on the Roof", "Matilda", "Thumbelina", "Gulliver's Travels" and "Robinson Crusoe" (a list, of course , everyone has their own). But suppose we grew up not in the 21st century in Russia, but in the 18th century in England, what could we read then?
From the above list, we would only have the book “Robinson Crusoe” by Daniel Defoe (1719) and “Gulliver’s Travels” by Jonathan Swift (1726) in a special version for children, written in simplified language, with many pictures.
However, does this mean that English children had nothing to read in the 18th century? Let's figure it out.
The fact is that fairy tales have always existed, and there has never been a shortage of them. Even when there was no written language, they were passed down from generation to generation in the form of folklore. But in the 17th and 18th centuries, with the development of printing, more and more professional writers, in particular for children, began to appear. Fairy tales at that time, as now, delighted and frightened children, creating fantasy worlds, which adults absorbed in everyday worries did not always approve of.
Here are just the main children's writers of the 18th century and their works.
"Robinson Crusoe" by Daniel Defoe
Let's go back to 18th century England. At that time, so to speak, the real “bestseller” was Defoe’s work. The book "Robinson Crusoe" praised the courage, resilience, and resourcefulness of a person forced to exist in extreme conditions. Jonathan Swift's fairy tale was also extremely popular, in which one can feel the author's call to discover new dimensions and horizons.
"Gulliver's Travels" by Jonathan Swift
The success of Gulliver's Travels even led to the appearance of other books for children, in which there was a clear desire to imitate this work, with the words "Gulliver" and "Lilliputian" in the titles to evoke a well-known association. One of the earliest examples is the children's Journal of the Lilliputians, published in 1751, the creator of which was John Newbery, a writer from London. Another example is The Lilliputian Library, or Gulliver's Museum, in ten small volumes, published in Dublin in the 1780s. This book was published specifically for children, and its price was low so that children could buy it for themselves. The total cost of 10 volumes was only five British shillings, and individual parts could be purchased for six pence each. However, even this relatively low price was still too much for many children and their parents. Only representatives of middle- and high-income families could afford to buy such literature and had the literacy necessary to read it.
Other books
Cheap books in the genre of popular literature existed even then and were accessible to segments of the population. They included children's stories, stories, travels, songs, prayer books, stories about robbers, robbers and murderers. These volumes were Bad quality and sold for one or two pennies.
In 1712, a translation into English of the famous Arabic tales "A Thousand and One Nights" appeared.
As you can see, children's literature of that time was actively developing in England. What happened on Russian territory? Read more about this.
Russian books for children of the 18th century
Children's writers of the 18th century and their works appear in Russia (the first Russian books written specifically for children were created on the territory of our state back in the 17th century, the 18th century continued this tradition).
The era of Peter I gave impetus to the development of education, in particular literature for children. The tsar himself believed that it was very important to take care of the education of the younger generation. At this time, children's books have mainly educational purposes. Textbooks, alphabet books and primers are printed.
"An honest mirror of youth"
Writers of the 18th century (Russian) open the list of children's literature with educational ones. An example is "Youth" honest mirror". This work described the rules of conduct at court, which Peter I introduced with his reforms. This book was compiled by the tsar's entourage by his personal decree. The head of the writers working on the work was Gavrila Buzhinsky. The book, among other things, included materials according to spelling, alphabet, and cursive. "The Honest Mirror of Youth" was intended for the future elite, the support of the king - children who were later to become courtiers. main idea that in achieving success it is not the origin of a person that is more important, but his personal merits, although the special position of the nobility was emphasized. His vices were pointed out and criticized. A special code of twenty virtues was created for girls, among which helpfulness, silence, religiosity, and hard work are especially noteworthy. Writers of the 18th century (Russian) revealed the list of female virtues figuratively, using examples, creating vivid female images in his works.
Translated literature
In the eighteenth century, translated literature, such as Aesop's fables, also spread. These fables, written in the 6th century BC. e. by the sage Aesop, are well received by children due to the opportunity to imagine themselves in the image of heroes - animals, birds, trees, flowers... Aesop's fables provide an opportunity to overcome one's vices by joking and playing and develop associative thinking.
After the 50s, children's writers of the 18th century and their works began to appear. But still, the bulk of children's literature is borrowed from the West (especially from France). Here we should note, of course, the famous 17th century French storyteller Charles Perrault. His fairy tales “Cinderella”, “Sleeping Beauty”, “Little Red Riding Hood”, “Bluebeard” are known and loved by children all over the world. Not only readers, but also poets and writers of the 18th century drew inspiration from these works.
Writers of the 18th century
The list opens. This author wrote two books for children - “A Brief Russian History”, as well as “The First Teaching to Youths”. In the preface to the second book, he noted that childhood is a very important time in the life of every person, since it is then that the main character traits and habits are formed. Children should read books and love them.
Catherine II
Not only professional poets and writers of the 18th century created children's books. Even heads of state considered it their duty to independently teach young people. Catherine II set a real example in this. She created a large number of works, including books for children, for example, “The Tale of Prince Chlorus” and “The Tale of Prince Thebes.” Of course, they were far from fairy tales in the modern sense of the word, with their bright characters and heroes. These works merely depicted vices and virtues in a general, abstract way. However, the example of Catherine II turned out to be contagious, and many famous Russian writers of the 18th century followed it, creating works specifically for children.
Nikolay Ivanovich Novikov
Nikolai Ivanovich Novikov also made an important contribution to the development of children's literature. He is the publisher of the first children's magazine- "Children's reading for the heart and mind." It published works of different genres: fairy tales, short stories, plays, jokes, etc. Not only fiction was presented in the magazine. It also included popular science articles for children, telling young readers about nature, the world around them, various countries, cities, and the peoples inhabiting them. These articles were written figuratively, interestingly, in the form of a conversation. Novikov in his works preached the ideas of goodness and humanism, human dignity, which, in his opinion, should be youth vaccinate children. The magazine was a great success and was very popular at the time. 18th century were published in this publication.
