| Tatyana Larina | Olga Larina | |
| Character | Tatyana is characterized by such character traits: modesty, thoughtfulness, trepidation, vulnerability, silence, melancholy. | Olga Larina has a cheerful and lively character. She is active, inquisitive, good-natured. |
| Lifestyle | Tatyana leads a reclusive life. The best pastime for her is alone with herself. She loves to watch beautiful sunrises, read French novels, and meditate. She is closed, lives in her own inner world. | Olga likes to spend time in a cheerful and noisy company. She is light and easy to communicate with. The limited circle of communication does not prevent her from establishing contacts with people around her. Olga can support any topic of conversation, be it fashion, public news or social life. |
| Attitude towards love | Tatyana is the ideal of devotion and fidelity. Love is of the utmost importance to her. She knows how to truly love. But love for her is not only feelings, it is also a responsibility and duty. Tatyana, contrary to her real sincere feelings, remains true to her choice. | Olga's attitude to love can be described as superficial and frivolous. Olga quickly falls in love and just as quickly can part with a person and get carried away by another. Her feelings are shallow. However, Olga remains sincere with herself and does not go against her feelings. |
| Attitude towards life and society | Tatyana Larina was definitely not satisfied with the events taking place around her. She lived as if not in her time. She did not like anything that was inherent in the society of that time: secular talk, noisy balls, coquetry, flirting, fun and idleness. Therefore, Tatyana finds an outlet in dreams and daydreams. Only her own thoughts save her from the "vices" of society. Tatyana's whole life is in her reflections, doubts, hesitations. | Olga Larina's attitude to life was formed under the influence of the traditions and "traditions" that existed at that time. Constantly being at the epicenter of life, Olga quickly absorbed the frivolity and unambiguity characteristic of society. However, behind the mask of fun and innocence, emptiness, narrow-mindedness and disappointment were hidden. |
| The attitude of the author to the characters | The author is condescending to Tatyana. She is ideal for him. Her modesty, mystery and some drama do not allow the author to part with the image of Tatyana throughout the novel. The inner world of Tatyana Larina, her life, experiences, feelings constantly keep readers and the author in suspense. | The author treated the image of Olga rather ironically and biasedly. For him, Olga is an absolute mediocre girl of that time, of which there are many. The author quickly "forgets" about Olga after the death of Lensky. Neither for the author nor for readers Olga Larina was no longer of interest. |
- Eugene Onegin Vladimir Lensky The age of the hero More mature, at the beginning of the novel in verse and during the acquaintance and duel with Lensky he is 26 years old. Lensky is young, he is not yet 18 years old. Upbringing and education Received a home education, which was typical for most nobles in Russia. The teachers "did not bother with strict morality", "slightly scolded for pranks", but more simply spoiled the barchonka. He studied at the University of Göttingen in Germany, the birthplace of romanticism. In his intellectual baggage […]
- The novel by A. S. Pushkin "Eugene Onegin" is an unusual work. There are few events in it, many deviations from the storyline, the story seems to be cut off in half. This is most likely due to the fact that Pushkin in his novel sets fundamentally new tasks for Russian literature - to show the century and people who can be called heroes of their time. Pushkin is a realist, and therefore his heroes are not just people of their time, but, so to speak, people of the society that gave birth to them, that is, they are people of their […]
- "Eugene Onegin" is a well-known work of A.S. Pushkin. Here the writer realized the main idea and desire - to give the image of a hero of the time, a portrait of his contemporary - a man of the 19th century. Onegin's portrait is an ambiguous and complex combination of many positive qualities and great shortcomings. The image of Tatyana is the most significant and important female image in the novel. The main romantic storyline of Pushkin's novel in verse is the relationship between Onegin and Tatyana. Tatyana fell in love with Eugene […]
- Pushkin worked on the novel "Eugene Onegin" for over eight years - from the spring of 1823 to the autumn of 1831. The first mention of the novel we find in Pushkin's letter to Vyazemsky from Odessa dated November 4, 1823: "As for my studies, I am now writing not a novel, but a novel in verse - a diabolical difference. The main character of the novel is Eugene Onegin, a young Petersburg rake. From the very beginning of the novel, it becomes clear that Onegin is a very strange and, of course, a special person. He certainly looked like people in some ways, […]
