(1841/1842-1910) is a great Russian artist of Greek origin. He became known for his unique style of landscape painting. One of the most remarkable works of Kuindzhi is the painting "Birch Grove".
Painting " Birch Grove"was painted in 1879, Oil on canvas. 97 × 181 cm. Currently in the State Tretyakov Gallery in Moscow. After the work was completed, the landscape was presented at the 7th exhibition of the Wanderers or the Association of Traveling Art Exhibitions. The picture shows a birch grove on a bright sunny day. Even then, at the first exhibition where the painting was presented, many viewers immediately drew attention to the unusual nature of the landscape painting. Kuindzhi not only created a very sharp contrast between light and shadow, thereby emphasizing the dazzle of sunlight, but also depicted unusual colors and shades that made the picture very realistic and fabulous at the same time.
The picture is visually divided into two parts by a stream flowing through the center. The stream not only divides the picture into two parts, making it more harmonious, but also carries the viewer's eye away, almost to the very horizon. Another quality that the stream has is freshness and coolness. It is, in a way, shading the general appearance of a hot day with a scorching sun.
The trees in the background act as a backdrop. Arkhip Kuindzhi deliberately does not give them drawing and detail, as if showing the viewer that the most important thing is in the foreground. Arkhip Ivanovich Kuindzhi has always been in awe of Russian nature and Russian landscapes, and this picture, in particular, perfectly shows all the love of man for nature and the crazy inspiration that he drew in the forests, meadows and fields of the Russian hinterland.
Painting "Birch Grove". Kuindzhi
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The next exhibition - already the seventh in a row - of the Wanderers promised, as always, a lot of new products and unexpected artistic solutions. The public was looking forward not only to the works of already recognized masters, but also to the emergence of new names working in the style of realism. The real event of this exhibition was Kuindzhi's painting "Birch Grove".
The biography of the remarkable artist Arkhip Kuindzhi is an excellent example for those who, despite all the difficulties and obstacles, are firmly moving towards their intended goal. With all his works, the master sought to justify his surname, which in Greek means "goldsmith". Entering the Academy of Arts only on his third attempt, he brought a lot of new things to the compositional construction of the landscape, to giving the paintings brightness and refinement. An excellent example of all this is the work of Kuindzhi "Birch Grove".
A native of Mariupol was far from the first to take up the image of the unspoken symbol of Russia, but he managed to find such means that made the picture truly spiritual.
Kuindzhi's Birch Grove, whose history can be found in almost any major art reference book, is an example of the style known as "romantic landscape". This style is characterized by a masterful use of light and shadow, combined with an open composition.
In particular, in Kuindzhi’s painting “Birch Grove”, the image of light green branches of birches against the background of a dark green thicket of the forest gives the necessary effect. Through the use of this technique, the festivity and brightness of the image are achieved. The sharp contrast between sunlight and shadow creates a joyful, upbeat mood in the viewer. In terms of composition, the most important role is played by the stream, which divides the canvas into two parts, it gives life to the picture, sets the rhythm, encourages life and creativity.
Almost all critics and art historians agree that in Kuindzhi’s painting “Birch Grove”, the author managed to give significance and brightness to a landscape that is quite ordinary for our country. This is achieved through a combination of richness of colors, bold alignment of the compositional space, as well as through the filigree technique of transition from one color scheme to another. Like no one else, Kuindzhi knew how to show the light, even without sunlight.
The liveliness of the picture is given by various small details, to which the author paid very close attention. In many ways, this is why this canvas creates a “presence effect” for the viewer, forcing them to inhale the aroma of birches and listen to the murmur of the stream.
The techniques used by the author in Birch Grove were subsequently applied by Kuindzhi in other famous works: Night on the Dnieper, After the Rain, Sea at Night. The name of this remarkable master entered the golden fund of the national landscape, along with such luminaries as Shishkin and Levitan. Currently, the work of Kuindzhi "Birch Grove" is stored in the Tretyakov Gallery, never ceasing to delight new generations of connoisseurs of real art.
Arkhip Ivanovich Kuindzhi is one of the recognized Russian landscape masters. Each of his paintings amazes the viewer with the depth of color reproduction and the play of color. Talented placement of accents, the artist has ensured that his paintings literally exude light. Kuindzhi's canvases combine naive romanticism and realism, deep philosophical meaning and rustic natural motifs. But each of his paintings is a breakthrough, a new word in the art of landscape.
