The death of the main character ends Ostrovsky's play "Thunderstorm", the genre of which could be safely described as a tragedy. The death of Katerina in The Thunderstorm is the denouement of the work and carries a special semantic load. The scene of Katerina's suicide gave rise to many questions and interpretations of this plot twist. For example, Dobrolyubov considered this act noble, and Pisarev was of the opinion that such an outcome was "completely unexpected for her (Katerina) herself." Dostoevsky de believed that Katerina's death in the play "Thunderstorm" would have occurred without despotism: "this is a victim of her own purity and her beliefs." It is easy to see that the opinions of critics differ, but at the same time, each is partly true. What made the girl make such a decision, take a desperate step? What does the death of Katerina, the heroine of the play "Thunderstorm" mean?
In order to answer this question, you need to study the text of the work in detail. The reader gets to know Katerina already in the first act. Initially, we observe Katya as a silent witness to the quarrel between Kabanikha and Tikhon. This episode allows us to understand the unhealthy environment of lack of freedom and oppression in which Katya has to survive. Every day she is convinced that the old life, such as it was before marriage, will never be. All power in the house, despite the patriarchal way of life, is concentrated in the hands of the hypocritical Marfa Ignatievna. Katya's husband, Tikhon, is unable to protect his wife from tantrums and lies. His weak-willed submission to his mother shows Katerina that in this house and in this family one cannot count on help.
From childhood, Katya was taught to love life: go to church, sing, admire nature, dream. The girl "breathed deeply", feeling safe. She was taught to live according to the rules of Domostroy: to respect the word of her elders, not to argue with them, to obey her husband and love him. And now Katerina is given in marriage, the situation is radically changing. There is a huge, unbridgeable gulf between expectations and reality. The tyranny of Kabanikh knows no bounds, her limited understanding of Christian laws horrifies the believing Katerina. What about Tikhon? He is not at all the kind of man who deserves respect or even compassion. Katya feels only pity for the often drinking Tikhon. The girl admits that no matter how hard she tries to love her husband, nothing happens.
In no area can a girl fulfill herself: neither as a mistress of the house, nor as a loving wife, nor as a caring mother. The girl regards the appearance of Boris as a chance for salvation. Firstly, Boris is unlike the rest of the inhabitants of Kalinov, and he, like Katya, does not like the unwritten laws of the dark kingdom. Secondly, Katya was visited by thoughts about how to achieve a divorce and after that live honestly with Boris, without fear of condemnation from society or the church. Relations with Boris are developing rapidly. One meeting was enough for two young people to fall in love with each other. Even without being able to talk, Boris dreams of Katya. The girl is very worried about the feelings that have arisen: she is brought up differently, Katya cannot walk with another secretly; purity and honesty "prevent" Katya from hiding love, pretending that everything is "hidden" and others do not guess.
For a very long time, the girl decided on a date with Boris, and yet she went to the garden at night. The author does not describe the ten days when Katerina saw her lover. This, in fact, is not necessary. It is easy to imagine their leisure and the growing sense of warmth that was in Katerina. Boris himself said "only those ten days he lived." The arrival of Tikhon Kabanov revealed new sides in the characters' characters. It turned out that Boris did not want publicity at all, he would rather refuse Katya than involve himself in intrigues and scandals. Katya, unlike the young man, wants to tell both her husband and mother-in-law about the current situation. Being a somewhat suspicious and impressionable person, Katya, driven by the peals of thunder and the words of a crazy lady, confesses everything to Kabanov.
The scene is cut off. Further, we learn that Marfa Ignatievna has become even tougher and more demanding. She humiliates, insults the girl much more than before. Katya understands that she is not as guilty as her mother-in-law wants to convince her, because Kabanikha needs such tyranny only for self-affirmation and control. It is the mother-in-law who becomes the main catalyst for the tragedy. Tikhon, most likely, would have forgiven Katya, but he can only obey his mother and go to drink with Diky.
Imagine yourself in the place of the heroine. Imagine all the things she had to deal with every day. The way her attitude changed after the confession. A husband who cannot argue with his mother, but at every opportunity finds solace in alcohol. The mother-in-law, personifying all that dirt and abomination, from which a pure and honest person wants to stay as far away as possible. The sister of your husband, the only one who is interested in your life, but at the same time cannot fully understand. And a loved one, for whom public opinion and the possibility of receiving an inheritance turned out to be much more important than feelings for a girl.