- It was no coincidence that the great Russian critic V. G. Belinsky called the novel by A. S. Pushkin "Eugene Onegin" "an encyclopedia of Russian life." This is connected, of course, with the fact that not a single work of Russian literature can be compared with the immortal novel in terms of the breadth of coverage of contemporary reality for the writer. Pushkin describes his time, noting everything that was essential for the life of that generation: the life and customs of people, the state of their souls, popular philosophical, political and economic trends, literary tastes, fashion and […]
- I would like to return again and again to Pushkin's word and his wonderful novel in verse "Eugene Onegin", which represents the youth of the 20s of the XIX century. There is a very beautiful legend. One sculptor carved a beautiful girl out of stone. She looked so alive that she seemed to be about to speak. But the sculpture was silent, and its creator fell ill with love for his wonderful creation. Indeed, in it he expressed his innermost idea of \u200b\u200bfemale beauty, put his soul into it and was tormented that this […]
- Pushkin's original intention with Eugene Onegin was to create a comedy similar to Griboedov's Woe from Wit. In the poet's letters, one can find sketches for a comedy in which the protagonist was portrayed as a satirical character. In the course of work on the novel, which lasted more than seven years, the author's intentions changed significantly, as did his worldview as a whole. By genre nature, the novel is very complex and original. This is a "novel in verse". Works of this genre are found in other […]
- "Eugene Onegin" - a realistic novel in verse, since. in it truly living images of Russian people of the early 19th century appeared before the reader. The novel gives a broad artistic generalization of the main trends in Russian social development. One can say about the novel in the words of the poet himself - this is a work in which "the century and modern man are reflected." "Encyclopedia of Russian life" called Pushkin's novel by V. G. Belinsky. In this novel, as in an encyclopedia, you can learn everything about the era: about the culture of that time, […]
- Creating the image of his time and the man of the era, Pushkin in the novel "Eugene Onegin" conveyed a personal idea of the ideal of a Russian woman. The ideal of the poet is Tatyana. Pushkin says so about her: "Dear ideal." Of course, Tatyana Larina is a dream, a poet's idea of what a woman should be like to be admired and loved. When we first meet the heroine, we see that the poet distinguishes her from other representatives of the nobility. Pushkin emphasizes that Tatyana loves nature, winter, sledding. Exactly […]
- Eugene Onegin is the protagonist of the novel of the same name in verse by A. S. Pushkin. He and his best friend Vladimir Lensky appear as typical representatives of the noble youth, who challenged the reality around them and became friends, as if united in the fight against it. Gradually, the rejection of the traditional ossified noble foundations resulted in nihilism, which is most clearly seen in the character of another literary hero - Yevgeny Bazarov. When you start reading the novel "Eugene Onegin", then […]
- Let's start with Catherine. In the play "Thunderstorm" this lady is the main character. What is the problem with this work? The issue is the main question that the author asks in his creation. So the question here is who will win? The dark kingdom, which is represented by the bureaucrats of the county town, or the bright beginning, which is represented by our heroine. Katerina is pure in soul, she has a tender, sensitive, loving heart. The heroine herself is deeply hostile to this dark swamp, but is not fully aware of it. Katerina was born […]
- Roman A.S. Pushkin introduces readers to the life of the intelligentsia at the beginning of the 19th century. The noble intelligentsia is represented in the work by the images of Lensky, Tatyana Larina and Onegin. By the title of the novel, the author emphasizes the central position of the protagonist among other characters. Onegin was born into a once wealthy noble family. As a child, he was away from everything national, apart from the people, and as an educator, Eugene had a Frenchman. The upbringing of Eugene Onegin, like education, had a very […]
- Spiritual beauty, sensuality, naturalness, simplicity, the ability to sympathize and love - these qualities of A.S. Pushkin endowed the heroine of his novel "Eugene Onegin", Tatyana Larina. A simple, outwardly unremarkable girl, but with a rich inner world, who grew up in a remote village, reads love stories, loves the scary stories of the nanny and believes in legends. Her beauty is inside, she is deep and bright. The appearance of the heroine is compared to the beauty of her sister, Olga, but the latter, although beautiful on the outside, is not […]
