The courage of the city takes its examples from literature. Heroism, self-sacrifice

All arguments for the final essay in the direction of "Courage and cowardice". Does it take courage to say no?

Some people are shy. Such people very often do not know how to refuse, which is used by others. The heroine of the story by A.P. Chekhov "". Yulia Vasilievna works as a governess for the narrator. She is characterized by shyness, but this quality of her reaches the point of absurdity. Even when she is openly oppressed, unfairly deprived of her earnings, she is silent, because her character does not allow her to fight back and say no. The behavior of the heroine shows us that courage is needed not only in emergency situations, but also in everyday life, when you need to stand up for yourself.

How is courage shown in war?

Extreme conditions, as a rule, reveal the true essence of a person. Confirmation of this can be found in the story of M.A. Sholokhov "The Fate of Man". During the war, Andrei Sokolov was captured by the Germans, he was starved, kept in a punishment cell for trying to escape, but he did not lose his human dignity, did not behave like a coward. The situation is indicative when, for careless words, the camp commandant called him to his place to shoot him. But Sokolov did not retract his words, did not show his fear to the German soldiers. He was ready to face death with dignity, for which he was spared his life. However, after the war, a more serious test awaited him: he learned that his wife and daughters had died, and only a funnel remained in place of the house. His son survived, but his father's happiness was short-lived: on the last day of the war, Anatoly was killed by a sniper. Despair did not break his spirit, he found the courage to continue life. He adopted a boy who also lost his entire family during the war. Thus, Andrey Sokolov shows a wonderful example of how to maintain dignity, honor and remain courageous in the most difficult life situations. Such people make the world better and kinder.

How is courage shown in war? What kind of person can be called brave?

War is a terrible event in the life of any person. It takes away friends and loved ones, makes children orphans, destroys hopes. War breaks some people, makes others stronger. A striking example of a bold strong-willed personality is Alexei Meresyev, the main character of B.N. Field. Meresyev, who had dreamed of becoming a professional fighter pilot all his life, was seriously wounded in battle, and both legs were amputated in the hospital. It seems to the hero that his life is over, he cannot fly, walk, loses hope of creating a family. Being in a military hospital and seeing an example of the courage of other wounded, he understands that he must fight. Every day, overcoming physical pain, Alexey does exercises. Soon he can walk and even dance. With all his might, Meresyev is trying to get admission to the flight school, because only in the sky does he feel in his place. Despite the serious requirements for the pilots, Alexey receives a positive response. The girl he loves does not refuse him: after the war they get married and have a son. Aleksey Meresyev is an example of a man with an unbending will, whose courage even the war could not break.

“In battle, those who are most in danger are those who are most obsessed with fear; courage is like a wall” G.S. Crisp
Do you agree with the statement of L. Lagerlöf: "When fleeing, more soldiers always die than in battle."

In the epic novel "War and Peace" you can find many examples of human behavior in war. So, officer Zherkov manifests himself as a person who is not ready to sacrifice himself for the sake of victory. During the battle of Shengraben, he shows cowardice, which leads to the death of many soldiers. By order of Bagration, he must go to the left flank with a very important message - an order to retreat. However, Zherkov is cowardly and does not convey the message. At this time, the French are attacking the left flank, and the authorities do not know what to do, because they did not receive any orders. Chaos begins: the infantry flees into the forest, and the hussars go on the attack. Because of the actions of Zherkov, a huge number of soldiers die. During this battle, young Nikolai Rostov is wounded, he, along with the hussars, boldly rushes to the attack, while other soldiers are in disarray. Unlike Zherkov, he did not chicken out, for which he was promoted to officer. On the example of one episode in the work, we can see the consequences of courage and cowardice in the war. Fear paralyzes some and makes others act. Neither flight nor fight guarantees the salvation of a life, but courageous behavior not only preserves honor, but also gives strength in battle, which increases the chances of survival.

How are the concepts of courage and self-confidence related? Courage to admit wrong. What is the difference between true courage and false courage? What's the difference between courage and risk-taking? Does it take courage to admit your mistakes? Who can be called a coward?

Courage, expressed in excessive self-confidence, can lead to irreparable consequences. It is generally accepted that courage is a positive quality of character. This statement is true if it is associated with intelligence. but a fool is sometimes dangerous. So, in the novel "A Hero of Our Time" by M.Yu. Lermontov can find confirmation of this. The young cadet Grushnitsky, one of the characters in the chapter "Princess Mary", is an example of a person who pays great attention to outward manifestations of courage. He likes to have an effect on people, speaks in pompous phrases and pays excessive attention to his military uniform. He cannot be called a coward, but his courage is ostentatious, not aimed at real threats. Grushnitsky and Pechorin have a conflict, and offended pride requires a duel with Grigory. However, Grushnitsky decides on meanness and does not load the enemy's pistol. Learning about this puts him in a difficult situation: to ask for forgiveness or be killed. Unfortunately, the cadet cannot overcome his pride, he is ready to face death bravely, because recognition is unthinkable for him. His "courage" does no one any good. He dies because he does not realize that the courage to admit his mistakes is sometimes the most important thing.

How are the concepts of courage and riskiness, self-confidence, stupidity related? What is the difference between arrogance and courage?

Another character whose courage was stupid is Azamat, Bela's younger brother. He is not afraid of risk and bullets whistling over his head, but his courage is stupid, even fatal. He steals his sister from the house, risking not only his relationship with his father and his safety, but also Bela's happiness. His courage is not aimed either at self-defense or at saving lives, therefore it leads to sad consequences: his father and sister die at the hands of a robber, from whom he stole a horse, and he himself is forced to flee to the mountains. Thus, courage can lead to terrible consequences if used by a person to achieve goals or protect his ego.

Courage in love. Can love inspire people to great deeds?

Love inspires people to great deeds. So, the main characters of O. Henry's story "" showed an example of courage to readers. For the sake of love, they sacrificed the most precious thing: Della gave her beautiful hair, and Jim gave the watch he inherited from his father. It takes a lot of courage to realize what is really important in life. Even more courage is needed to sacrifice something for the sake of a loved one.

Can a brave person be afraid? Why shouldn't you be afraid to admit your feelings? What is the danger of indecision in love?

A. Morois in the story "" shows readers how dangerous indecision in love is. The protagonist of the story, Andre, falls in love with an actress named Jenny. He wears violets to her every Wednesday, but does not even dare to approach her. Passions boil in his soul, the walls of his room are hung with portraits of his beloved, but in real life he cannot even write a letter to her. The reason for this behavior lies in his fear of being rejected, as well as in self-doubt. He considers his passion for the actress "hopeless" and elevates Jenny to an unattainable ideal. However, this person cannot be called a "coward". A plan arises in his head: to go to war in order to accomplish a feat that will "bring" him closer to Jenny. Unfortunately, he dies there, never having time to tell her about his feelings. After his death, Jenny learns from his father that he wrote many letters, but never sent a single one. If Andre had come closer to her at least once, he would have known that for her "modesty, constancy and nobility are better than any feat." This example proves that indecision in love is dangerous because it prevents a person from becoming happy. It is likely that Andre's courage could make two people happy, and no one would have to mourn the unnecessary feat that did not bring him closer to the main goal.

What actions can be called courageous? What is the feat of a doctor? Why is it important to be bold in life? What does it mean to be brave in everyday life?