Nikolai Mikhalovich Karamzin
It is necessary to say a few words about Nikolai Mikhailovich Karamzin. This writer has created and translated more than 30 various works for children. Being a representative of sentimentalism (which was followed by many Russian writers of the 18th century), so close to children's nature, he became especially loved among young readers of middle and older age. In 1789, Karamzin's first works were published in the magazine "Children's Reading for the Heart and Mind." Nikolai Mikhailovich wrote for children even after the closure of this magazine. In the last decade of the 18th century, he created such works as “The Beautiful Princess” and “Ilya Muromets”. Russian epics are reflected in the last fairy tale. This piece was not finished. Ilya Muromets, created by the author’s pen, was not at all like a typical hero from epics, as we usually imagine him, but only partially resembled the latter. The fairy tale does not describe battles with the enemies of Rus'; it reveals the lyrical part of the soul of Ilya Muromets in communication with his beloved. In the spirit of sentimentalism, Karamzin depicted the feelings of the characters in detail, creating vivid paintings.
Conclusion
Thus, the 18th century brought a lot of new things to children's literature both abroad and in our country. Literature for children actively continued its development in the 19th and then in the 20th centuries. Moreover, there is a clear sense of continuity in its development. For example, the tales of Charles Perrault various options were later used by Andersen, Pushkin, the Brothers Grimm, and Irving. That is, the motives of some fairy tales fit perfectly into others. The works of Russian writers of the 18th century were read both in the 19th and later. Children's literature of the 19th century is characterized by an even greater connection with fiction for adults, as well as with education and culture in general.
Ticket 1. General characteristics and periodization.
The 18th century was a turning point. A change was taking place in relation to the human personality. At the turn of the 17th-18th centuries there was a change in cultural reference points and sources of influence. Ch. cult. Became a reference point Western Europe, but Europeanization is a relative term. The process of Europeanization began in the mid-17th century; the key event was cultural reforms. In the 17th century, the Kyiv elders came to Moscow - the first Russian Westerners. Those who carried out the reform of books, thanks to them, poetry and drama appeared in Russia. All R. On the 17th century, by Polish order, translations of European novels began in Moscow. Europeanization began with St. Polish Fr. German liters.
Process of discovery Zap-Eur. cult. M/b is called transplantation (Likhachev). Development Western culture was more painful than the Byzantine one. Russian cult. forgot lane apprenticeship. Most of the 18th century went to apprenticeship.1 transpl. It happened evenly and purposefully. In Peter. The era of transpl. is spontaneous, therefore the first beginning. 18 in – chaotic. Euro set Pr. Eurolpeiz. was refused. Visa. Cult. I didn’t want to give up my position. In the 18th century the national brine took place. Literary Other rus lit. She did not die with Russia. Chit other russian texts were dem. Bottoms. There was a secularization of Russian cult. She expressed herself in a change genre systems. The verses of satire, odes, drama genres, comedies, tragedies, elegies, idylls came. In the 18th century, the poet and drama genres dominated. In the 18th century, the idea of the very nature of TV, of the author’s relationship to literary work. Individualization of auto consciousness. The professionalization of writers is gradually taking place, mass literature is appearing. Russian literature is developing rapidly, what the Hebrew literature experienced in 250 years, Russian literature - in 100 years. 18th century AD. Lit of the Russian Renaissance.
Stage 1 90 17 -20 18 century. Peter's era. Continuation of other Russian Baroque. The era of translations. Rus pr-y very little.1) verses-poems syllabic.
2) school drama. Writers Stepan Yavorsky, dm Rostovsky, Feofan Prokopovich, Andrey and Semyon Denisov.
Stage 2 30-50 18th century. The period of formation of Russian classicism. Change of genres. 1) verse. Satire, 2) ode 3) class com 4) tragedy. Happening
ref russian language, russian versification. Syllabich. Sist syllabo tonic. (ref Trediakovsky-LOMONOSOV). Kantemir. Trediak, Lomon, Sumarok
3rd period 60-90 Catherine's era. The heyday of creative writers. Ek spent lib. Ref. The heyday of journalism begins: essay, travel. The leading direction is classicism, it will acquire a civil character, sentimentalism of the 90s and pre-romanticism appears, prose returns to literature. Genre of the story and novel. This era is called the era of enlightenment. Fonvizin, Derzhavin, Karamzin, Radishchev. Krylov.
Ticket 2. Peter's era in Russian literature, the work of Rostovsky and Yavorsky.
This is the most unliterary era. The state was reformed, there was a suspension of literature. P1 was a man of business, not of aesthetic pleasure, this is the era of people and things. A fleet was created, reg. army, synod, St. Petersburg as an antipode to Moscow. 650 books were created, P1 required that the book be useful, these were the main ones. textbooks, almost all translations. In 1722 a table of ranks was created. Stepan Yavorsky and DM Rostovsky Were invited by Peter from Ukraine to promote reforms. Stefan - Metropolitan of Ryazan, rector of the SGL Academy, head of the Holy Synod. Syllabic poems and polemical works. Dmitry of Rostov was appointed Metropolitan of Rostov
Both didn't like it wild life And they tried from time to time to set him on the right path. This forced P to bring F Prokopovich closer to him.
Ticket 3. Baroque style in Russian literature, Disputes about the borders of Russian Baroque.
Baroque is a pan-European style, especially manifested in Spain, Italy, France, in the 16th century. This is a tragic style. The authors consider life tragic, it is walking through a labyrinth, a person is alone. Pendulum law. An intermediate place between revival and classicism. Baroque pearl irregular shape, everything is based on disharmony. This is the most 1lit for example in Russia, the brightest. writer-Simeon of Polotsk. Russian Baroque is essentially excellent, it is a combination of the incompatible.
