La mort est secourable et la mort est tranquille
Ah! contre les douleurs il n "y a pas d" autre asile
Aliment de poison d "une âme trop sensible,
Toi, sans qui le bonheur me serait impossible,
Tendre melancolie, ah! viens me consoler,
Viens calmer les tourments de ma sombre retraite
Et mêle une douceur secrete
A ces pleurs, que je sens couler.
"Rural trees, your dark boughs shake off gloom and melancholy on me"
Death is saving, and death is peaceful.
Help please!!! urgently need something in the image of Julie Kuragina from the novel War and Peace! and got the best answer
Answer from Elena Evdokimova[guru]
The image of Julie Karagina FROM Tolstoy's novel "War and Peace". This is a typical secular young lady. The old Prince Bolkonsky, with whose daughter she is corresponding, does not want Princess Mary to look like Julie, empty and false young ladies. Julie does not have her own opinion, evaluates people only as they are evaluated in the world (her opinion about Pierre) Her goal is to get married, and she never hides this. Nearly Sonya is jealous of Nikolai when he starts talking to her animatedly. Subsequently, she has a chance to arrange her fate when her two brothers die and she becomes a rich heiress. It was then that Boris Drubetskoy began to look after her. Barely hiding his disgust for Julie, he proposes to her, and she, knowing full well that he cannot love her, nevertheless forces her to say the right things (Togstoy ironically remarks that Karagina's estates were worth these false words of love).
Once again we see Julie, already Princess Drubetskaya, as she tries to flaunt her "patriotism" during the War of 1812. For example, her letters to Princess Mary are already different: “I am writing to you in Russian, my good friend,” Julie wrote, “because I have hatred for all the French, as well as for their language, which I cannot hear speak. ".. We are all enthusiastic in Moscow through enthusiasm for our adored emperor. My poor husband endures labor and hunger in Jewish taverns; but the news that I have inspires me even more. "Also "in the company of Julie, as in many societies of Moscow , it was supposed to speak only Russian, and those who made mistakes in speaking French words paid a fine in favor of the donation committee." Drubetskaya is one of the first to leave Moscow, even before the Battle of Borodino.
We don't see her anymore. But one more detail. Tolstoy does not describe her face in detail, saying only that it is red and sprinkled with powder. It immediately becomes clear how he relates to his heroine.
Answer from 3 answers[guru]
Hello! Here is a selection of topics with answers to your question: Help please!!! urgently need something in the image of Julie Kuragina from the novel War and Peace!
In Tolstoy's novel "War and Peace" a huge number of images pass before the reader. All of them are excellently depicted by the author, alive and interesting. Tolstoy himself divided his heroes into positive and negative, and not only into secondary and main ones. Thus, positivity was emphasized by the dynamism of the character's character, while static and hypocrisy indicated that the hero was far from perfect.
In the novel, several images of women appear before us. And they are also divided by Tolstoy into two groups.
The first includes female images that lead a false, artificial life. All their aspirations are aimed at achieving one single goal - a high position in society. These include Anna Scherer, Helen Kuragina, Julie Karagina and other representatives of high society.
The second group includes those who lead a true, real, natural way of life. Tolstoy emphasizes the evolution of these heroes. These include Natasha Rostova, Marya Bolkonskaya, Sonya, Vera.
The absolute genius of social life can be called Helen Kuragina. She was beautiful like a statue. And just as soulless. But in fashion salons, no one cares about your soul. The most important thing is how you turn your head, how gracefully you smile when you greet, and what an impeccable French accent you have. But Helen is not just soulless, she is vicious. Princess Kuragina is not marrying Pierre Bezukhov, but for his inheritance.
Helen was a master at luring men by tapping into their baser instincts. So, Pierre feels something bad, dirty in his feelings for Helen. She offers herself to anyone who is able to provide her with a rich life, full of secular pleasures: "Yes, I am a woman who can belong to anyone, and to you too."
Helen cheated on Pierre, she had a well-known affair with Dolokhov. And Count Bezukhov was forced, defending his honor, to shoot himself in a duel. The passion that clouded his eyes quickly passed, and Pierre realized what a monster he was living with. Of course, the divorce turned out to be a boon for him.
It is important to note that in the characterization of Tolstoy's favorite heroes, their eyes occupy a special place. The eyes are the mirror of the soul. Ellen doesn't have one. As a result, we learn that the life of this heroine ends sadly. She is dying of illness. Thus, Tolstoy passes judgment on Helen Kuragina.
Tolstoy's favorite heroines in the novel are Natasha Rostova and Marya Bolkonskaya.