Dr. Dymov is a noble man who has chosen to serve people as his profession. Only indifference to others, their troubles and illnesses can serve as the reason for such a choice. Despite the hardships in family life, Dymov thinks about his patients more than about himself. His dedication to work often threatens him with dangers, so he dies saving the boy from diphtheria. He manifests himself as a hero by doing what he was not obliged to do. His courage, loyalty to his profession and duty do not allow him to do otherwise. To be a doctor with a capital letter, you must be courageous and resolute, such as Osip Ivanovich Dymov.

What does cowardice lead to? What actions does cowardice push a person to? Why is cowardice dangerous? What is the difference between fear and cowardice? Who can be called a coward? Can a brave person be afraid? Is it possible to say that there is only one step from fear to cowardice? Cowardice is a sentence? How do extreme conditions affect courage? Why is it important to have courage in making your decisions? Can cowardice hinder the development of personality? Do you agree with Diderot's statement: "We consider a coward who allowed his friend to be insulted in his presence"? Do you agree with the statement of Confucius: “Cowardice is knowing what to do and not to do it”

It's hard to be brave all the time. Sometimes even strong and honest people with high moral principles can be frightened, as, for example, the hero of the story V.V. Zheleznikova Dima Somov. His character traits, such as "courage", "correctness" set him apart from other guys from the very beginning, he appears to readers as a hero who does not allow offending the weak, protects animals, strives for independence and loves work. During the campaign, Dima saves Lena from her classmates, who began to scare her by wearing the "muzzles" of animals. It is for this reason that Lenochka Bessoltseva falls in love with him.

But over time, we observe the moral decline of the "hero" Dima. At first, he is frightened by the problem with his classmate's brother and violates his principle. He does not talk about the fact that his classmate Valya is a flayer, because he is afraid of his brother. But the next act showed a completely different side of Dima Somov. He deliberately let the whole class think about what Lena told the teacher about the disruption of the lesson, although he did it himself. The reason for this act was cowardice. Further, Dima Somov plunges deeper and deeper into the abyss of fear. Even when Lena was boycotted, they mocked her, Somov could not confess, although he had a lot of chances. This hero was paralyzed by fear, turning him from a "hero" into an ordinary "coward", devaluing all his positive qualities.

This hero shows us another truth: we are all woven from contradictions. Sometimes we are brave, sometimes we are afraid. But there is a huge gap between fear and cowardice. Cowardice is never useful, it is dangerous, because it pushes a person to bad deeds, awakens base instincts. And fear is something that is inherent in everyone. A person who performs a feat may be afraid. Heroes are afraid, ordinary people are afraid, and this is normal, fear itself is a condition for the survival of the species. But cowardice is already a formed character trait.

What does it mean to be brave? How does courage affect the formation of personality? In what situations in life is courage best manifested? What is true courage? What actions can be called courageous? Courage is the resistance to fear, not the absence of it. Can a brave person be afraid?

Lena Bessoltseva is one of the most powerful characters in Russian literature. In her example, we can see a huge gap between fear and cowardice. This is a little girl who finds herself in an unfair situation. Fear is inherent in her: she is frightened by the cruelty of children, she is afraid of stuffed animals at night. But in fact, she turns out to be the most courageous of all the heroes, because she is able to stand up for those who are weaker, she is not afraid of general condemnation, she is not afraid to be special, not like others. Lena proves her courage many times, such as when she rushes to Dima's aid when he is in danger, even though he betrayed her. Her example taught the whole class goodness, showed that everything in the world is not always decided by force. “And longing, such a desperate longing for human purity, for selfless courage and nobility, more and more captured their hearts and demanded a way out.”

Is it necessary to defend the truth, to fight for justice? Do you agree with Diderot's statement: "We consider a coward who allowed his friend to be insulted in his presence"? Why is it important to have the courage to stand up for your ideals? Why are people afraid to speak their mind? Do you agree with the statement of Confucius: “Cowardice is knowing what to do and not to do it”

It takes courage to fight injustice. The hero of the story, Vasiliev, saw injustice, but due to his weakness of character, he could not resist the team and its leader, the Iron Button. This hero tries not to offend Lena Bessoltseva, refuses to beat her, but at the same time tries to remain neutral. Vasiliev tries to protect Lena, but he lacks character and courage. On the one hand, there is hope that this character will improve. Perhaps the example of the brave Lena Bessoltseva will help him overcome his fears and teach him to stand up for the truth, even if everyone around him is against it. On the other hand, Vasiliev's behavior and what his inaction led to teaches us that you cannot stand aside if you understand that injustice is happening. Vasiliev's tacit consent is instructive, since many of us face similar situations in life. But there is a question that every person must ask himself before making a choice: is there anything worse than knowing about injustice, being a witness to it and just being silent? Courage, like cowardice, is a matter of choice.

Do you agree with the saying: “You can never live happily when you are trembling with fear all the time”? How is hypocrisy related to cowardice? Why is fear dangerous? Can fear stop a person from living? How do you understand the saying of Helvetius: “To be completely devoid of courage, one must be completely devoid of desires”? How do you understand the stable expression: “fear has big eyes”? Can it be argued that a person is afraid of what he does not know? How do you understand Shakespeare's saying: "Cowards die many times before death, the brave die only once"?

"The Wise Piskar" is an instructive story about how fear is dangerous. Piskar lived and trembled all his life. He considered himself very smart because he made a cave in which he could be safe, but the downside of this existence was the complete absence of real life. He did not create a family, he did not find friends, he did not breathe deeply, he did not eat his fill, he did not live, he just sat in his hole. He sometimes thought about whether there was any benefit from his existence for someone, he understood that there was not, but fear did not allow him to leave his comfort and safety zone. So Piskar died without knowing any joy in life. In this instructive allegory, many people can see themselves. This story teaches us not to be afraid of life. Yes, it is full of dangers and disappointments, but if you are afraid of everything, then when will you live?

Do you agree with the words of Plutarch: "Courage is the beginning of victory"? Is it important to be able to overcome your fears? Why fight fears? What does it mean to be brave? Can you cultivate courage? Do you agree with Balzac's statement: "Fear can make a daredevil timid, but it gives courage to the indecisive"? Can a brave person be afraid?

The problem of overcoming fear is also revealed in Veronica Roth's novel Divergent. Beatrice Pryor, the protagonist of the story, leaves her home, the Forsaken faction, to become the Dauntless. She is afraid of the reaction of her parents, afraid of not going through the rite of initiation, of being rejected in a new place. But her main strength lies in the fact that she challenges all her fears, looks them in the face. Tris puts herself in great danger, being in the company of the Dauntless, because she is "different", people like her are destroyed. This scares her terribly, but much more she is afraid of herself. She does not understand the nature of her difference from others, she is frightened by the thought that her very existence can be dangerous for people.

The struggle with fears is one of the key problems of the novel. So, Beatrice's beloved name is For, translated from English it means "four". That is the number of fears he needs to overcome. Tris and Four fearlessly fight for their lives, for justice, for peace in the city they call home. They defeat both external enemies and internal ones, which undoubtedly characterizes them as courageous people.

Do you need courage in love? Do you agree with Russell's statement: "To be afraid of love is to be afraid of life, and to be afraid of life is to be two-thirds dead"?