Christ and language images
Comic and tragic
Natur-zm and fantasy
Poetry and prose
Union of Arts
1 item image b/w 2
Baroque art of allegory, addressed to highly educated people. A very complex claim in terms of language. Basic genres of syllabic verse: sermon (church and ceremonial) and school drama.
Ticket 4. Russian theater, school drama.
Theater in Russia appeared in the 70s 17 in it was the theater of 1 spectator - the Tsar, the court theater of Alexei Mikhailovich.
The plays were written by a German pastor on biblical themes, the performances lasted 8-10 hours. When p1 the theater develops, 3 types of theater:
1 public
2 courtier
3 school
The public theater was organized in 1702, German actors, humiliation for Moscow, theater on Red Square, 15 plays, closed in 1707, the repertoire was secular, both modern and Renaissance (Molière), and ancient history. The theater showed that human life or a piece of art. Court theater 1707-1717 It was created in Preobrazhensk. Several Russian plays were written:
Plays of secular content, sources - chivalric novels.
Lives of saints, they were called either actions or comedies. The school theater existed during educational institutions. The plays were written by teachers of rhetoric and literature. The actors were children. The Shk theater performed educational functions. The subjects were taken historical. The theater tried to develop intonation and diction. The very first school theater was the SGL Academy Theater in 1702. Theaters in the province existed until the 19th century, plays school theater are divided into 3 groups:
Plays with religious content - MORALITY, the plot was the Bible and the lives of saints.
Historical and panegyric content. Scenes from historical events.
Dialogues and recitations.
The poetics of school theater is purely baroque. We are talking about a turning point in the hero’s fate: From happiness to unhappiness and vice versa.
Ticket 5. Handwritten stories 1/3 of the 18th century.
In the 18th century, two branches of literature developed separately:
1 High literature
2 Democratic literature.
On dem. influenced Western European. fiction.
“The story of the Russian sailor Vasily Koriotsky”, “the story of the brave cavalier Alexander”. The author of these works is unknown; most likely they were created in a democratic environment. Researchers compare these stories with PLDR. What they have in common:
Anonymity
Handwriting
Entertaining and practical nature.
The main hero is a man who is ready to sacrifice everything for the sake of his friends. More more history have novels with Europeans, this is 1 attempt to create a Russian adventure novel. Related to European novels:
Adventures,
Battles for the lady of the heart
Travel by sea
“...about Vasily...”
A bizarre interweaving of novelty and antiquity, it is written in another Russian language and has a student’s character.
“…. About the gentleman Alexander.."
The story is remarkable in 2 aspects: 1) this is 1 encyclopedia about love, because... Dr. Ruslit rejected love.
2) the story experienced baroque phenomena.
The hero's wanderings
The structure and composition of the story.
Inserted novellas
Mixing verse and prose
A mixture of church words and barbarisms, a comical effect.
Ticket 6. Old Believer literature 1/3 of the 18th century.
Old Believer literature arose in the mid-17th century in connection with the past schism. In 17, the leader of the art movement was Archpriest Avvakum. 1658-1682 there was a Pustozersky center. In 1682, the st./arr. were burned, thus ending the 1st stage of st.
Stage 1 – Vygoleksinsky Monastery, it was founded in 1694 on the Vyg River. Founders: Daniil Vikulin, Andrey Denisov - future abbot of the monastery. M existed until 1856. In the 18th century, the monastery was the center of cultural culture. The heyday came in 1/3 of the 18th century.
Singing school, foundry, icon painting.
VL st/obr entered into a dispute with the authorities, P issued a decree that they should pay a double capitation salary and should work in industry. enterprises, they must also wear yellow collars. Famous writers: Andrey and Semyon Denisov, Ivan Denisov-historian. Essays are divided into 2 groups: - of a business nature (statutes).
Literary works
The Vygovites abandoned cultural confrontation; high literature contained the same genres as the Baroque, except for drama. “The Tale of the Siege of the Solovetsky Monastery” by Semyon Denisov in the 20s of the 18th century was also published in standard printing houses. Pr0e m/b is called historical, because. the events of the 17th century are described.
The story is written in 2 genres: hagiography and historical story. Martyrius is a hagiography about witnesses - martyrs, who accept violent death at the hands of infidels, confessing Christ. The author introduces many realistic scenes that were not there before. The baroque nature of the story is evidenced by a number of cross-cutting metaphors, the image of a garden-vineyard - one of the stable emblems of Baroque literature. The author uses the theme of metamorphosis: the garden dies, everything turns into the opposite. The image of Troy is a cross-cutting metaphor. Her death is mentioned at the very beginning of the story. Denisov is trying to compete with Homer in poetic skill. Other features of the Baroque: a combination of verse and prose. The author introduces new words and plays up the contrast between past and present.
Ticket 7. The work of Feofan Prokopovich.
He came from Ukraine in 1715, studied at the Kiev-Mogilev Academy, and also studied in Poland. Became a court writer P1, in Lila Prokopovich Russian literature found a new type of writer-servant. After Peter's death, he was commissioned to write the funeral eulogy. The word is a work of original art, the author uses rhetorical questions, exclamations and addresses, compositionally the word consists of 3 parts:
1 lament for Peter
2 glorification of Peter
3 praise E1 to the widow. The combination of praise and lamentation is a feature of the Baroque, in Part 2 F uses the poetics of reflection, called P-Japheth and Moses (biblical characters), Solomon. Plays up the contrast between the past and the present, leading to the etymologization of the name. Peter the Stone. The language is very high, replete with church words and rhetorical figures. (chiasmus)
“Spiritual Regulations” 20
"New Charter on Monks."
Nesk ist pr.
"Word on the burial of Peter."
“Vladimir.” The play was staged at the Kiev-Monilev Academy. Belongs to panegyric plays. F largely rethought the history of the event, he proposed a new concept of the church, this is enlightenment. The Old Testament is a teacher. The cat brings him to school. The New Testament is the true teacher of Christianity.