- The famous Pushkin novel in verse not only captivated lovers of Russian literature with high poetic skill, but also caused controversy about the ideas that the author wanted to express here. These disputes did not bypass the main character - Eugene Onegin. The definition of “extra person” has long been attached to it. However, even today it is interpreted differently. And this image is so multifaceted that it provides material for a variety of readings. Let's try to answer the question: in what sense can Onegin be considered "extra […]
- It has long been recognized that the novel "Eugene Onegin" was the first realistic novel in Russian literature. What exactly is meant when we say "realistic"? Realism presupposes, in my opinion, in addition to the veracity of details, the depiction of typical characters in typical circumstances. From this characteristic of realism, it follows that truthfulness in the depiction of particulars and details is an indispensable condition for a realistic work. But this is not enough. More importantly, what is contained in the second part […]
- Troyekurov Dubrovsky Quality of characters Negative hero Main positive hero Character Spoiled, selfish, dissolute. Noble, generous, determined. Has a hot temper. A person who knows how to love not for money, but for the beauty of the soul. Occupation Rich nobleman, spends his time in gluttony, drunkenness, leads a dissolute life. Humiliation of the weak brings him great pleasure. He has a good education, served as a cornet in the guard. After […]
- Alexander Sergeevich Pushkin is a man of broad, liberal, "censored" views. It was hard for him, poor, to be in a secular hypocritical society, in St. Petersburg, with the palace sycophantic aristocracy. Away from the "metropolis" of the 19th century, closer to the people, among open and sincere people, the "descendant of the Arabs" felt much freer and "at ease". Therefore, all his works, from epic-historical, to the smallest two-line epigrams, dedicated to the "people" breathe respect and […]
- Masha Mironova is the daughter of the commandant of the Belogorsk fortress. This is an ordinary Russian girl, "chubby, ruddy, with light blond hair." By nature, she was cowardly: she was afraid even of a rifle shot. Masha lived rather closed, lonely; there were no suitors in their village. Her mother, Vasilisa Yegorovna, said about her: “Masha, a girl of marriageable age, and what dowry does she have? - a frequent comb, yes a broom, and an altyn of money, with which to go to the bathhouse. Well, if there is a kind person, otherwise sit yourself in the girls of the age-old […]
- The controversial and even somewhat scandalous story "Dubrovsky" was written by A. S. Pushkin in 1833. By that time, the author had already grown up, lived in a secular society, and became disillusioned with it and the existing state order. Many of his works, related to that time, were under censorship. And so Pushkin writes about a certain "Dubrovsky", a young, but already experienced, disappointed, but not broken by worldly "storms", a man of 23 years old. There is no point in retelling the plot - I read it and […]
- At the lesson of literature, we studied the poem by Alexander Sergeevich Pushkin "Ruslan and Lyudmila". This is an interesting work about the brave knight Ruslan and his beloved Lyudmila. At the beginning of the work, the evil sorcerer Chernomor kidnapped Lyudmila right from the wedding. Lyudmila's father, Prince Vladimir, ordered everyone to find their daughter and promised the savior half the kingdom. And only Ruslan went to look for his bride because he loved her very much. There are many fairy-tale characters in the poem: Chernomor, the sorceress Naina, the magician Finn, the talking head. And the poem begins […]
Pushkin introduces two heroines into the novel - sisters Tatyana and Olga. But this elusive image of a thin girl that arises in the reader's imagination is like the opposite of Olga's younger sister, whose features can be found in any novel of that time. The frivolity of the verse in which Olga is described is suddenly replaced by a serious intonation:
Allow me, my reader,
Take care of your big sister.
And she appears on the pages of the novel.
Nor the beauty of his sister,
Nor the freshness of her ruddy,
She would not attract eyes.
Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl
This is not the heroine to whom the novel is dedicated. There is another, to which "we will arbitrarily dedicate the tender pages of the novel." Olga's beauty is familiar, and Tatyana is different, memorable. But Pushkin nevertheless notes a certain relationship between the sisters. And besides the external similarity (“movement, voice, light camp” is inherent in both), there is a spiritual unity between them:
... a friend of so many years,
Her dove is young
Her confidante is dear ...