Katya dreamed of becoming a bird, flying away forever from the dark world of tyranny and hypocrisy, breaking free, flying, being free. Catherine's death was inevitable.
However, as mentioned above, there are several different points of view on Katerina's suicide. After all, on the other hand, couldn't Katya just run away without making such desperate decisions? That's the thing, she couldn't. It wasn't for her. To be honest with yourself, to be free - this is what the girl so passionately desired. Unfortunately, all this could be obtained only at the cost of one's own life. Is Katerina's death a defeat or a victory over the "dark kingdom"? Katerina did not win, but she did not remain defeated either.
Artwork test
From what moment did Katerina's tragedy begin? From the very moment she ended up in the Kabanovs' house. Since the very beginning to live by their laws. Although the customs in their house were the same as in her own, only here they were carried out as if under duress.
In her native land, the girl lived freely and freely. She could listen carelessly to stories and the singing of wanderers all day long. Never did hard work. But as soon as the girl moved into her husband's house, it began to seem to her that she could no longer breathe deeply, she had nowhere to roam.
The reason was the strained relationship between mother-in-law and daughter-in-law. The boar, who loves strict rules and order, constantly clung to Katerina, brought her up. The reason was that she was too jealous of her beloved son for another woman. Indeed, after the wedding, Tikhon's love began to fall not only to her, but also to Katerina.
But how strong was her husband's love? Did her freedom-loving heroine have enough? It would seem that you can find solace from your dear and beloved husband, you can ask him for protection from his tough mother. But it was not there. Tikhon turned out to be a spineless man, unable to argue with his mother. You can not feel behind him, like behind a stone wall.
Well, what to take from such a husband? She wanted thrills and strong feelings. Was he really loved by Katerina, if the girl's eyes fell on Boris, who seemed to her special in this world? But the poor man was not lucky with him either. Selfish Boris thought of no one but himself. Worried only about the public opinion that could develop if he had an affair with a married woman.
Did Katerina get support from Boris? You can't say that. The guy refused to take her with him when he went to Siberia. He only wished the girl a speedy death so that she would not suffer for a long time.
Exhausted by remorse, the heroine decides to confess her betrayal to Tikhon and Kabanikha. After a while, Tikhon tells the girl that he forgives her, because he sees how she suffers from this.
But Katerina understands that the rest will condemn her, that she will not have a quiet life. She does not want to return to the house where everything has become disgusting to her, where her freedom is so infringed upon, where her heart does not feel peace and tranquility. The heroine does not want to live in a world where no one can understand her feelings, so she decides to free her soul by throwing herself into the river.
The tragedy of Katerina lies in the fact that close people did not want to understand her, support her, that they only infringed on the freedom of her actions and soul.
Option 2
"Thunderstorm" by Ostrovsky, a work showing Katerina's conflict with despots, fools and ignoramuses. Katerina is the main character of the drama. This heroine has her own views on life. The reader must see this, after which only the conflict that has arisen and the sad ending of the drama become clear. Katerina tells us about her childhood, as well as about the places where she was born and lived.
The life of the heroine was quite free and uninhibited. She got up early every day. Then, together with her mother, they went to church, after which Katerina was engaged in work. With such a life, in principle, there can be no conflict and hatred for loved ones. The heroine lives in an hour when the patriarchal family is based only on violence and anger. The heroine realized this only in the Kabanovs' house.
The girl got married early, perhaps she understood that this was a hasty action, but she could not do anything. It was the decision of her family, to which the heroine reacted calmly, as if it should be so. Katerina comes to the Kabanov family with her own idea of family life, with her own hopes and expectations. Katerina waited for her husband to dominate her, but at the same time protect her. But, this doesn't happen. Tikhon does not fit this role in any way. From that moment on, the old life is over. Now the heroine is surrounded by deceitful and hypocritical people.
The heroine now attends church, but does not experience any relief and feelings. Religion begins to attack Katerina when she is restless inside. The heroine can no longer say prayers, because her lifestyle is now completely contrary to the commandments. Katerina is scared for herself, the girl wants freedom. Many of the things she loved to do before are now alien. Every minute there are negative thoughts in her head that prevent her from perceiving the beauty of nature. Now the only thing left for the heroine is to dream and endure. But, all this becomes in vain, because reality will always win over dreams.