Ticket 8. Classicism. Sumarokov, Lomonosov.
Peter's successors had little interest in continuing the reforms. From 1725-1762 - era of stagnation
This time palace coups, the throne was replaced by E2, P3, Anna Ioannovna, Ivan Antonovich, Elizabeth, Pyotr Fedorovich.
Under Elizabeth, Moscow State University was founded in 1755, and a professor was created in St. Petersburg. Theater, its director was Sumarokov. In 1757, the Academy of Arts in St. Petersburg, 30-50, approved a new literary direction - classicism in literature. Along with this genre came comedy, tragedy, ode, satire, genres typical for the literature of the 30-40s.
Classicism is a pan-European movement that originated in France in the 1st 1/2 of the 17th century. The ancestor was Malherbe the odoscribe. The change in genres occurred due to a change in cultural guidelines; the essence of Peter’s reforms was secularization, which brought its own changes. The dominant theme was the relationship between man and the state and society.
Classicism is a lit glorification of the state and statehood. The dilemma between a person and a state is resolved in favor of the state; a person must obey the laws of the state and be a patriot.
1) rational nature-mind
2) passionate nature - the element of human feelings and passions.
These 2 natures are opposite in essence. The main idea is to subordinate the element of passion to reason. Antiquity served as the image for the literature of classicism. Principles of anti-art: 1) simplicity
2) symmetry
3) harmony
4) clarity
According to the classicists, beauty is something unchanging. It is based on fundamental principles that are comprehended in a rational way. A writer-scientist who comprehends beauty.
Poet and scientist
Poet and craftsman
Poeticsmith
Comparison of the poet's TV with other works.
An important feature of the class-TV personality was not given initial importance.
For example, in the dispute between Trediakovsky and Lomonosov, the most important thing is not the personality of the poet, but the poetic meter.
GENRE SYSTEM OF CLASSICISM.
Art by Lomonosov about the benefits of church books in the Russian language. Set 4 levels
FORM PLAN:
lexical level-speech
Style-combination of sayings
3) genre-ode, comedy, etc.
4) object-matter (what we are talking about).
SEPARATES WORDS INTO GROUPS
The words ts/sl yaz, cat came into everyday use, god, hand
The words ts/sl are spoken, reproduced as archaisms, but also known to all, planted, of the Lord.
The words are in Russian, the cat is not in liturgical books, for now, just
Lomonosov identifies 3 items: - tall
Mediocre
High arr by words 1 and 2 g, medium - 1,2,3 g
Low - by combining 1 and 3gr. Each group has its own system of genres. TO high - heroic, solemn, commendable, philosophical, Genres:
Heroic poem
Ode - sermon.
To the middle rel: tenderness, condemnation, ridicule, history and teaching.
Poetic satire
Elegy and Eclogue
Textbooks, - ist op.
Low rel comic, entertainment, everyday, Genres:
Comedy
An epigram will amuse you
Song, friend. letters.
Tragedy occupies an intermediate position between the high and middle styles; there is heroic, but there is also tenderness. Any work must have moral value, the genre must be pure, should not allow the penetration of other genres, i.e. their mixtures.
Ticket 9. Satires of Cantemir.
Kantemir's creative heritage is small; he was mainly involved in translations of satires by the writer Boileau. He also created a Russian/French dictionary, indexes to the psalter, an unfinished “Petriad”, and in total he wrote 9 satires.
He wrote 5 satires in London, and 4 in Russia; they were published in Russian in 1762 under E 2.
They were published by Ivan Barkov. Satire came to the literature of the Hebrew class from the anti-tradition. Juvenal, Horace, in Euro-Boileau.
Satire on concrete face-pamphlet
Satire on vices is written on specific vices, condemning stupidity and stinginess; most often the characters were given Greek names.
Satire is written in definition. a type with many hints. The subject of the claim is classicism. Regardless, satire should heal society. Later, satires were written mainly about common vice. The poetic satire was built from a chain of monologues by Neg. heroes. The author evaluates the characters directly in the text; sometimes satire is structured as a dialogue between gender and neg. hero. The most interesting are satires 1, 2 and 9. 8 not saved in manuscripts. The choice of verse of satire was dictated by those surroundings. in which the writer lived. They wanted to revise the reforms, Cantemir tried to defend Peter's reforms. 1 2 9 are devoted to the facts of Russian reality. 1 was written in 1729. Cantemir uses the technique of self-exposure of the hero, not actually direct speech, into which the author’s words are inserted. Cantemir also introduces the technique of objectifying the hero.
Real glory came to Cantemir after death,
Cantemir is 1 writer who completed the syllabic tradition.
Ticket 10. Trediakovsky's works. 1703-1769.
In Russian literature, 18 is one of the most striking personalities, he is often called the Russian nugget, his fate is extraordinary, he rose from the very bottom, was born into the family of a priest in Astrakhan, and showed interest in other cultures. Studied in Moscow at the SGL Academy. Then the teacher in Holland, from where he walked to Paris. Uch. at the Sorbonne University. T was a polyglot. He returned to Moscow in 1730. “A trip to the island of love - 1 love story, cat. made an impression on the Russians. public. Opinions were divided: they condemned, they praised. Anna Ioannovna brought T closer to her in the 30s 18 in T was a famous poet at court. In 1740 he wrote and read poems for a wedding in ice house. After T's death, his celebrity diminished; he died in poverty and obscurity. T was very good. int. people, a secret oppositionist and freethinker. He was considered an atheist." solemn ode on the surrender of the city of Gdansk” - 1 of his works in Russian. T was a theorist and reformer, trying to reform versification. His later steps back, because... he uses st/sl-zma. He was a prolific writer. Translations: going to the island of love, telemahida, and many others. VERSE REFORM:
In poetry, two things should be noted: matter and matter, cat. prompted the poet to write.