Among the paintings of the master, one of his early works stands out: “Birch Grove”. Now the picture is being exhibited at the Tretyakov Gallery, and viewers and critics still note its unusual liveliness and alluring appeal.
The picture was painted in the spirit of romanticism, so beloved by Arkhip Ivanovich. On the canvas you can see a rather ordinary Russian landscape: a clearing illuminated by the bright sun, in the center of a birch grove. A pastoral, bright picture filled with love for life, nature and the Motherland. With the help of oil and canvas, Arkhip Ivanovich masterfully conveys the atmosphere of a hot summer day, when sunlight floods the forest glade, giving life-giving warmth.
But thanks to the sharp contrast of rich greens of all colors and shades, rich light tones and light strokes, the picture creates the impression of a huge space inside it. It is as if a whole world is hidden in the frame, with a real forest and living trees. Kuindzhi's special manner creates the illusion of soft, flowing light emitted by the painting.
In the background, the dark crowns of trees turn green, standing out brightly against the light blue sky. As he approached the viewer, the artist highlighted individual trees. Crowns are not visible in the picture, only light birch trunks and small branches. The author depicted both very young, thin birch trees, and mature trees, bent from the winds. The soft green grass at the bottom contrasts with the dark green of the grove.
The canvas is divided into two parts by a muddy stream. To the left of it there are more shadows, this part of the grove is not so brightly lit, therefore it contrasts with the right half, sunny and bright. A brook covered with duckweed, which seems to be a continuation of the sky, resting against its blueness on the horizon, divides the forest into two halves.
The painting did not acquire its true form immediately, before that the artist made several sketches, where the birches are either half-hidden by a thick shadow, or, on the contrary, illuminated by the sun without any hint of shadows. Only bright sparkling light.
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Birch Grove - Arkhip Ivanovich Kuindzhi. 1879. Oil on canvas. 97x181 cm
The most famous painting by Arkhip Kuindzhi "Birch Grove" is the main translator of the main stylistic differences of this painter, the quintessence of his ideas and unusual coloristic finds.
The painting was created specifically for the 7th exhibition of the Artistic Traveling Society, and immediately aroused the surprise of the public and viewers - the color scheme of the canvas was so unusual for everyone.
Although many people liked the joyful, bright mood of the work, it was this picture that was the impulse that divorced the artist from. Shortly after the exhibition, an anonymous article under the pseudonym "Amateur" appeared in the newspaper "Molva", which accused Kuindzhi of bad taste - the author de "re-greens" his paintings too much. Also in the article there were doubts about Kuindzhi's talent in principle, and it was also said that lighting effects are not the result of a filigree possession of technology, but the use of lighting devices that are hidden behind the canvases of paintings. The name of the mysterious "Amateur" was very soon revealed, it turned out to be a colleague "in the shop" Kuindzhi, a member of the traveling society M. Klodt.
Kuindzhi demanded the exclusion of the offender from the Wanderers, however, no one responded to this request, and Arkhip Ivanovich left himself. However, biographers agree that the conflict between Kuindzhi and Klodt was just a pretext - the painter has long stepped over the socially accusatory framework of art promoted by society, and "Birch Grove" is a vivid confirmation of this.
Having conceived a plot that was used in his work by a great many Russian artists (,), the master searched for the ideal composition for a long time - this is evidenced by the preserved sketches and sketches. From these artifacts, one can trace how the author chose the height of the trees, the area of the clearing, thought how much space to give under the forest. That is, there is nothing spontaneous in this picture, it is the fruit of a well-thought-out artistic thought and by no means an open-air work.
What is the decorativeness of the picture? If you pay attention to the groups of birch trees, which are placed on the canvas with verified accuracy, or rather on the bases of the trunks, you can see how they are deliberately flattened, which creates some convention. Also, decorativeness is manifested in static nature - the foliage on the trees seems to be frozen, and the air is so transparent that it is obvious: there is not a single breath of breeze in the clearing. The thicket in the depths of the picture is devoid of detail - it is a dark green wall, designed to set off color contrasts.