Tatyana is not round and not red-faced, she is pale, but at the same time there is life in her features. Paleness is Tatyana's constant epithet: “pale color”, “pale beauty”. Already being a princess, eclipsing the “brilliant Nina Voronskaya” in the world. Tatyana is still the same “old Tanya, poor Tanya” “sitting untidy, pale.” Pushkin does not give a direct description of Tatyana's appearance, does not resemble a painter with his specific depiction of an object, but "based on a specific force, conveys the impression made by the object." The poet creates the image by a method inherent only in verbal art. The image is transmitted through the impressions, sensations, attitude of the author. 3. The time has come, she fell in love.
The image of the moon in "Eugene Onegin" is inextricably linked with the inner experiences of the main character. Tatyana is under the influence of the moon when, seeing her
...two-horned face...
In the sky on the left side
She trembled and turned pale.”
illuminated by the moon,
Tatyana writes a letter to Onegin.
And my heart rushed far
Tatyana looking at the moon...
Suddenly a thought popped into her mind...
... the moon shines on her.
Leaning on, Tatyana writes.
Tatyana writes without a lamp. The state of mind takes her away from the world of reality, which generates daylight. This is the highest degree of abstraction.
Tatyana's letter is in front of me;
I keep it holy
I read with secret anguish
And I can't read.
It should be noted that Tatyana's letter is a translation from French. Writing in French, thinking in a foreign language is an indicator of high education, which is typical for any Russian nobleman of that time. Of course, there was no original in French, and the letter is “a mythical translation from the wonderful original of Tatiana’s heart.” Researchers of Pushkin's creativity, in particular Lotman, argue that "a whole series of phraseological clichés goes back to Rousseau's New Eloise." For example, “That is the will of heaven; I am yours”, “... Souls of inexperienced excitement.
for example, “This is the will of heaven; I am yours”, “... Souls of inexperienced excitement. Reconciled with time (who knows?)”. Pushkin defines such clichés as Gallicisms:
Gallicisms will be nice to me,
Like the sins of past youth
Like Bogdanovich's poetry.
In addition to the influence of "Eloise" Rousseau, Tatiana may have read poetry, a French poetess. Tatyana understands what she is condemning herself to if Onegin divulges the secret of the letter. Both “shame” and “contempt” will really fall on Tatyana. In the 19th century, it is a shame to write to a young man you don't know, confessing your love. But Tatyana writes with a firm hand, this is her choice. She always decides her own fate. Subsequently, the decision to marry and move to Moscow depended only on her.
Me with tears of spell
Mother prayed; for poor Tanya
All were equal in lots ... Mother did not order, but prayed. Tatyana is sure that after reading the letter, Eugene will not reject her: “Though keeping a drop of pity, you will not leave me.” So she knew she would be loved. Intuition? Or it's not confidence at all, but hope, a plea. Belinsky will say: “Onegin did not recognize his own soul; Tatyana recognized her own soul in him, not as in its full manifestation, but as a possibility ... ". Tatyana guessed about this possibility. At the beginning of the letter, Tanya's self-evident unity with her loved ones comes through childishly ingenuously. Yes, Tatyana saw Eugene briefly, several times, she listened to him attentively, but is this enough for true high love to arise? Who is this stranger to whom Tanya refers to you, he is much older than the 18-year-old heroine, brought up by the capital. She is right:
In the wilderness, in the village, everything is boring for you.
All that remains for her is “Think everything, think about one thing
And day and night until a new meeting.
Comparison of Olga with Tatyana in the novel Eugene Onegin. By the liter... help pliz!!! and got the best answer
Answer from Oksana)[active]
Olga and Tatyana in the novel "Eugene Onegin".
She was a girl, she was in love.
Malfilatr.
Olga and Tatiana are Larina's two sisters with different personalities. Tatyana is "wild, sad, silent". Olga, on the contrary, is "always as cheerful as the morning."
The portrait of Olga is very sweet and, according to the author, this can be found in any novel. Tatyana was not as beautiful and fresh as her younger sister.
Unlike Olga, her older sister seemed like a strange girl in her own family. I think that it happened because her character was formed in a special way. Thoughtfulness adorned Tatyana's rural leisure with dreams. She preferred to sit silently at home by the window, rather than play and jump in a crowd of children. Tatyana, unlike Olga, was alien to children's pranks and games:
When did the nanny collect
For Olga on a wide meadow
All her little friends
She didn't play with burners
She was bored with their sonorous laughter,
And the noise of their windy joys.