Longitude and cr. syllables in Russian language ex. from Greek, there-tonic. Theroic ross verse consists of 13 syllables and 6 stops. 1 stop-spinde--, pyrrhic~~, trochee-~, iambic~-, 2 3 after the cat syllable the intersection should be., 456.. However, the best verse cat consists of 1 trochee, or most of it, bad, the cat consists of iambs, the middle one, the cat consists of only pyrrhic and spondean. The new verse was composed only of two-syllable feet. The heroic verse should be divided into 2 hemistiches 1-7, 2-6 syllables. A heroic verse should not carry an unfinished thought into another part. – A hexameter cannot have more or less than 13 syllables.
The property of our poems is that they always require accented rhyme.
The poetry of our people brought us to all this.
Almost all names are French.
Ticket 11. Works of Lomonosov.
Lomonosov's role in historical literature is associated with the reform of the Russian language. The theory of 3 calms. They wrote in Lomonosov language before Karamzin’s reform. Lomonosov-Peter the Great in literature (Belinsky). 3 true geniuses: Lomonosov, Pushkin, and partly Gogol. (Dostoevsky).
Pushkin also spoke very warmly about Lomonosov. At the age of 20 he went on foot to Moscow. At home he received a good education by those standards, it is assumed that L in childhood read manuscripts of St./Pomeranian books. L called 3 books the gates of learning: Arithmetic of Magnitsky, Grammar of Smotritsky, Psalter of Polotsk. L entered the SGL Academy. In 1731 he was sent to Germany, Malburg. In 1740 he returned to Russia. Lit Lomonosov-Russian revival., wrote in different genres. In particular, Cantemir continued his satire.
“Hymn to the Beard” 1750, Russian ignorance is exposed. Heroic poem about P1, drama “Tamira and Selim”. The main genre is TV-va-inscriptions., L was a court poet at the court of E2 and d.b. write inscriptions for palace festivities.
L is the largest ode writer in Russia, the first ode in 1739 was written in Germany, the last one in 1763 was dedicated to Anna I.
Ode-genre of ancient literature. Horace, Pindar - wrote mainly solemn odes., In Europe, Malherbe, Gunther.
European classicism narrowed the genre scope of the ode. 2 different:
Solemn, boastful - pure secular genre, where a person or event is glorified.
Philosophical (spiritual) - a type of Christian poetry. The faces of sacred biblical history are glorified.
Lomonosov wrote 20 laudatory odes, 11 spiritual ones.
Praiseworthy6 for the day of the ascension, for the capture of Khotin.
PAREMIA style. 2 traditions:
Old Russian eloquence (sloao)-addresses
East retrospective
Wide spaces
Comparison of man with the universe.
Tradition of European and Russian Baroque. Disputes about whether L belongs to any style. There is a poetic disorder that is not characteristic of a classicist.
Associative connections between individual images = baroque tradition. For Lomonosov it was important to connect the incompatible.
L made science a poetic subject.
arrangement of psalms.
Ticket 12. The genre of tragedy in Russian classicism.
Tragedy as a genre was formed in the literature of other Greece. According to Aristotle's definition, a tragic hero is a person with a contradictory character, in which general moral dignity is combined with a tragic mistake, or guilt. He evokes sympathy from the viewer, and his guilt will cause him tragic death at the end. As a rule, he is an archaist, associated with the idea of the past, this also leads him to death, because... the past is doomed not to go away. The source of the contradiction that forms the conflict of the tragedy is in the character of the hero, in his mistake, which forces him to break the laws. The second side of the conflict in the tragedy is fate, the moral law. Thus, in tragedy, the individual truth of the individual and the truth of the super-personal force collide, which cannot exist simultaneously, otherwise the tragedy would not evoke compassion. In total, Sumarokov wrote 9 tragedies. Signs of classicism: 5 acts, unity of time, place and action. Creation of a new genre model - typology of plot structure 7 written on the topic of Russian history. But the Russian plot is only external sign national identity genre model Sumy tragedy. Most of all, it was expressed in the peculiarities of the poetics and structure of the genre, clearly oriented towards the Russian lit tradition. All tragedies C are poetic and written in high meter - Alexandrian verse (6th iambic with paired rhyme). This follows the fr class scheme.
The tragedy of Horev. 1747 The conflict situation revealed a tendency to bifurcate the levels of conflict. Khorev - a sense of duty and love come into conflict. Osneld too: to love, or obey his father. The cue is to do good to the subjects, or to rule (with the plot Otalverh). All 3 characters are on the threshold of a choice, but for each the choice is imaginary. The struggle of passions is filmed by the author as the origin of the action of a tragedy. It consists only of a surface, a type of layer. As a result, there becomes an ideal conflict. Given the overall tragic sound of the finale, the action clearly gravitates towards a comedic development scheme. Instead of one complex hero, there is moral antagonism. The concept of power becomes the main tragic hero.
In the tragedy of Dm the impostor of 1770, the signs of the genre of early Russian tragedy found their ultimate embodiment. The tyrant needs Sum to turn the tragedy into an ideological dispute about the nature of power. The opposite side of the conflict Parmen, Shuisky, Ksenia do not resign themselves to tyranny, therefore passion and passion are abolished on both sides hours of duty. The protagonists openly oppose the antagonist Dm. Instead of a person, Sumy has power, the cat analyzes himself. The tragedy inherited from the trade its problems of power. In the conflict, there is the presence of a 3rd party. The people are a transpersonal force.
Ticket 13. The Age of Enlightenment in Russian Lit.