A.I. Kuprin "Garnet bracelet"
Georgy Zheltkov is a petty official whose life is devoted to unrequited love for Princess Vera. As you know, his love was born long before her marriage, but he preferred to write letters to her, pursued her. The reason for this behavior lay in his self-doubt and fear of being rejected. Perhaps if he were bolder, he could become happy with the woman he loves.

Can a person be afraid of happiness? Does it take courage to change your life? Is it necessary to take risks?

Vera Sheina was afraid to be happy and wanted a quiet marriage, without shocks, so she married a cheerful and handsome Vasily, with whom everything was very simple, but she did not experience great love. Only after the death of her admirer, looking at his dead body, Vera realized that the love that every woman dreams of had passed her by. The moral of this story is this: you need to be brave not only in everyday life, but also in love, you need to take risks without fear of being rejected. Only courage can lead to happiness, cowardice and, as a result, conformism, leads to great disappointment, as happened with Vera Sheina.

How do you understand Twain's statement: “Courage is resistance to fear, not its absence”? How is willpower related to courage? Do you agree with the words of Plutarch: "Courage is the beginning of victory"? Is it important to be able to overcome your fears? Why fight fears? What does it mean to be brave? Can you cultivate courage? Do you agree with Balzac's statement: "Fear can make a daredevil timid, but it gives courage to the indecisive"? Can a brave person be afraid?

Numerous writers have addressed this topic. So, the story of E. Ilyina "The Fourth Height" is dedicated to overcoming fears. Gulya Koroleva is an example of courage in all its manifestations. Her whole life is a battle with fear, and each victory is a new height. In the work we see the life story of one person, the formation of a real personality. Every step she takes is a manifesto of determination. From the first lines of the story, little Gulya shows real courage in a variety of life situations. Overcoming children's fears, he takes a snake out of the box with his bare hands, sneaks into the cage from the elephants in the zoo. The heroine grows, and the trials encountered in life become more serious: the first role in the cinema, the recognition of her wrong, the ability to answer for her actions. Throughout the work, she struggles with her fears, does what she is afraid of. Already an adult, Gulya Koroleva is getting married, her son is born, it seems that her fears are defeated, she can live a calm family life, but the biggest test lies ahead of her. The war begins, and her husband goes to the front. She fears for her husband, for her son, for the future of the country. But fear does not paralyze her, does not force her to hide. The girl goes to work as a nurse in the hospital to somehow help. Unfortunately, her husband dies, and Gulya is forced to continue fighting alone. She goes to the front, unable to look at the horrors that happen to her loved ones. The heroine takes the fourth height, she dies, having defeated the last fear that lives in a person, the fear of death. On the pages of the story, we see how the main character is afraid, but she overcomes all her fears, such a person can undoubtedly be called a brave man.

Pontius Pilate is a cowardly man. And it was for cowardice that he was punished. The procurator could have saved Yeshua Ha-Notsri from execution, but he signed the death warrant. Pontius Pilate feared for the inviolability of his power. He did not go against the Sanhedrin, ensuring his peace at the cost of the life of another person. And all this despite the fact that Yeshua was sympathetic to the procurator. Cowardice prevented saving a man. Cowardice is one of the most serious sins (based on the novel The Master and Margarita).

A.S. Pushkin "Eugene Onegin"

Vladimir Lensky challenged Eugene Onegin to a duel. He could cancel the fight, but he chickened out. Cowardice manifested itself in the fact that the hero reckoned with the opinion of society. Eugene Onegin thought only about what people would say about him. The result was sad: Vladimir Lensky died. If his friend had not been afraid, but preferred moral principles to public opinion, tragic consequences could have been avoided.

A.S. Pushkin "The Captain's Daughter"

The siege of the Belogorsk fortress by the troops of the impostor Pugachev showed who was considered a hero, who was a coward. Aleksey Ivanovich Shvabrin, saving his life, betrayed his homeland at the first opportunity and went over to the side of the enemy. In this case, cowardice is a synonym

Topics of the final essay 2017 - 2018

"Courage and cowardice". This direction is based on a comparison of opposite manifestations of the human "I": readiness for decisive actions and the desire to hide from danger, to evade the resolution of complex, sometimes extreme life situations.
On the pages of many literary works are presented both heroes capable of bold actions and characters demonstrating weakness of spirit and lack of will.

The problem of courage worries every person. For some, courage is a vital necessity; without this character trait, a person will not be able to work where he wants. For some, it's an opportunity to show off. But we all equally need to not get lost in the face of difficulties, which are so many in the modern world. A mother should have remarkable courage, letting her child go to school alone for the first time, thereby accustoming him to independence. There can be no talk of any cowardice when an alarm was sounded in the fire department and the team needed to advance to cope with the elements. Courage, self-discipline are also necessary for our reader, who prepares himself or prepares children for such close exams.

In the literature, the theme of willpower, spirit, is covered especially widely. In some works, someone's life depends on courage. Basically, the authors endow positive heroes with courage, and negative ones with cowardice, which hints at what is considered bad and what is good. But cowardice is not an indicator of what kind of person he is. The authors, endowing negative characters with such a feature, only emphasize their meanness, meanness of soul, unwillingness to be better. We are all afraid, just not each of us can overcome this fear in ourselves.

Friends! This is an approximate list of topics for the final essay of 2017. Read it carefully and try to find an argument and a thesis for each topic. Here the direction "Courage and cowardice" is revealed from all possible sides. You will probably come across other quotes in your essay, but they will still carry the same meaning. And if you work with this list, you will not have any difficulty in writing the final essay.