Katerina now lives in a world that provokes and pushes the girl to lie and deceive. The heroine is by nature a different person. Boris attracts her not only because he is a different person than those who surround the heroine. It’s just that Katerina didn’t find reciprocal love in her husband, she wants attention and love, but he doesn’t have it. She needed to deceive and show cunning, but this is not for her. The heroine is tired, and she decides to tell her mother-in-law and her husband about her sin.
She has no other options but recognition. All she can do in this situation is to humble herself and become the obedient wife and slave of the mother-in-law. But, again, the heroine shows that she is a different person, she has a different character. Katerina has found a way out, she will die. In recent days, she does not blame anyone, she is simply tired and can no longer live in this world. Everything is decided, and already irrevocably. Katerina no longer intends to live such a miserable life. The mother-in-law for her became an evil and inhuman woman, and her husband, as he was weak, remained the same. The only way out of all this is death.
The tragedy of Katerina in the play by Ostrovsky Thunderstorm
Actions of the play by A.N. Ostrovsky's "Thunderstorm" is deployed on the banks of the Volga, in the city of Kalinov. The name is fictitious, these events could take place in any city of Russia, both in the Volga region and not. But still, the power and beauty of the great Russian river plays a certain role in history. After all, it is the Volga that the main character of the story trusts herself.
Cruel morals in the city, the tradesman and mechanic Kuligin tells us about this. A poor man cannot earn more than a piece of bread, no matter how hard he works. Ordinary residents of the city sleep no more than three hours a day. And those who are rich in their labors “gratuitously” profit even more. Russia at the end of the 19th century is a world of petty tyrants, tyrants, despots, rich merchants. In such a harsh world, called the "dark kingdom" by the critic Nikolai Dobrolyubov, the heroes of the work have to survive.
Everyone here adapts as best they can. Someone takes root and becomes part of the dark kingdom, someone suffers and suffers. Dikoy and Kabanova run Kalinov. One is getting richer, the second is charitable for show, but completely "jammed her family." Kuligin is warmed by the thought of finding a perpetual motion machine and a prize that he can spend on changing life in the city. The clerk Vanya Kudryash is cheerful, "toothy", does not let Wild go down in a verbal skirmish and easily reacts to everything. Boris Grigoryevich suffers attacks and bullying from his uncle, hoping to receive part of his grandmother's inheritance. Tikhon, the son of Kabanikha, suffers from a harsh mother, but fulfills all her requirements unquestioningly. Therefore, from time to time he goes on a spree, drinks a lot, escaping from the strict control of his beloved "mother". Varvara adapted to the conditions of the family and the nature of her mother, learned to adapt.
Each with his own. And only Katerina, Tikhon's wife, cannot find her place here. She is a modest, kind girl, benevolent, but with a hot temper. When she was not married, my mother did not look for a soul in her, dressed her “like a doll”, did not force her to work, she allowed everything, and it was difficult for her to forbid something. Somehow Katya, while still a child, was offended by her parents for something. So she ran out into the night onto the river, climbed into the boat and pushed off the shore. They found her only in the morning. She has such an ardent, freedom-loving disposition. She does not tolerate injustice and captivity at all. But in the house of the Kabanovs, with an outward resemblance to the customs of their own family, everything is just “out of captivity”.
Katya dreams of becoming a bird and flying away, so as not to endure more reproaches, unfair insults, the darkness of her mother-in-law and her home. She does not love her husband, but regrets. And if he were an independent man, and not a weak-willed son with his mother, he would become his good and faithful wife. Tikhon loves his wife in his own way. But he will never say a word across his mother. Marfa Ignatievna just likes to tyrannize her son and daughter-in-law especially. She covers this vice with a great benefactor. After all, stupid young people will not be able to live without it with their minds, they will make mistakes and disappear.
And there is no one person's fault in Katerina's tragedy. Everyone is to blame, some more, some less. Someone's tyranny, someone's silence and indifference. After all, with all her heart she wanted to be pure, impeccable, a good wife, she dreamed of children. There is also Boris' fault in the tragedy. He did not try to change the situation in any way, to save his beloved, and leaving only prays for her imminent death as deliverance from torment. This path is chosen by Katya. She sees no other way to get rid of the oppression and bondage of the dark kingdom. Even if her actions are contradictory. N. Dobrolyubov, in his critical article, noted that the suicide of the heroine: "given a terrible challenge to tyrannical power." And he called the girl herself a ray of set in the dark kingdom.