But all the beauty lies in the piercing greenery and sunlight. The artist deliberately "lowered" the shadow to the foreground, further emphasizing the contrast in relation to the sunlit meadow.
You do not immediately notice a stream with greenish water, although it flows in the very center - it seems that the sun breaking through the crown of trees has thus transformed the path. However, the gleaming mirror surface confirms that it is the stream that conditionally divides the canvas into two halves.
The author used pure bright colors, and if you look fragmentarily, it seems that they are simply sometimes simply unrealistic, but as soon as you take a wide look at the canvas, you feel this sunny bright day almost physically.
Kuindzhi, with his decorativeness, simplification, and innovative use of the power of color, was in many ways ahead of his time, and therefore not everyone immediately accepted the work, although it was the Birch Grove that was destined to become the artist's "calling card".
And rightly so - the "birch" theme did not let the painter go all his life. In addition to the most famous work, there are five more with the same name, of which only two are considered completed. The third picture has caused the most controversy - in addition to the vertical format, there is a search in the field of symbolism in it ... but that's a completely different story.
Plan
1. What do I see in the painting "Birch Grove".
2. Why do I like the painting "Birch Grove".
In the painting "Birch Grove" the artist depicted a clear summer day. I see a green meadow illuminated by the sun and slender white-trunked birch trees.
The leaves on the birch trees are of a delicate emerald color. A cool swampy stream flows between the trees. Not a cloud in the pale blue sky. And in the distance you can see a dense green forest.
I really like the picture "Birch Grove". She creates a joyful mood. I would like to sit in the shade under a tree and listen to the murmur of a stream and the singing of birds.
Composition based on the painting by A.I. Kuindzhi Birch Grove Grade 5
Plan
2. A masterpiece of painting "Birch Grove".
3. Why do I like "Birch Grove".
From early childhood, Arkhip Kuindzhi showed a great talent for drawing. During his life, the master created a huge number of paintings, most of which are dedicated to nature. Kuindzhi is a recognized master of landscape. One of his most famous works is "Birch Grove".
Arkhip Ivanovich was very fond of the Russian birch and painted "Birch Grove" in several versions. In the foreground of the picture are white-barreled beauties illuminated by the sun. They seem to have escaped from a dark forest, visible in the distance, to an emerald meadow and now dance around a cool stream. Under the crowns of birches - a shadow, it's nice to hide from the scorching summer heat.
The picture looks so real that when you look at it, it seems that a light breeze is about to touch your face. You want to look and look at the "Birch Grove", it attracts the eye. The sad mood immediately improves. I don't think there is anyone who doesn't like this work.
painting by A. Kuindzhi Birch Grove photo
Composition based on the painting by A.I. Kuindzhi Birch Grove Grade 6
Plan
1. A word about the artist.
2. Kuindzhevskaya "Birch Grove".
3. Feelings caused by "Birch Grove".
The famous Russian landscape painter Arkhip Ivanovich Kuindzhi was born in Russia in the city of Mariupol, but he is Greek by nationality. Kuindzhi had a memorable appearance: he was a tall, muscular, very strong man with dark skin, and magnificent curly hair. Since childhood, Arkhip Ivanovich was very fond of drawing and did it wherever possible. Almost all of Kuindzhi's works are devoted to the description of nature. He is considered a master of landscape painting.
A masterpiece of landscape painting is the canvas "Birch Grove". In the center of it is a large forest clearing, on which the main characters of the picture, birches, are located. The clearing looks so real that it seems you can jump in there, hug a birch tree and smell its bark. Birches, like girlfriends, gathered in groups of two, three, and as if they were secret about something.
The artist painted each branch of the trees with great love. At the same time, the forest in the background of the painting looks like a big green silhouette without drawing details. It seems to me that the picture depicts the beginning of summer, because the greenery of the grass and leaves is still a delicate emerald hue, which occurs only in June. Above the forest is very clear, almost transparent, with a bluish tinge, the sky. There is no wind in the forest. The glade seems to be brightly lit by the sun, the sun is everywhere, although it is not in the picture. And this magical effect is present on many of his canvases. The picture gives me a feeling of joy, happiness and peace. It must be very pleasant to look at her when it is winter and frost outside.