In battle, those are most exposed to danger who are most obsessed with fear; courage is like a wall. (Sallust)
Courage replaces the fortress walls. (Sallust)
To be courageous means to regard as distant everything terrible and near everything that inspires courage. (Aristotle)
Heroism is an artificial concept, because courage is relative. (F. Bacon)
Some show courage without having it, but there is no person who would demonstrate wit if he were not witty by nature. (J. Halifax)
True courage rarely comes without stupidity. (F. Bacon)
Ignorance makes people bold, and thinking makes them indecisive. (Thucydides)
Knowing in advance what you want to do gives you courage and ease. (D. Diderot)
Courage is not in vain considered the highest virtue - after all, courage is the key to other positive qualities. (W. Churchill)
Courage is resistance to fear, not the absence of it. (M. Twain)
Happy is he who boldly takes under his protection what he loves. (Ovid)
Creativity takes courage. (A. Matisse)
It takes a lot of courage to bring bad news to people. (R. Branson)
The success of science is a matter of time and courage of the mind. (Voltaire)
It takes a lot of courage to use your own mind. (E. Burke)
Fear can make a daredevil timid, but it gives courage to an indecisive one. (O. Balzac)
Courage is the beginning of victory. (Plutarch)
Courage, bordering on recklessness, contains more madness than resilience. (M. Cervantes)
When you are afraid, act boldly, and you will avoid the worst troubles. (G. Sachs)
To be utterly devoid of courage, one must be utterly devoid of desire. (Helvetius K.)
It is easier to find such people who voluntarily go to death than those who patiently endure pain. (J. Caesar)
Who is courageous, he is brave. (Cicero)
Courage should not be confused with arrogance and rudeness: there is nothing more dissimilar both in its source and in its result. (J.J. Rousseau)
Excessive courage is the same vice as excessive timidity. (B. Johnson)
Courage based on prudence is not called recklessness, and the exploits of the reckless should rather be attributed to mere luck than to his courage. (M. Cervantes)
The difference between the brave and the coward is that the former, conscious of the danger, does not feel fear, while the latter feels fear, unaware of the danger. (V. O. Klyuchevsky)
Cowardice is knowing what to do and not doing it. (Confucius)
Fear makes the smart stupid and the strong weak. (F. Cooper)
A fearful dog barks more than bites. (Curtius)
When fleeing, more soldiers always die than in battle. (S. Lagerlöf)
Fear is a bad teacher. (Pliny the Younger)
Fear arises as a result of impotence of the spirit. (B. Spinoza)
Frightened - half defeated. (A.V. Suvorov)
Cowards speak most of all about courage, and scoundrels talk about nobility. (A.N. Tolstoy)
Cowardice is inertia that prevents us from asserting our freedom and independence in relations with others. (I. Fichte)
Cowards die many times before death, the brave die only once. (W. Shakespeare)
To be afraid of love is to be afraid of life, and to be afraid of life is to be two-thirds dead. (Bertrand Russell)
Love doesn't mix well with fear. (N. Machiavelli)
You can't love someone you're afraid of, or someone who's afraid of you. (Cicero)
Courage is like love: it needs to feed on hope. (N. Bonaparte)
Perfect love casts out fear, because there is torment in fear; He who fears is not perfect in love. (Apostle John)
Man fears only that which he does not know; knowledge conquers all fear. (V. G. Belinsky)
A coward is more dangerous than any other person, he should be feared more than anything. (L. Berne)
There is nothing worse than fear itself. (F. Bacon)
Cowardice can never be moral. (M. Gandhi) A coward sends threats only when he is sure of safety. (I. Goethe)
You can never live happily when you are trembling with fear all the time. (P. Holbach)
Cowardice is very harmful because it keeps the will from useful actions. (R. Descartes)
We consider a coward who allows his friend to be insulted in his presence. (D. Diderot)
Cowardice in its prime turns into cruelty. (G. Ibsen)
Who fearfully cares about how not to lose life will never rejoice in it. (I. Kant)
With courage everything can be done, but not everything can be done. (N. Bonaparte)
It takes great courage to stand up to enemies, but much more to go against friends. (J. Rowling, "Harry Potter and the Philosopher's Stone")

Courage and cowardice are two different, opposite qualities, manifestations of character, which, meanwhile, are closely related. In the same person, both a coward and a daredevil can live. This issue has been raised frequently in the literature.

So, real heroism and courage were shown by the girls in the work of Boris Vasiliev "The dawns here are quiet ...". All the characters in the story - five fragile girls: Zhenya Komelkova, Rita Osyanina, Sonya Gurvich, Galya Chetvertak, Liza Brichkina and foreman Vaskov - are depicted in the struggle, giving all their strength in the name of saving the Motherland.

It is these people who brought the victory of our country closer in this terrible war.

Another literary example is the story of Maxim Gorky "Old Woman Izergil", namely the third part of it - the legend of Danko. He was a brave and fearless young man who sacrificed himself for the sake of the people. He decided to help his people and took leadership over them in order to lead them out of the impenetrable forest. The path was not easy, and when people, having lost their fortitude, fell upon Danko, he tears his heart out of his chest to illuminate the path and give people the warmth and goodness that came from a burning heart. And when the goal was achieved, no one even noticed his death and that "his brave heart is burning next to the corpse of Danko." Danko saw the meaning of life in helping people.

And secondly, this is the problem of cowardice. In the novel by Mikhail Bulgakov "The Master and Margarita" Pontius Pilate, out of fear, fear of condemnation, commits a terrible act, he sent an innocent man, the philosopher Yeshua Ha-Nozri, to be executed. The procurator did not listen to his inner voice. And cowardice in making the right decision became a punishment for Pilate. He will look for justification in his act, but will not find it.

Also not the best quality was shown by the hero of Nikolai Gogol's story "Taras Bulba" - Andriy. For the love of a woman, he was able to renounce everyone. Not forgiving his son for betrayal and cowardice, Taras Bulba kills him himself. Payback for Andriy was too expensive - his own life.

Updated: 2017-09-12

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Is it possible to argue that courage and cowardice are two sides of the same coin? Courage and cowardice. Composition of the Unified State Examination Arguments, examples from the literature

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1 “Courage and cowardice” - arguments for the final essay The essay in the context of this aspect can be based on a comparison of opposite manifestations of personality from decisiveness and courage, manifestations of willpower and fortitude of some heroes to the desire to evade responsibility, hide from danger, show weakness, which can even lead to betrayal. Examples of the manifestation of these qualities of a person can be found in almost any work of classical literature. A.S. Pushkin "The Captain's Daughter" As an example, we can take a comparison of Grinev and Shvabrin: the first is ready to die in the battle for the fortress, directly expresses his position to Pugachev, risking his life, under pain of death remained faithful to the oath, the second was afraid for his life and went over to the side of the enemy. The daughter of Captain Mironov turns out to be truly courageous. The "coward" Masha, who shuddered from the shots at the exercises in the fortress, shows remarkable courage and firmness, opposes the claims of Shvabrin, being in his full power in the fortress occupied by the Pugachevites. The title character of the novel by A.S. Pushkin's "Eugene Onegin" in fact turned out to be a coward; he completely subordinated his life to the opinion of society, which he himself despised. Realizing that he is to blame for the overdue duel and can prevent it, he does not do this, as he is afraid of the opinion of the world and gossip about himself. To avoid accusations of cowardice, he kills his friend. A striking example of true courage is the protagonist of the novel M.A. Sholokhov "Quiet Flows the Don" Grigory Melekhov. The First World War picked up Gregory and spun in a whirlwind of turbulent historical events. Grigory, like a true Cossack, gives himself over to the battle. He is determined and bold. Easily captures three Germans, deftly beats off a battery from the enemy, saves an officer. Evidence of his courage St. George's crosses and medals, officer rank. Gregory shows courage not only in battle. He is not afraid to radically change his life, to go against the will of his father for the sake of his beloved woman. Gregory does not tolerate injustice and always speaks openly about it. He is ready to drastically change his fate, but not to change himself. Grigory Melekhov showed extraordinary courage in the search for the truth. But for him it is not just an idea, some idealized symbol of a better human existence.

2 He is looking for her embodiment in life. Coming into contact with many small particles of truth and ready to accept each, he often discovers their failure when faced with life, but the hero does not stop in search of truth and justice and goes to the end, making his choice at the end of the novel. Not afraid to completely change his life and the young monk, the hero of the poem M.Yu. Lermontov "Mtsyri". The dream of a free life completely captured Mtsyri, a fighter by nature, forced by circumstances to live in a gloomy monastery hated by him. He, who has not lived a day in freedom, independently decides on a brave act to escape from the monastery in the hope of returning to his homeland. Only in the wild, in those days that Mtsyri spent outside the monastery, all the wealth of his nature was revealed: love of freedom, thirst for life and struggle, perseverance in achieving the goal, unbending willpower, courage, contempt for danger, love for nature, understanding of its beauty and power. Mtsyri shows courage, the will to win in the fight against the leopard. In his story about how he descended from the rocks to the stream, contempt for danger sounds: But free youth is strong, And death seemed not terrible. Mtsyri failed to achieve his goal of finding a homeland, his people. “The prison has left its mark on me”, this is how he explains the reason for his failure. Mtsyri fell victim to circumstances that turned out to be stronger than him (a stable motive of fate in the works of Lermontov). But he dies adamant, his spirit is not broken. Great courage is required in order to preserve oneself, one's personality under the conditions of a totalitarian regime, not to abandon one's ideals and ideas, including in creativity, not to submit to the conjuncture. The question of courage and cowardice is one of the central ones in M.A. Bulgakov "The Master and Margarita" The words of the hero of the novel, Ga-Notsri, affirm the idea that one of the main human vices is cowardice. This idea continues throughout the novel. The all-seeing Woland, opening the “curtain” of time for us, shows that the course of history does not change human nature: Judas, Aloysia (traitors, scammers) exist at all times. But betrayal is also most likely based on cowardice, a vice that has always existed, a vice that underlies many grave sins.