The main antagonist of Professor Preobrazhensky in M, A, Bulgakov's story "Heart of a Dog" is a certain Shvonder, who manages the housing association of the house where the scientist lives.
Since my early childhood, I have liked the profession of a designer. What I like most about it is that I can show all my creative potential as much as possible.
Could there be anything better than pizza? If they ask me, the answer will be direct and clear, objectively there is nothing better than pizza, and other opinions can only indicate a misunderstanding.
The play by A. N. Ostrovsky "Thunderstorm" depicts the era of the 60s of the nineteenth century. At this time, revolutionary actions of the people are brewing in Russia. They are aimed at. improvement of life and life of ordinary people, to overthrow tsarism. The works of great Russian writers and poets are also involved in this struggle, among them is Ostrovsky's play "Thunderstorm", which shocked all of Russia. On the example of the image of Katerina, the struggle of the whole people against the "dark kingdom" and its patriarchal orders is depicted.
The main character in A. N. Ostrovsky's play "Thunderstorm" is Katerina. Her protest against the "boar" order, the struggle for her happiness and depicts the author in the drama.
Katerina grew up in the house of a poor merchant, where she matured spiritually and morally. Katerina was an outstanding personality, and there was some kind of extraordinary charm in her features. All of her "breathed" Russian, truly folk beauty; this is how Boris says about her: “There is some kind of angelic smile on her face, but it seems to glow from her face.”
Before her marriage, Katerina “lived, didn’t grieve about anything, like a bird in the wild,” did what she wanted and when she wanted, no one ever forced her or forced her to do what she, Katerina, didn’t want to.
Her spiritual world was very rich and diverse. Katerina was a very poetic nature with a rich imagination. In her conversations we hear folk wisdom and folk sayings. Her soul yearned to fly; “Why don't people fly like birds? Sometimes I feel like I'm a bird. When you stand on a mountain, you are drawn to fly. That’s how I would run up, raise my hands and fly.”
Katerina’s soul was “educated” both on the stories of the praying women who were in the house every day, and on sewing on velvet (sewing brought her up and led her into the world of beauty and kindness, into the world of art).
After marriage, Katerina's life changed dramatically. In the house of the Kabanovs, Katerina was alone, her world, her soul could not be understood by anyone, This loneliness was the first step towards tragedy. The attitude of the family towards the heroine has also changed dramatically. The Kabanovs' house adhered to the same rules and customs as Katerina's parental house, but here "everything seems to be from captivity." The cruel orders of Kabanikha dulled in Katerina the desire for the sublime, since then the heroine's soul fell into the abyss.
Another pain for Katerina is her husband's misunderstanding. Tikhon was a kind, vulnerable person, very weak compared to Katerina, he never had his own opinion - he obeyed the opinion of another, stronger person. Tikhon could not understand the aspirations of his wife: "I can't figure you out, Katya." This misunderstanding brought Katerina one step closer to disaster.
The love for Boris was also a tragedy for Katerina. According to Dobrolyubov, Boris was the same as Tikhon, only educated. Because of his education, he came to the attention of Katerina. From the entire crowd of the "dark kingdom" she chose him, who was slightly different from the rest. However, Boris turned out to be even worse than Tikhon, he only cares about himself: he only thinks about what others will say about him. He leaves Katerina to the mercy of fate, to the massacre of the “dark kingdom”: “Well, God bless you! Only one thing must be asked of God that she die as soon as possible, so that she does not suffer for a long time! Goodbye!".
Katerina sincerely loves Boris, worries about him: “What is he doing now, poor thing? .. Why did I bring him into trouble? I would die alone! And then she ruined herself, ruined him, dishonor herself - he is eternal shame!
The manners of the city of Kalinov, its rudeness and “sheer poverty” were not acceptable to Katerina: “If I want, I’ll leave wherever my eyes look. Nobody can stop me, that's it
I have character."