The older sister, contrary to most girls, did not play with dolls:
With an obedient doll child
Cooking jokingly
To decency - the law of light ...
Tatyana's heart was captivated by terrible stories in the darkness of nights. She woke up early in the morning:
She loved on the balcony
Warn dawn sunrise ...,
and in winter:
Awakened at the usual hour
She got up by candlelight.
The formation of Tatiana's character was strongly affected by her passion for novels:
She liked novels early on;
They replaced everything;
She fell in love with deceptions
And Richardson and Rousseau.
Under the influence of these reasons, in my opinion, Tatiana's character is formed.
When Eugene Onegin first visits the Larins, all the characters from the novels Tatyana read:
Clothed in a single image,
In one Onegin merged.
Tatyana's soul "waited ... for someone, and waited ...". All her dreams came true in Onegin, she fell in love with him.
Olga and Lensky had known each other since their youth, the feeling of love between them arose gradually. The love of Olga and Lensky can be expressed with a quote:
Vladimir would write odes,
Yes, Olga did not read them.
Against the background of Lensky's deep love for Larina, her love for him seems not so serious, simply a consequence of the fact that:
He shared her fun
And crowns were read to the children
Friends are neighbors, their fathers.
Lensky very often met with his beloved. Tatiana and Onegin met only five times in the entire history of the novel.
After Onegin kills Lensky in a duel, Olga is not sad about him for a long time - “the other one attracted her attention”, the bride turned out to be “not true to her sadness”. Thus, Olga's love for Vladimir ends shortly after his death.
Tatyana continued to love Yevgeny even after his duel with Lensky. This is confirmed by her visit to the house where Onegin lived. Then the relatives send Tatyana to Moscow, where she marries a general. Onegin, having accidentally met Tatiana at the ball, falls in love with her, but she remains faithful to her husband.
Saying goodbye to Olga, when she had to leave the Larin family with her husband, Tatyana was so worried that she could not even cry:
Only deathly pallor covered
Her sad face.
After “her young dove, her dear confidante”, “friend of so many years” Olga left, Tatyana could not find a place for herself:
Like a shadow she wanders aimlessly
He looks into the empty garden ...
Nowhere, in nothing she has no consolation,
And finds no relief
She is a repressed tear,
And my heart breaks in half.
Tatyana was very upset by the separation from her sister, she loved her very much.
The author of the novel does not say anything about Olga's feelings about her separation from Tatyana. Apparently, she did not experience separation as much as her sister. Olga was not strongly attached to Tatyana, as she was to her.
Thus, Olga and Tatyana were completely different natures.
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Hello! Here is a selection of topics with answers to your question: Comparison of Olga with Tatyana in the novel Eugene Onegin. By the liter... help pliz!!!
Alexander Sergeevich Pushkin is the greatest Russian realist poet. His best work, in which “all his life, all his soul, all his love; his feelings, concepts, ideals”, is “Eugene Onegin”. A.S. Pushkin in his novel "Eugene Onegin" asks and tries to answer the question: what is the meaning of life? He sets the task of giving a real image of a young man in a secular society. The novel reflects the last years of the reign of Alexander I and the beginning of the reign of Nicholas I, the time of the rise of the social movement after the Patriotic War of 1812.
The basis of the novel was the love story of Eugene Onegin and Tatyana Larina. Tatyana as the main character is the most perfect among the rest of the female images. She was Pushkin's favorite heroine, his "sweet ideal."
Pushkin put all the features of a Russian girl into the image of Tatyana. This is kindness, readiness for selfless deeds in the name of loved ones, that is, all those features that are inherent in a Russian woman. The formation of these traits in Tatyana takes place on the basis of "traditions of the common folk antiquity", beliefs, legends. Romance novels, which described romantic feelings, ideal and sincere love, have no less influence on the formation of her character. And Tatyana believed all this. Therefore, Eugene Onegin, who appeared in their house, became the subject of romantic dreams for her. Only in him did she see all those qualities that she read about in novels.