3 Aren't traitors cowards? Aren't flatterers cowards? And if a person is lying, he is also afraid of something. Back in the 18th century, the French philosopher K. Helvetius argued that "after courage, there is nothing more beautiful than a confession of cowardice." In his novel, Bulgakov claims that man is responsible for the improvement of the world in which he lives. The position of non-participation is not acceptable. Can the Master be called a hero? Most likely no. The master failed to remain a fighter to the end. The Master is not a hero, he is only a servant of the truth. Can't be a Master hero, since he chickened out of his book. He is broken by the hardships that have befallen him, but he has broken himself. Then, when he fled from reality to Stravinsky's clinic, when he assured himself that "there is no need to make big plans," he doomed himself to inactivity of the spirit. He is not a creator, he is only a Master, that is why he is granted only “peace”. Yeshua is a wandering young philosopher who came to Yershalaim to preach his doctrine. He is a physically weak person, but at the same time he is a spiritually strong person, he is a man of thought. The hero does not give up his views under any circumstances. Yeshua believes that a person can be changed for the better with kindness. It is very difficult to be kind, so it is easy to replace goodness with all sorts of surrogates, which often happens. But if a person does not get scared, does not give up his views, then such goodness is omnipotent. The “tramp,” the “weak man,” managed to turn the life of Pontius Pilate, the “almighty ruler.” Pontius Pilate is the representative of the power of Imperial Rome in Judea. The rich life experience of this man helps him to understand Ha-Nozri. Pontius Pilate does not want to ruin the life of Yeshua, he tries to persuade him to a compromise, and when this fails, he wants to persuade the high priest Kaifa to pardon Ha-Nozri on the occasion of the Easter holiday. Pontius Pilate feels both pity for Yeshua, and compassion, and fear. It is fear that ultimately determines his choice. This fear is born of dependence on the state, the need to follow its interests. Pontius Pilate for M. Bulgakov is not just a coward, an apostate, but he is also a victim. By departing from Yeshua, he destroys both himself and his soul. Even after physical death, he is doomed to mental suffering, from which only Yeshua can save him. Margarita, in the name of her love and faith in the talent of her lover, overcomes fear and her own weakness, even overcomes circumstances.

4 Yes, Margarita is not an ideal person: becoming a witch, she destroys the house of writers, participates in Satan's ball with the greatest sinners of all times and peoples. But she didn't flinch. Margarita fights to the end for her love. It is not for nothing that Bulgakov calls for love and mercy to be the basis of human relations. In the novel "The Master and Margarita", according to A.Z. Vulis, there is a philosophy of retribution: what you deserve, you get. The greatest vice of cowardice will surely entail retribution: the torment of the soul and conscience. Back in The White Guard, M. Bulgakov warned: "Never run away at a rat's pace into the unknown from danger." To take responsibility for the fate of other people, perhaps weaker ones, is also a great courage. Such is Danko, the hero of the legend from M. Gorky's story "Old Woman Izergil". Proud, "the best of all" man, Danko died for the people. The legend told by the old woman Izergil is based on an ancient legend about a man who saved people and showed them the way out of the impenetrable forest. Danko had a strong-willed character: the hero did not want a slave life for his tribe, and at the same time he understood that people would not be able to live in the depths of the forest for a long time without their usual space and light. Mental fortitude, inner wealth, true perfection in biblical tales were embodied in outwardly beautiful people. This is how the ancient idea of a person about spiritual and physical beauty was expressed: “Danko is one of those people, a young handsome man. The beautiful are always brave." Danko believes in his own strength, so he does not want to spend it "on thought and longing." The hero seeks to lead people out of the darkness of the forest to freedom, where there is a lot of warmth and light. Having a strong-willed character, he takes on the role of a leader, and people "all together followed him, believed in him." The hero was not afraid of difficulties during the difficult journey, but he did not take into account the weakness of the people, who soon "began to grumble", because they did not have Danko's stamina and did not have a strong will. The culminating episode of the story was the scene of the trial of Danko, when people, tired of the weight of the path, hungry and angry, began to blame their leader for everything: “You are an insignificant and harmful person for us! You led us and tired us, and for this you will perish! Unable to endure the difficulties, people began to shift the responsibility from themselves to Danko, wanting to find the culprit for their misfortunes. The hero, selflessly loving people, realizing that without him everyone would die, “tore his chest with his hands and tore out his heart from it and raised it high above his head.” Illuminating the dark path from the impenetrable forest with his

With his heart, Danko led people out of the darkness to where "the sun shone, the steppe sighed, the grass shone in the diamonds of the rain, and the river sparkled with gold." Danko looked at the picture that opened before him and died. The author calls his hero a proud daredevil who died for the people. The final episode makes the reader think about the moral side of the hero's act: was Danko's death in vain, are people worthy of such a sacrifice. What is important is the image of a “cautious” person who appeared in the epilogue of the story, who was frightened of something and stepped “on a proud heart with his foot”. The writer characterizes Danko as the best of people. Indeed, the main character traits of the hero are mental stamina, willpower, selflessness, the desire to wholeheartedly serve people, courage. He sacrificed his life not only for the sake of those whom he brought out of the forest, but also for himself: he could not do otherwise, the hero needed to help people. The feeling of love filled Danko's heart, was an integral part of his nature, so M. Gorky calls the hero "the best of all." Researchers note the connection of the image of Danko with Moses, Prometheus and Jesus Christ. The name Danko is associated with the same-root words "tribute", "dam", "giving". The most important words of a proud, brave man in the legend: “What will I do for people ?!” Many works of classical Russian literature raise the issue of fear of life in its various manifestations. In particular, many works of A.P. are devoted to the theme of fear and cowardice. Chekhov: "Fears", "Cossack", "Champagne", "Beauties", "Lights", "Steppe", "Man in a Case", "Death of an Official", "Ionych", "Lady with a Dog", "Chameleon" , "Ward 6", "Fear", "Black Monk", etc. The hero of the story "Fear" Dmitry Petrovich Silin is afraid of everything. According to the author of the story, he is "sick with the fear of life." The hero, according to Chekhov, is frightened by the incomprehensible and incomprehensible. For example, Silin is afraid of terrible events, catastrophes and the most ordinary events. He is afraid of life itself. Everything that is incomprehensible in the world around him is a threat to him. He reflects and tries to find answers to his questions about the meaning of life and human existence. He is convinced that people understand what they see and hear, and he poisons himself daily with his own fear. The hero of the story is always trying to hide and retire. It is as if he is running away from life: he leaves the service in St. Petersburg due to the fact that he experiences feelings of fear and fear, and decides to live alone in his estate. And here he