Dobrolyubov gave a high rating to the work. He called Katerina "a ray of light in the" dark kingdom ". At its tragic end, “a terrible challenge was given to self-conscious force ... In Katerina we see a protest against Kabanov’s concepts of morality, a protest carried to the end, proclaimed both under domestic torture and over the abyss into which the poor woman threw herself.” In the image of Katerina Dobrolyubov sees the embodiment of "Russian living nature." Katerina prefers to die than to live in captivity. Katerina's action is ambiguous.
The image of Katerina in Ostrovsky's play "Thunderstorm" is an excellent image of a Russian woman in Russian literature.
The play by A. N. Ostrovsky "Thunderstorm" depicts the era of the 60s of the nineteenth century. At this time, revolutionary actions of the people are brewing in Russia. They are aimed at. improvement of life and life of ordinary people, to overthrow tsarism. The works of great Russian writers and poets are also involved in this struggle, among them is Ostrovsky's play "Thunderstorm", which shocked all of Russia. On the example of the image of Katerina, the struggle of the whole people against the "dark kingdom" and its patriarchal orders is depicted.
The main character in the play by A. N. Ostrovsky
"Thunderstorm" is Katerina. Her protest against the "boar" order, the struggle for her happiness and depicts the author in the drama.
Katerina grew up in the house of a poor merchant, where she matured spiritually and morally. Katerina was an outstanding personality, and there was some kind of extraordinary charm in her features. All of her "breathed" Russian, truly folk beauty; this is how Boris says about her: “There is some kind of angelic smile on her face, but it seems to glow from her face.”
Before her marriage, Katerina "lived, did not grieve about anything, like a bird in the wild", did what she wanted and when she wanted, no one ever forced her or forced her
Do what she, Katerina, did not want to do.
Her spiritual world was very rich and diverse. Katerina was a very poetic nature with a rich imagination. In her conversations we hear folk wisdom and folk sayings. Her soul yearned to fly; “Why don't people fly like birds? Sometimes I feel like I'm a bird. When you stand on a mountain, you are drawn to fly. That’s how I would run up, raise my hands and fly.”
Katerina’s soul was “educated” both on the stories of the praying women who were in the house every day, and on sewing on velvet (sewing brought her up and led her into the world of beauty and kindness, into the world of art).
After marriage, Katerina's life changed dramatically. In the house of the Kabanovs, Katerina was alone, her world, her soul could not be understood by anyone, This loneliness was the first step towards tragedy. The attitude of the family towards the heroine has also changed dramatically. The Kabanovs' house adhered to the same rules and customs as Katerina's parental house, but here "everything seems to be from captivity." The cruel orders of Kabanikha dulled in Katerina the desire for the sublime, since then the heroine's soul fell into the abyss.
Another pain for Katerina is her husband's misunderstanding. Tikhon was a kind, vulnerable person, very weak compared to Katerina, he never had his own opinion - he obeyed the opinion of another, stronger person. Tikhon could not understand the aspirations of his wife: "I can't figure you out, Katya." This misunderstanding brought Katerina one step closer to disaster.
The love for Boris was also a tragedy for Katerina. According to Dobrolyubov, Boris was the same as Tikhon, only educated. Because of his education, he came to the attention of Katerina. From the entire crowd of the "dark kingdom" she chose him, who was slightly different from the rest. However, Boris turned out to be even worse than Tikhon, he only cares about himself: he only thinks about what others will say about him. He leaves Katerina to the mercy of fate, to the massacre of the “dark kingdom”: “Well, God bless you! Only one thing must be asked of God that she die as soon as possible, so that she does not suffer for a long time! Goodbye!".
Katerina sincerely loves Boris, worries about him: “What is he doing now, poor thing? .. Why did I bring him into trouble? I would die alone! And then she ruined herself, ruined him, dishonor herself - he is eternal shame!
The manners of the city of Kalinov, its rudeness and “sheer poverty” were not acceptable to Katerina: “If I want, I’ll leave wherever my eyes look. Nobody can stop me, that's it
I have character."
Dobrolyubov gave a high rating to the work. He called Katerina "a ray of light in the" dark kingdom ". At its tragic end, “a terrible challenge was given to self-conscious force ... In Katerina we see a protest against Kabanov’s concepts of morality, a protest carried to the end, proclaimed both under domestic torture and over the abyss into which the poor woman threw herself.” In the image of Katerina Dobrolyubov sees the embodiment of "Russian living nature." Katerina prefers to die than to live in captivity. Katerina's action is ambiguous.