1760-1790 In the 60-90s there was a lit explosion, because the number of writers has increased. The dem lit was born, the cat was created by the bourgeoisie, soldiers and commoners, this is no longer shameful. Even E2 writes. Journalism begins to develop, satirical magazines appear. Reading becomes a public activity. Literally 60-90 years, variegated in their directions, classicism, drama, and acute civil classicism began to take shape. A new literary movement, sentimentalism, was established.. At this time, bookselling, bookstores, and shops were developing. The reason for the rise in literature was the actions of E2 herself, she was the 2nd ref after P1, the successor of his actions. The knowledge of her reforms is also great, but they are not so well known. Klyuchevsky: P made a roar of morals, and E - a roar of minds. E was interested in history. In 1767, along with the beginning of reforms, Russian liberalism was born. She assembled a commission on the composition of the new code and wanted the people to come up with laws for themselves. -1 experience of Russian parliamentarism. E2 wrote the “mandate” principles for the development of laws. E called for a reduction in autocracy, for the creation of bodies to control the actions of the emperor. E2 believed that people just needed to show the way, but she was wrong.
E2 corresponded with French enlighteners Voltaire and Rousseau. The main source of the “mandate” was Montesquieu
About spiritual laws. She spoke about the dangers of autocracy, the need for freedom of speech, the principle of religious tolerance, forbade educators to be called slaves, wanted to abolish serfdom, but those around her were against it.
The consequences were twofold:
The great enthusiasm of certain nobles, a general opinion began to take shape in Russia, freedom of speech appeared, reforms contributed to the development of literature.
Ref led to mass unrest, the epicenter of which was the peasant war.
1762-decree on the freedom of the nobility.
Russian Voliterianism was born among the nobility; it was expressed in atheism—the rejection of everything national.
Gallomania - admiration for everything foreign.
E2 was afraid of the peasant war, and most of all of the revolution, and by the end of her reign her policies became tougher.
Ticket. 13 Comedy genre in Russian class.
Comedy as a genre of forms in other groups, like tragicomedy, has a common set of structural features. It is the antonym of tragedy. In a comedy, the hero has a contradictory character that breaks down into simple components. In the center of the plot, as a rule, there are 2 heroes: the protagonist, the embodiment of virtue, and the antagonist. - vice and evil. A hero-protagonist, an innovator, he is connected to the future and ahead of his time. This is obst. motivation for victory, because the future will certainly come. The source of conflict is the confrontation of characters. it stems from the morals and social conditions of human beings, but is of a more mundane nature. In resolving conflicts, games of chance and acquisition play an important role. The comedy had no great success at Sumarokov's. Researchers vyd 2 water class com: - light, - high (social).
Sumarokov wrote lightly, in haste. The purpose is to correct the temper with mockery. Who is not entertainment, she d.b. instructive. mockery of passions. The characters have names. Mental flaws in the properties of people at all times, com. ahistorical. Particularly - pamphleteering. With a clear decree on modern times (Tred). Sumarokov wrote 12 comedies, he wrote comedies for 30 years, from 50-70 genre model comedies have undergone changes: 50-gravitate towards lampooning, 60-the category of intrigue and character is being developed. 70s-comedy arr. genre features morals com. In relation to tragedy, his comedy arose as a junior negative genre. Sumarokov created his comedies not in order to create an example of a new genre, but to ridicule the enemy.
“Tristosine” is a light comedy based on the Moliere family. It does not reflect Russian action.
Ticket 16. Novikov’s satirical magazines.
E2 itself was the initiator of the creation. magazine satire. In 1769 she began publishing the magazine “All sorts of things”. Novikov-1 is one of the biggest names of the Ek era. 69-74 he published 4 magazines: “Drone” “Painter” “Wallet” “Pustomelya”.
"Drone" 69-70g Weekly magazine range 1000 copies. "Painter"72-73
Trutna published articles in the genre of letters sent by readers. Vices of the community yard. Researchers have a problem with authorship. Everyone published under pseudonyms. Moral descriptive essays, letters from his readers, travel, sataric lexicon. Moral descriptive essays: allegorical characters are carriers of k/l vice. Traditions of Kantemirovskaya satire..
An excerpt from the trip to *** was published in “The Painter” in 1972, perhaps written by Radishchev. A bright anti-serfdom narrative, op. from the perspective of a nobleman. “Letters to Falatey” 4 letters, written by Fonvizin. 1 of the Persian mother Falateya very much reminds Mr. Prostakov. In the letters, the evil spirit of the court clearly appears.
We find out how the provincial nobles spent their time.
CONTROVERSY: E2 and N defended their opinions in magazines. Subject: what satire is and what it should be.
"Letter of Afinogen Perochin." Most people's shortcomings are weaknesses, not vices. Indulgence and humanism. It is necessary not to expose weakness, but to contrast it with virtue. .Position E2.
Novikov’s position in Drone “Letter of Truth-Seekers.” It is impossible to distinguish between weaknesses and vices. Satire must be sharp and accusatory. Conflict. E2 was clearly losing to N. She closed her journal and everything else too. At the end of the 70s in the worldview. changes occurred: he became disillusioned with satire. Not exposure, but treatment of vices. But how?
N begins to get involved in Freemasonry, he became 1 of 1 leaders of Moscow Masons, worked at Moscow University and was the director of a printing house, publishes a lot of spiritual literature, and is engaged in active educational work.
Ticket 19. Comic opera. 70-80s The playwright Lukin introduces the concept of “Inclinations towards Russian morals” into literature.
He believed that no one could write a better French comedy, so he had to imitate, but by imitating, incline everything towards Russian morals. He reproached Sum,
That he doesn’t have a single Russian name in comedies. Genre comic opera low genres. In the computer op, the action usually takes place in the lap of nature, in the village, and all the actors are peasants. Prose monologues op. with arias of the heroes. For example, Ablesimov “The Miller-Sorcerer...” The style is low, there is a lot of vernacular. In Knyazhnin's opera, among the crosses there are also landowners - the Firyulins, who despise Russian morals and yearn for Paris and everything French.
Ticket 20. Political tragedy.
1786 E2 wrote the drama “From the Life of Rurik”. She turned to the chronicle plot, describing the rise of Vadim against Rurik. She gave all her sympathy to Rurik.