6 takes a second hard hit when his wife and friend betray him. When he finds out about the betrayal, fear drives him out of the house: "His hands were trembling, he was in a hurry and looked around at the house, he was probably scared." It is not surprising that the hero of the story compares himself to a newborn midge, whose life consists of nothing but horrors. In the story "Ward 6" the theme of fear also comes to the fore. The hero of the story, Andrei Efimovich, is afraid of everything and everyone. Most of all, he is afraid of reality. Nature itself looks terrible to him. The most ordinary things and objects seem frightening: "Here it is reality!" Andrey Efimovich thought. The moon, and the prison, and the nails on the fence, and the distant flame in the bone factory were terrible. The fear of the incomprehensibility of life is presented in the story "The Man in the Case". This fear causes the hero to move away from reality. The hero of the story, Belikov, is constantly trying to "hide from life" in a case. His case is made of circulars and regulations, which he constantly follows. His fear is undefined. He is afraid of everything and at the same time of nothing in particular. The most hated for him is non-compliance with the rules and deviation from the regulations. Even insignificant little things plunge Belikov into mystical horror. "Reality irritated him, frightened him, kept him in constant anxiety, and, perhaps, in order to justify this timidity of his, his disgust for the present, he always praised the past and what had never happened; and the ancient languages \u200b\u200bthat he taught , were for him, in essence, the same galoshes and an umbrella where he hid from real life. If Silin, out of fear of life, tries to hide in his estate, then Belikov's fear of life makes him hide in a case of rules and strict laws and, in the end, hide underground forever. The hero of the story "About Love" Alekhine is also afraid of everything and also prefers to hide, secluded in his estate, although he had a good opportunity to engage in literature. He is even afraid of his own love and tortures himself when he overcomes this feeling and loses the woman he loves. The fairy tale by M.E. is dedicated to the problem of fear of life. Saltykov-Shchedrin "The Wise Gudgeon". The life of a minnow flashes before the reader, simple in its structure, based on fear of the potential dangers of the world order. The father and mother of the hero lived a long life and died a natural death. And before departing to another world, they bequeathed to the son to be careful, since all the inhabitants of the water world, and even man, in any

7 moment can destroy him. The young minnow learned the science of his parents so well that he literally imprisoned himself in an underwater hole. He came out of it only at night, when everyone was sleeping, he was malnourished and “trembled” all day and night just so as not to be caught! In this fear, he lived for 100 years, really outliving his relatives, although he was a small fish that anyone can swallow. And in this sense, his life was a success. His other dream came true, to live in such a way that no one would ever know about the existence of the wise minnow. Before his death, the hero thinks about what would happen if all the fish lived the same way as he did. And he sees: the genus of minnows would cease! All the opportunities to make friends, start a family, raise children and pass on his life experience passed him by. He is clearly aware of this before his death and, deep in thought, falls asleep, and then involuntarily violates the boundaries of his hole: “his snout” is shown out of the hole. And then there is scope for the reader's imagination, because the author does not report what happened to the hero, but only states that he suddenly disappeared. There were no witnesses to this incident, so that not only the task of at least living unnoticed was achieved by the minnow, but the “super task” was also to disappear unnoticed. The author bitterly sums up the life of his hero: "He lived trembling, and he died trembling." Often anxiety, caring for loved ones helps to become courageous. Remarkable courage is shown by a little boy from the story of A.I. Kuprin "The White Poodle" In the story, all the most important events are connected with the white poodle Arto. The dog is one of the artists of the wandering troupe. Grandpa Lodyzhkin appreciates him very much and says about the dog: "He feeds, waters and clothes the two of us." It is with the help of the image of a poodle that the author reveals human feelings and relationships. Grandfather and Serezha love Artoshka and treat him like a friend and family member. That is why they do not agree to sell their beloved dog for any money. But Trilly's mother believes: "Everything is sold, what is bought." When her spoiled son wanted a dog, she offered fabulous money to the artists and did not even want to listen that the dog was not for sale. When Arto could not be bought, they decided to steal it. Here, when grandfather Lodyzhkin showed weakness, Seryozha shows determination and takes a brave deed worthy of an adult: by all means return the dog. At the risk of his life, almost getting caught by the janitor, he frees his friend.

8 The theme of cowardice and courage has been repeatedly addressed by contemporary writers. One of the most striking works is the story of V. Zheleznikov "Scarecrow". A new student Lena Bessoltseva comes to one of the provincial schools. She is the granddaughter of an artist who leads a secluded life, which was the reason for the removal of the townspeople from him. Classmates openly make it clear to the new girl, whose rules are here. Over time, Bessoltseva begins to be despised for her kindness and kindness, classmates give her the nickname "Scarecrow". Lena has a kind soul, and she tries in every possible way to establish contact with her classmates, trying not to react to the insulting nickname. However, the cruelty of children led by class leaders knows no bounds. Only one person feels sorry for the girl and Dima Somov begins to be friends with her. One day the children decided to skip classes and go to the cinema. Dima returned to the classroom to pick up the forgotten item. He was met by a teacher, and the boy was forced to tell the truth that his classmates had run away from classes. After that, the children decide to punish Dima for his betrayal, but suddenly Lena, who has remained neutral all this time, stands up for her friend and begins to justify him. Classmates quickly forget Dima's sin and transfer their aggression to the girl. Lena was boycotted to teach her a lesson. Cruel children burn an effigy symbolizing Lena. The girl, unable to withstand such oppression any longer, asks her grandfather to leave this city. After Bessoltseva left, the children experience torments of conscience, they understand that they have lost a really good, honest person, but it’s too late to do anything. The clear leader in the class is the Iron Button. Her behavior is determined by the desire to be special: strong-willed, principled. However, these qualities are inherent in her only externally, she needs them to maintain leadership. At the same time, she is one of the few who partly sympathizes with Lena and distinguishes her from the rest: “I did not expect this from the Scarecrow, the Iron Button finally broke the silence. Hit everyone. Not all of us are capable of this. It's a pity that she turned out to be a traitor, otherwise I would have made friends with her. And you are all squishy. You don't know what you want." And she realizes the reason for this sympathy only at the very end, at the moment of parting with Bessoltseva. It becomes obvious that Lenka is not like the others. She has inner strength, courage, which allows her to resist lies and preserve her spirituality.