The image of Katerina in Ostrovsky's play "Thunderstorm" is an excellent image of a Russian woman in Russian literature.
The play by A. N. Ostrovsky "Thunderstorm" depicts the era of the 60s of the nineteenth century. At this time, revolutionary actions of the people are brewing in Russia. They are aimed at. improvement of life and life of ordinary people, to overthrow tsarism. The works of great Russian writers and poets are also involved in this struggle, among them is Ostrovsky's play "Thunderstorm", which shocked all of Russia. On the example of the image of Katerina, the struggle of the whole people against the "dark kingdom" and its patriarchal orders is depicted.
The main character in A. N. Ostrovsky's play "Thunderstorm" is Katerina. Her protest against the "boar" order, the struggle for her happiness and depicts the author in the drama.
Katerina grew up in the house of a poor merchant, where she matured spiritually and morally. Katerina was an outstanding personality, and there was some kind of extraordinary charm in her features. All of her "breathed" Russian, truly folk beauty; this is how Boris says about her: “There is some kind of angelic smile on her face, but it seems to glow from her face.”
Before her marriage, Katerina “lived, didn’t grieve about anything, like a bird in the wild,” did what she wanted and when she wanted, no one ever forced her or forced her to do what she, Katerina, didn’t want to.
Her spiritual world was very rich and diverse. Katerina was a very poetic nature with a rich imagination. In her conversations we hear folk wisdom and folk sayings. Her soul yearned to fly; “Why don't people fly like birds? Sometimes I feel like I'm a bird. When you stand on a mountain, you are drawn to fly. That’s how I would run up, raise my hands and fly.”
Katerina’s soul was “educated” both on the stories of the praying women who were in the house every day, and on sewing on velvet (sewing brought her up and led her into the world of beauty and kindness, into the world of art).
After marriage, Katerina's life changed dramatically. In the house of the Kabanovs, Katerina was alone, her world, her soul could not be understood by anyone, This loneliness was the first step towards tragedy. The attitude of the family towards the heroine has also changed dramatically. The Kabanovs' house adhered to the same rules and customs as Katerina's parental house, but here "everything seems to be from captivity." The cruel orders of Kabanikha dulled in Katerina the desire for the sublime, since then the heroine's soul fell into the abyss.
Another pain for Katerina is her husband's misunderstanding. Tikhon was a kind, vulnerable person, very weak compared to Katerina, he never had his own opinion - he obeyed the opinion of another, stronger person. Tikhon could not understand the aspirations of his wife: "I can't figure you out, Katya." This misunderstanding brought Katerina one step closer to disaster.
The love for Boris was also a tragedy for Katerina. According to Dobrolyubov, Boris was the same as Tikhon, only educated. Because of his education, he came to the attention of Katerina. From the entire crowd of the "dark kingdom" she chose him, who was slightly different from the rest. However, Boris turned out to be even worse than Tikhon, he only cares about himself: he only thinks about what others will say about him. He leaves Katerina to the mercy of fate, to the massacre of the “dark kingdom”: “Well, God bless you! Only one thing must be asked of God that she die as soon as possible, so that she does not suffer for a long time! Goodbye!".
Katerina sincerely loves Boris, worries about him: “What is he doing now, poor thing? .. Why did I bring him into trouble? I would die alone! And then she ruined herself, ruined him, dishonor herself - he is eternal shame!
The manners of the city of Kalinov, its rudeness and “sheer poverty” were not acceptable to Katerina: “If I want, I’ll leave wherever my eyes look. Nobody can stop me, that's it
I have character."
Dobrolyubov gave a high rating to the work. He called Katerina "a ray of light in the" dark kingdom ". At its tragic end, “a terrible challenge was given to self-conscious force ... In Katerina we see a protest against Kabanov’s concepts of morality, a protest carried to the end, proclaimed both under domestic torture and over the abyss into which the poor woman threw herself.” In the image of Katerina Dobrolyubov sees the embodiment of "Russian living nature." Katerina prefers to die than to live in captivity. Katerina's action is ambiguous.
The image of Katerina in Ostrovsky's play "Thunderstorm" is an excellent image of a Russian woman in Russian literature.