Knyazhnin rethought this plot and entered into controversy with E2, shifting the emphasis.
The prince raises pressing political issues. Rurik is not shown here as a tyrant, the author reflects on what system of government is suitable for the Russian people, agrees with E2 that this is autocracy, the people are not free, they choose peace, but become a slave.
The prince did not give preference to either P or B, these are quantities. At the end of sympathy on side B, because he died.
The play reflects tyrant-fighting motives. Characters Yavl real and vym persons. In his polemics with E2, Knyazhnin sees the saving role of the autocracy in the person of Rurik.
In his tragedy, Knyazhnin develops the image of a consistent fighter against autocracy, a supporter of republican rule. In the tragedy, the Prince refuses the reconciliation proposed by Rurik and prefers to give up his life rather than live as his slave. Rethinking the image of Vadim, naming the tragedy after a fighter against autocracy, raising the question of the tyrannical essence of monarchical power - all this had a significant impact on the formation of a progressive worldview in Russia late 18th century.
Ticket 21. Democratic prose.
The fate of fiction in the 18th century is unenviable; it is on the periphery of literature. Literature d.b. useful, but novels bring nothing except inciting passions and damaging morals. In 2 ½ 18 the situation changes, this is the era of prose. This lit consists of the book market. A book market is taking shape, printing houses and enterprises have appeared. Fiction arrang to prose genre from ancient/russian literature. Writers: Chulkov, Levshin, Popov, Novikov, Kurganov, Emmin. Aesthetic inheritance of plot and style. The plot should be entertaining and twisting, it has many plot lines, rich color language, folk characters. East - wandering stories, other Russian stories, folk tales and epics, Arabic folk, Middle Ages prose.
4 genres: - Literary anecdote, - Plutish novel, - Magically - heroic story, social story (satyr story).
Ticket 22. Social comedy in literature.
The political struggle with the autocracy also manifested itself in comedy. In the early 1780s, there were a number of works in this genre that sharply criticized the Ek regime, and sometimes the entire regime as a whole. There is a lot of criticism about Minor: Vivid image vice is recognized as more valuable than pale virtue. This leads to doubts about F's ability to construct dramatic action. In this approach of the writer - fundamental basis poetics of the great comedy, it no longer coincides with pure theory dramas (extra characters, scenes, intermittent action devoid of unity). Solvl has 2 functions: - description of the world of physical flesh. - oratory.
Ticket 23. This genre was represented in the works of 3 writers: Chulkov SB “Mockingbird” in 4t 1766-68 Collection of stories “The Tale of Siloslav”. Popov Sat “Slavic Antiquities” 3 hours end 70s. “Ancient curiosities.”, -Levshin “Russian Fairy Tales.” 10 h 80s. This genre was created under the influence of 2 tr. - fairy-tale - epic (folklore) - Hebrew novel.
This is an attempt to devour Russian epics and the Hebrew knights of the novel. The heroes were given the features of European knights. It was these authors who were the first Russian folklorists. Chulkov collected famous myths: “ABVG” of Russian superstitions. They also collected folk songs, the birth of folk music. The main characters are Russian heroes. Events take place in battles with monsters and the liberation of a beauty. Russian epics were primarily constructive. Dobrynya is depicted as noble, brave and unmarried man, which contradicted Russian epics. These wizard-god stories are an innovative approach to Russian history. Epics are historical, a combination of history and fables. These stories were influenced by Eastern fairy tales.
Ticket 22. A picaresque novel.
This genre of Europe lit 17 was especially vividly represented in Spain. This is a novel about the adventures of a rogue and/or his servant PICARO. Such a novel allowed us to address social problems.
The character of the rogue is charming, and one must sympathize with him. PR is a genre of humanistic literature. Auto tries to justify him, but he is not free of his fate. The first experience of the rogue novel was "The Tale of Frol Skobeev." Chulkov “The Adventures of a Depraved Woman”, Komarov “The Adventures of Vanka Cain”. Interest in picaresque novel not accidental. The discovery of a private person, the era of the 18th century itself contributed to this interest. "Fuck the cook." This novel is interesting in its portrayal of the heroine; it has attracted a sinner and makes her guilty without guilt. He was able to show the fate of the hero, determined by the external environment. “The Adventures of Vanka Cain.” 1775, 1779 published and published, the novel even entered the handwritten tradition. The so-called criminal novel. V.K. is a real person. He lived during the time of Eliz Petrovna. He was arrested and sent to hard labor. Now his name is Ivan Osipov, he wrote an autobiographical story. Matvey Komarov decided to edit it stylistically; he was personally acquainted with Osipov, he served in the detective parish and took part in interrogations. Compositionally, the novel falls into 3 parts: - About the adventures of the story. - A change in fate, he becomes a detective. – Lyrical songs (either about Cain himself, or an entry into the repertoire of Cain’s gang). The image of Cain himself is a folk, a clever thief, for K. theft is first of all an art. His interest is the very spirit of adventure. The novel is a whole kaleidoscope of small short stories. The author changed the form of the narrative, writes about K. in the 3rd person, this shows the author’s sympathy.
Ticket 24. Social household, or sat story.
Its meaning is very large in Russian lit. They are close to the realistic masterpieces of the Russian classics. The action heroes were simple Lyuli. These stories are satirical and accusatory: - Bribery
Embezzlement, - Slavery.
Such stories are reminiscent of Novikov’s magazine satire. These are action-packed works, they are close to a picaresque novel, but here the rogue is clearly condemned. These stories were written by the same authors. Chapter 3 of the work: Stockings “Mockingbird” - Precious pike
Gingerbread coin - Bitter fate.
Levshin 1: “An annoying awakening”
These stories use wandering plots.