9 Dimka Somov occupies a special place in the system of images of the story. At first glance, this is a person who is not afraid of anything, does not depend on others, and this differs from his peers. This is manifested in his actions: in his attempts to protect Lena, in the way he freed the dog from Valka, in the desire to be independent from his parents and earn money himself. But then it turns out that, like Red, he depended on the class and was afraid to exist separately from it. Fearing the opinions of his classmates, he turned out to be capable of repeated betrayal: he betrays Bessoltseva when he does not confess his misconduct, when he burns Lenka's effigy together with everyone, when he tries to scare her, when he throws her dress around with the others. His external beauty does not correspond to the internal content, and in the episode of farewell to Bessoltseva, he causes only pity. Thus, none of the class passed the moral test: they did not have enough moral foundation, inner strength and courage for this. Unlike all the characters, Lena turns out to be a strong personality: nothing can push her to betrayal. Several times she forgives Somov, which testifies to her kindness. She finds the strength to survive all the insults and betrayals, not to become embittered. It is no coincidence that the action takes place against the backdrop of portraits of Lena's ancestors, especially the brave General Raevsky. Apparently, they are designed to emphasize the courage characteristic of her family. Courage and cowardice in extreme situations, in war. Most clearly, the true qualities of the human personality are manifested in extreme situations, in particular, in war. Roman L.N. Tolstoy's "War and Peace" is not only and not so much about war, but about human characters and qualities that manifest themselves in difficult conditions of choice and the need to commit an act. Important for the writer are reflections on true courage, courage, heroism and cowardice as personality traits. Most clearly, these qualities are manifested in military episodes. Drawing heroes, Tolstoy uses the technique of opposition. How different we see Prince Andrei and Zherkov in the battle of Shengraben! Bagration sends Zherkov with an order to retreat to the left flank, that is, to where the most dangerous thing is now. But Zherkov is desperately cowardly and therefore jumps not to where the shooting is, but is looking for the chiefs "in a safer place where they could not be." Thus, a vital order by this adjutant

10 is not transmitted. But he is handed over by another officer, Prince Bolkonsky. He is also scared, the balls fly right over him, but he forbids himself to be cowardly. Zherkov was afraid to get to the battery, and at the officer's dinner he boldly and shamelessly laughed at the amazing hero, but a funny and timid man, Captain Tushin. Not knowing how courageously the battery acted, Bagration scolded the captain for leaving the gun. None of the officers found the courage to say that Tushin's battery was without cover. And only Prince Andrei was indignant at these unrest in the Russian army and the inability to appreciate true heroes, and not only justified the captain, but called him and his soldiers the true heroes of the day, to whom the troops owe success. Timokhin, inconspicuous and unremarkable under normal circumstances, also demonstrates true courage: "Timokhin, with a desperate cry, rushed at the French with one skewer, ran into the enemy, so that the French dropped their weapons and ran." One of the main characters of the novel, Andrei Bolkonsky, possessed such qualities as pride, courage, decency and honesty. At the beginning of the novel, he is dissatisfied with the emptiness of society and therefore goes to military service, to the active army. Going to war, he dreams of accomplishing a feat and earning people's love. In the war, he shows courage and courage, the soldiers characterize him as a strong, courageous and demanding officer. In the first place, he puts honor, duty and justice. During the battle of Austerlitz, Andrey accomplishes a feat: he picks up a banner that has fallen from the hands of a wounded soldier and drags the soldiers fleeing in a panic with him. Another hero who goes through a test of his character is Nikolai Rostov. When the plot logic leads him to the battlefield of Shengraben, the moment of truth comes. Until that time, the hero is absolutely sure of his courage and that he will not disgrace himself in battle. But, having seen the true face of the war, coming close to death, Rostov realizes the impossibility of murder and death. They can't possibly want to kill me, he thinks as he runs away from the French. He is confused. Instead of shooting, he throws his gun at the enemy. His fear is not fear of the enemy. They have a sense of fear for their happy young life. Petya is the youngest in the Rostov family, his mother's favorite. He goes to war very young, and the main goal for him is to accomplish a feat, to become a hero: “... Petya was in a constantly happy-excited state

11 joy that he is big, and in constant enthusiastic haste not to miss any case of real heroism. He has little combat experience, but a lot of youthful fervor. Therefore, he boldly rushes into the thick of the battle and falls under enemy fire. Despite his young age (16), Petya is desperately brave and sees his mission in serving the fatherland. The Great Patriotic War provided much material for reflection on courage and cowardice. True courage, courage in war can be shown not only by a soldier, a warrior, but also by a simple person who, by the forces of circumstances, is involved in a terrible cycle of events. Such a story of a simple woman is described in the novel by V.A. Zakrutkin "Mother of Man". In September 1941, the Nazi troops advanced far into the depths of Soviet territory. Many regions of Ukraine and Belarus were occupied. He remained on the territory occupied by the Germans and a farm lost in the steppes, where a young woman Maria, her husband Ivan and their son Vasyatka lived happily. Having seized the previously peaceful and abundant land, the Nazis ruined everything, burned the farm, drove people to Germany, and hanged Ivan and Vasyatka. Only Mary managed to escape. Alone, she had to fight for her life and for the life of her unborn child. Further events of the novel reveal the greatness of the soul of Mary, who has become truly the Mother of Man. Hungry, exhausted, she does not think about herself at all, saving the girl Sanya, mortally wounded by the Nazis. Sanya replaced the deceased Vasyatka, became a part of the life of Mary, which was trampled on by the fascist invaders. When the girl dies, Maria almost goes crazy, not seeing the meaning of her continued existence. And yet she finds the courage to live. Feeling a burning hatred for the Nazis, Maria, having met a wounded young German, frantically throws herself at him with a pitchfork, wanting to avenge her son and husband. But the German, a defenseless boy, shouted: “Mom! Mother!" And the heart of a Russian woman trembled. The great humanism of the simple Russian soul is extremely simply and clearly shown by the author in this scene. Maria felt her duty to the people driven to Germany, so she began to harvest from the collective farm fields not only for herself, but also for those who, perhaps, would still return home. A sense of accomplishment supported her in difficult and lonely days. Soon she had a large household, because on the plundered and burned farmstead of Mary

12 all living things flocked. Maria became, as it were, the mother of all the land surrounding her, the mother who buried her husband, Vasyatka, Sanya, Werner Bracht, and completely unfamiliar to her, who was killed on the front line political leader Slava. Maria was able to take under her roof seven Leningrad orphans, brought by the will of fate to her farm. This is how this courageous woman met the Soviet troops with children. And when the first Soviet soldiers entered the burnt farm, it seemed to Mary that she had given birth not only to her son, but also to all the war-deprived children of the world... which is the essence of the storyline of the work. The main characters of the story - Sotnikov and Rybak - behaved differently under the same circumstances. Rybak, being afraid, agreed to join the police, hoping to return to the partisan detachment at an opportunity. Sotnikov chooses a heroic death, because he is a man with a heightened sense of responsibility, duty, the ability not to think about himself, about his own fate, when the fate of the Motherland is being decided. The death of Sotnikov was his moral triumph: "And if anything else he cared about in life, it was his last duties towards people." The fisherman, on the other hand, discovered shameful cowardice, cowardice, and for the sake of his own salvation agreed to become a policeman: "There was an opportunity to live, this is the main thing. Everything else later." The enormous moral strength of Sotnikov lies in the fact that he was able to accept suffering for his people, to maintain faith, not to succumb to the thought that Rybak succumbed to. In the face of death, a person becomes what he really is. Here the depth of his convictions, civic fortitude are tested. This idea can be traced in V. Rasputin's story "Live and Remember". The heroes of the story, Nastena and Guskov, face the problem of moral choice. A deserter husband, who became a deserter by accident: after being wounded, a vacation followed, but for some reason they didn’t give him, they were immediately sent to the front. And, passing by his native home, an honestly fought soldier cannot stand it. He runs home, succumbs to the fear of death, becomes a deserter and a coward, condemning to death everyone for whom he went to fight, whom he loved so much: his wife Nastya and the child they had been waiting for ten years. And the rushing Nastena cannot withstand the weight that has fallen on her. Not