Tatyana speaks about the depth of her feelings in a letter to Onegin. In it, she opens her soul and completely puts herself "into the hands" of Eugene, relying on his honor and nobility. But a sharp rebuff and a dismissive attitude towards her break her dreams. Tatyana accepts the harsh reality without objection, although her love for Eugene does not go away after that, but flares up more and more. Thanks to the nanny, Tatyana believed in all kinds of signs, fortune-telling:
Tatyana believed the legends
common folk antiquity,
And dreams, and card fortune-telling,
And the predictions of the moon
She was troubled by omens;
Mysteriously to her all objects
They proclaimed something.
Therefore, in order to find out her fate, Tatyana decides to fortune-tell. She has a dream, which is not quite, but determines the further development of events.
After the tragic death of Lensky, trying to understand Eugene Onegin, Tatyana begins to visit his house.
Having left for Moscow to live with her aunt, Tatyana tries to forget Onegin and fall out of love with him, goes to balls and evenings. She is no longer interested in her own fate, so she agrees to marry a noble and rich man, whom her parents have chosen as a wife. Having become a noble secular lady, she did not receive joy and satisfaction and remained a "simple maiden." Returning from travels, Eugene Onegin, seeing Tatyana, suddenly realizes that he made a mistake by rejecting her. Love awakens in him, and he confesses to her. Yes, and Tatyana understands that she also committed a rash act by marrying another:
And happiness was so possible
So close!..
But she deliberately refuses possible happiness:
But I'm given to someone else
I will be faithful to him forever.
About Tatyana Larina, the beloved heroine of A.S. Pushkin, the reader knows much more than about her sister Olga. These images are not antipodes, but they reflect the author's attitude to the role of a woman in a noble society so accurately that they are perceived only in a comparison that is less beneficial for Olga than for Tatyana.
About the characters
Olga Larina- a literary character in the novel in verse "Eugene Onegin", the younger sister of the main character of the work of Tatyana Larina, a typical representative of the noble environment, who inherited her morality and moral values.
Tatyana Larina- the main character of the novel, who became the embodiment of the best human qualities and the moral ideal of the poet, who endowed her with exceptional virtues and integrity of character.
Comparison
They are almost the same age, brought up in the same conditions, surrounded by love and care of loved ones.
But Olga grew up as an ordinary girl, a little spoiled, but cheerful, with liveliness perceiving the world around her in all its manifestations.
Tatiana from an early age was distinguished by isolation, did not like noisy games and entertainment, listened with pleasure to the nanny's stories about the old days, read the novels of Richardson and Rousseau, dreamed of romantic love and waited for her hero.
The meeting with Eugene Onegin shocked Tatyana and awakened a deep feeling in her inexperienced heart. Love revealed in her an extraordinary strength of character, raised her self-esteem, made her think, analyze, make decisions.
Simplicity and sincerity of Tatyana are not perceived as a weakness. To preserve these qualities in the false splendor of the palace halls, with the same indifference perceiving secular flattery and pompous arrogance of high society, only an outstanding woman could. It was this that Yevgeny Onegin saw her years later, who did not consider the spiritual subtlety and selfless readiness to share any fate with him in young Tatyana.
Olga is also capable of love, but her feeling for Vladimir Lensky is neither deep nor dramatic. She is prone to coquetry and gladly accepts the courtship of Onegin, who decided to annoy his friend for the awkward situation in which he had to explain himself to Tatyana, refusing her naive confession.
The death of Lensky did not overshadow Olga for a long time: a year later she got married and left her parents' house quite happy.
Tatyana's marriage was a balanced step: having no hope for Onegin's reciprocal feeling, she gave her consent to a man with undoubted merits. Not wealth, not secular brilliance, but the honor of her husband, she learned to value and protect above all, despite the emotional drama, the hero of which remained Eugene Onegin.
Findings site
- Tatyana is a deep nature with strength of character and strong will. Olga perceives life superficially, easily endures shocks and appreciates pleasures too much.
- Tatyana reads a lot, thinks, analyzes. Olga loves entertainment, without a shadow of a doubt accepts male courtship and does not show a tendency to seriously evaluate her actions.
- For Tatyana, love is a test of spiritual strength. For Olga, this is a romantic feeling that does not leave a truly deep mark on her soul.
- Tatyana is a bright personality, her virtues are recognized by the exacting secular society. Olga is one of many, nothing but her appearance and easy disposition, not attracting the attention of others.