SIGNIFICANCE: Fiction of the 60s helps overcome the classicist trend. Russian fiction testifies to the democratization of Russian literature, which has a strong folklore influence. The works are written in simple accessible language, this is a humanistic literary work, depicting a little man.
Ticket 27. A humorous poem.
It is characterized by: a busy plot, - acute intrigue, - democracy (the heroes are a coachman, or a soldier), - folklorism. Ironic comic poem. - the main type of humorous poem. There are 2 traditions here: - high (heroic), low. When they are combined, it is born comic effect. Reception at the cat, the plot is presented in low language called burlesque. Genre of ironic-comic poem-genre class lit. In Rus lit 18 this genre in 2 varieties was legalized by Skmarokov.
Ivan Barkov - publisher of Cantemir's satires, composed erotic poems, many imitated him. Maikov: “Elisha, or the irritated Bacchus.” 1771, Bogdanovich “Darling”. 1783 Maykov’s model was also the “Aeneid” (a poem, for example, in the 17th century, on which many wrote parodies.) Maykov is the ancestor of writers of the mid-19th century
He ate ant motives and Russian life remind him of a rogue novel. This poem has 2 plans: ant gods and russ life. Folklore motives: a public house is like a monastery. The author was a writer of everyday life of the Russian bottom. Very brightly revealed as a witch, M. parodies Ridon, hinting at E2 a depraved German woman.
Ticket 28. Bogdanovich’s work “Darling”.
1778-1 var It was a fairy tale in verse “Dushenka's Adventures”, a short story in free verse, a Spanish old story about the love of Cupid and Psyche based on the new “Metamorphoses of Apuleius” by La Fontaine, “The Love of Psyche and Cupid” - Russian version. Russification of another plot and “D”. This is a product that has a consequential effect on its aesthetic success.
When writing, it was not about introducing the cheat to a new plot, but rather about a creative competition in interpreting the plot. “D” was not a parody of the heroic epic. The first sign of the abandonment of the burlesque tradition was the original meter, which did not belong to any genre. Burlesque in Bogdanovich's poem is predicted by the name the cat gave to his heroine. In Apuleius and La Fontaine she is called Psyche, 1 Russian translator Laf slightly Russified this name - PSISHA, but God called his Ger Darling, he designated it thus. partial Russification of the plot. And only in this does the burlesque discrepancy between the narrative plans come into play. B felt the folk-myth nature of the plot and tried to reproduce the plot in the genre of a Russian fairy tale.
Ticket 25. Derzhavin's work.
Derzhavin wrote in various poetic genres
Elegies, idylls, love lyrics, comedies, odes. In Russian literature he entered under the name of an odopist. He was an innovative writer, he made everyday life a poetic subject, and he poeticized it, presented it in the best traditions, and paid a lot of attention to boyar life. Many of the Derzhs bring a philosophical character. The theme of the frailty of earthly existence. He paid attention to the gastronomic bustle and perfectly described the Russian feast. D is not accepted for any, for example, occupying an intermediate position. In his views, D was never an oppositionist; he believed that there should be no conflict between the poet and the state. Very negative towards Voltairianism. He was just a Russian gentleman and loved choir life. In 1779 there was a turning point in his consciousness; before that he had been tortured under Lomonosov, but then he realized that it was not his. From those heights he tried to descend to the ground. He approached the ode genre early, expanded its genre, and returned to the anti-understanding of this genre. Obed high and low, introduced the comic into the ode. D himself enriched the ode with a funny Russian syllable. Destroyed the border between the market and the spirit of ode. Often the market and the spirit of ode are combined. Celebrations: “Felitsa” 1782, “Gratitude to Felitsa” 1783, “Leading Murza” 1784, “Image of Felitsa” 1789.
Satirich El-t-Murza is a personal hero. Derzh managed to convey the essence of the historical era.
Spirit of the ode: “On the death of Prince Meshchersky.” 1779, “To Rulers and Judges.” 1795, “God” “Waterfall” 1794. The spirit of the ode is an arrangement of the psalter (metaphrase). Derzh refuses this tradition. “To Rulers and Judges” is really an ode to the spirit of an arrangement of the psalm, but in it D departed from the spirit of the meaning, it is a former citizen, accusatory. An anecdotal case with Vyazemsky.
The literary direction originated at the turn of the 50-60s of the 18th century. The heyday occurred in the 90s, and the decline occurred in the 19th century, 1812, the upper limit of sentimentalism. In the Ek era, 2 directions coexisted. At this time, classicism was experiencing its decline, and its birth.
Many writers of the Ek era began as classicists and ended as St. There are certain common features between these directions: they both proceed from the solution of one problem - between a person and a state, people and civilization. They solve this problem in directly opposite ways. From the point of view of class, people have a rational and passionary beginning, passions are destructive, people must learn to subordinate passions to their own reason by introducing them to culture and science (odes of Lomonosov). From a sentimentalist point of view natural nature a person is all that is good in him, a kind, beautiful person. Civilization destroys all of man’s natural principles. The principle of returning to nature. Zapadov: sentimentalism-classicism inside out. Paul the hero is a kind and sensitive person who knows how to sympathize and have fun with others. These are simple people in their position. Writers: Kheraskov, Emin, Karamzin, Dmitriev.
Reasons for the emergence of sentimentalism:- strong influence it turns out to be European sentimentalism. 20-30g 18th century.
Hebrew Saints began to actively translate and imitate writers: Goethe, Richardson, Jung, Stern, Rousseau.
National soil in Russia was prepared by ref E2, formed private person, this thought inspired not only sentimentalists, but also prose writers. Holding the image of E as a private person. Disillusionment with the ideals of Russ Int, which inspired Lomonosov, played a big role. Now the ideals of Epicureanism. Or opposition Sentimentalism began to actively take shape under the influence of Masonic ideals (build a church within yourself). -Oda, only now it’s lyrical verse of different, intimate content. -dramatic genres (comic opera). -Epistolary novel, -travel genre, story.