13 endures because her soul is too pure, her moral thoughts are too high, although she may not even know such a word. And she makes her choice: she goes with her unborn child into the waters of the Yenisei, because it is a shame to live like this in the world. And it is not only the deserter that Rasputin addresses his “live and remember.” He speaks to us, the living: live, remembering that you always have a choice. In the story of K.D. Vorobyov "Killed near Moscow" tells about the tragedy of young Kremlin cadets sent to their death during the German offensive near Moscow in the winter of 1941. In the story, the writer shows "the merciless, terrible truth of the first months of the war." The heroes of the story by K. Vorobyov are young. The writer tells about what the Motherland, war, enemy, home, honor, death are for them. The whole horror of war is shown through the eyes of cadets. Vorobyov draws the path of the Kremlin cadet Lieutenant Alexei Yastrebov to victory over himself, over the fear of death, the path of gaining courage. Aleksey wins, because in a tragically cruel world, where the war is now the master of everything, he has retained his dignity and humanity, good nature and love for his homeland. The death of the company, the suicide of Ryumin, the death under the caterpillars of German tanks, the cadets who survived the raid, all this completed the reassessment of values in the mind of the protagonist. The story of V. Kondratiev "Sasha" reveals the whole truth about the war, smelling of sweat and blood. The battles near Rzhev were terrible, exhausting, with huge human losses. And the war does not appear in pictures of heroic battles, it is just difficult, hard, dirty work. A man in war is in extreme, inhuman conditions. Will he be able to remain a man next to death, blood mixed with dirt, cruelty and pain for the desecrated land and dead friends? Sashka is an ordinary infantryman, he has been fighting for two months now and has seen a lot of terrible things. In two months, sixteen out of one hundred and fifty people remained in the company. V. Kondratiev shows several episodes from Sasha's life. Here he gets boots for the company commander, risking his life, now he returns to the company under fire to say goodbye to the guys and give up his machine gun, now he leads the orderlies to the wounded, not relying on the fact that they themselves will find him, now he takes a German prisoner and refuses shoot him... Desperate courage shows Sashka takes the German with his bare hands: he has no cartridges, he gave his disk to the company commander. But the war did not kill his kindness and humanity.

14 Nor did ordinary girls want war in the heroine of B. Vasiliev's book "The Dawns Here Are Quiet." Rita, Zhenya, Lisa, Galya, Sonya entered into an unequal struggle with the Nazis. The war made ordinary yesterday's schoolgirls into courageous warriors, because always "in important epochs of life, a spark of heroism flares up in the most ordinary person ...". Rita Osyanina, strong-willed and gentle, she is the most courageous and fearless, because she is a mother! She protects the future of her son, and therefore is ready to die so that he can live. Zhenya Komelkova is cheerful, funny, beautiful, mischievous to the point of adventurism, desperate and tired of the war, of pain and love, long and painful, for a distant and married person. She, without hesitation, leads the Germans away from Vaskov and the wounded Rita. Saving them, she dies herself. “And she could have buried herself,” Vaskov says later, but she didn’t want to. She didn’t want to, because she realized that she was saving others, that Rita needed her son, she had to live. Willingness to die in order to save another is not real courage? Sonya Gurvich, the embodiment of an excellent student and a poetic nature, a “beautiful stranger”, who came out of A. Blok’s volume of poetry, rushes to save Vaskov’s pouch and dies at the hands of a fascist. Liza Brichkina... "Ah, Liza-Lizaveta, she didn't have time, she couldn't overcome the quagmire of war." But after all, without much thought, she ran back to her for help. Was it scary? Yes, sure. Alone among the swamps, but it was necessary and went, without a moment's hesitation. Isn't this courage born of war? The protagonist of the work of B. Vasilyev “Not on the lists” is Lieutenant Nikolai Pluzhnikov, who recently graduated from a military school. This is an enthusiastic young man, full of hope and believing that "... every commander must first serve in the troops." Talking about the short life of a lieutenant, B. Vasiliev shows how a young man becomes a hero. Having been assigned to the Special Western District, Kolya was happy. As if on wings, he flew to the city of Brest-Litovsk, in a hurry to decide on a unit as soon as possible. His guide through the city was the girl Mirra, who helped him get to the fortress. Before reporting to the regimental duty officer, Kolya went into the warehouse to clean his uniform. And at that time the first explosion was heard ... So for Pluzhnikov the war began. Barely having time to jump out before the second explosion, blocking the entrance to the warehouse, the lieutenant began his first battle. He aspired to accomplish a feat, thinking proudly: “I went on a real attack and, it seems, I killed someone. Eat

15 things to tell... And the very next day he was frightened by the German machine gunners and, saving his life, abandoned the fighters who had already trusted him. From this moment, the consciousness of the lieutenant begins to change. He blames himself for cowardice and sets himself the goal of preventing the enemies from capturing the Brest Fortress at all costs. Pluzhnikov realizes that true heroism and feat require courage, responsibility, readiness to “lay down one’s life for one’s friends” from a person. And we see how the awareness of duty becomes the driving force of his actions: you can’t think about yourself, because the Motherland is in danger. Having gone through all the cruel trials of the war, Nikolai became an experienced fighter, ready to give everything for the sake of victory and firmly believing that "it is impossible to defeat a person, even by killing." Feeling a blood connection with the Fatherland, he remained faithful to his military duty, calling for him to fight his enemies to the end. After all, the lieutenant could have left the fortress, and this would not have been desertion on his part, because he was not on the lists. Pluzhnikov understood that it was his sacred duty to defend the Motherland. Left alone in the ruined fortress, the lieutenant met the foreman Semishny, who from the very beginning of the siege of Brest wore the banner of the regiment on his chest. Dying of hunger and thirst, with a broken spine, the foreman kept this shrine, firmly believing in the liberation of our Motherland. Pluzhnikov accepted the banner from him, having received an order to survive at all costs and return the scarlet banner to Brest. Nikolai had to go through a lot during these harsh days of trials. But no troubles could break the man in him and extinguish his fiery love for the Fatherland, because “in important epochs of life, sometimes a spark of heroism flares up in the most ordinary person” ... The Germans drove him into a casemate, from which there was no second way out. Pluzhnikov hid the banner and went out into the light, saying to the man sent for him: “The fortress did not fall: it simply bled out. I am her last drop...” How Nikolai Pluzhnikov is deeply revealed in his human essence in the final scene of the novel, when he, accompanied by Ruvim Svitsky, leaves the casemate. It is written, if we turn to musical creativity for an analogy, according to the principle of the final chord. Everyone in the fortress looked with surprise at Nicholas, this "unconquered son of the unconquered Motherland." In front of them stood "an incredibly thin, no longer aged man." The lieutenant was "no cap, long

16 gray hair touched his shoulders ... He stood, straightening up strictly, throwing his head high, and, without looking up, looked at the sun with blinded eyes. And from those unblinking, intent eyes, tears flowed uncontrollably. Marveling at Pluzhnikov's heroism, the German soldiers and the general gave him the highest military honors. “But he did not see these honors, and if he did, he would not care anymore. He was above all conceivable honors, above glory, above life, above death. Lieutenant Nikolai Pluzhnikov was not born a hero. The author tells in detail about his pre-war life. He is the son of Commissar Pluzhnikov, who died at the hands of the Basmachi. Even at the school, Kolya considered himself a model of a general who participated in the Spanish events. And in the conditions of war, the unfired lieutenant was forced to make independent decisions; when he received the order to retreat, he did not leave the fortress. Such a construction of the novel helps to understand the spiritual world not only of Pluzhnikov, but also of all the courageous defenders of the fatherland.

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