Marya Bolkonskaya is not distinguished by beauty. She has the appearance of a frightened animal due to the fact that she is very afraid of her father, the old prince Bolkonsky. She has a "sad, frightened expression that rarely left her and made her ugly, sickly face even more ugly ...". Only one feature shows us her inner beauty: “the eyes of the princess, large, deep and radiant (as if rays of warm light sometimes came out of them in sheaves), were so good that very often ... these eyes became more attractive than beauty.”
Marya devoted her life to her father, being his indispensable support and support. She has a very deep connection with the whole family, with her father and brother. This connection is manifested in moments of spiritual upheaval.
A distinctive feature of Marya, as well as of her entire family, is high spirituality and great inner strength. After the death of her father, surrounded by French troops, the princess, heartbroken, nevertheless proudly rejects the offer of the French general for patronage and leaves Bogucharov. In the absence of men in an extreme situation, she alone manages the estate and does it wonderfully. At the end of the novel, this heroine marries and becomes a happy wife and mother.
The most charming image of the novel is the image of Natasha Rostova. The work shows her spiritual path from a thirteen-year-old girl to a married woman, a mother of many children.
From the very beginning, Natasha was characterized by cheerfulness, energy, sensitivity, a subtle perception of goodness and beauty. She grew up in the morally pure atmosphere of the Rostov family. Her best friend was the meek Sonya, an orphan. The image of Sonya is written out not so carefully, but in some scenes (the explanation of the heroine and Nikolai Rostov), the reader is struck by a pure and noble soul in this girl. Only Natasha notices that in Sonya "something is missing" ... In her, indeed, there is no liveliness and fire characteristic of Rostova, but the tenderness and meekness, so loved by the author, excuse everyone.
The author emphasizes the deep connection between Natasha and Sonya with the Russian people. This is a great praise for the heroines from their creator. For example, Sonya fits perfectly into the atmosphere of Christmas divination and caroling. Natasha "knew how to understand everything that was in Anisya, and in Anisya's father, and in her aunt, and in her mother, and in every Russian person." Emphasizing the folk basis of his heroines, Tolstoy very often shows them against the backdrop of Russian nature.
Natasha's appearance, at first glance, is ugly, but her inner beauty ennobles her. Natasha always remains herself, never pretends, unlike her secular acquaintances. The expression of Natasha's eyes is very diverse, as well as the manifestations of her soul. They are “radiant”, “curious”, “provocative and somewhat mocking”, “desperately lively”, “stopped”, “begging”, “scared” and so on.
The essence of Natasha's life is love. She, despite all the hardships, carries it in her heart and, finally, becomes the embodiment of Tolstoy's ideal. Natasha turns into a mother who is completely dedicated to her children and her husband. In her life there are no interests other than family. So she became truly happy.
All the heroines of the novel, to one degree or another, represent the worldview of the author himself. Natasha, for example, is a beloved heroine, because she fully meets the needs of Tolstoy himself for a woman. And Helen is "killed" by the author for not being able to appreciate the warmth of the hearth.
The female theme occupies an important place in Leo Tolstoy's epic novel "War and Peace". This work is the writer's polemical response to supporters of women's emancipation. At one of the poles of artistic research are numerous types of high-society beauties, mistresses of magnificent salons in St. Petersburg and Moscow - Helen Kuragina, Julie Karagina, Anna Pavlovna Sherer; the cold and apathetic Vera Berg dreams of her own salon... Secular society is immersed in eternal vanity. In the portrait of the beautiful Helen Tolstoy sees the whiteness of the shoulders, the gloss of her hair and diamonds, a very open chest and back, and a frozen smile. Such details allow the artist to emphasize the inner emptiness, the insignificance of the high society lioness.
The place of genuine human feelings in luxurious living rooms is occupied by monetary calculation. The marriage of Helen, who chose the wealthy Pierre as her husband, is a clear confirmation of this. Tolstoy shows that the behavior of the daughter of Prince Vasily is not a deviation from the norm, but the norm of life of the society to which she belongs.
Indeed, does Julie Karagina behave differently, having, thanks to her wealth, a sufficient choice of suitors; or Anna Mikhailovna Drubetskaya, placing her son in the guard? Even in front of the bed of the dying Count Bezukhov, Pierre's father, Anna Mikhailovna does not feel compassion, but fear that Boris will be left without an inheritance. Tolstoy shows high society beauties in family life.
Family, children do not play a significant role in their lives. Helen finds Pierre's words funny that spouses can and should be bound by feelings of heartfelt affection and love. Countess Bezukhova thinks with disgust about the possibility of having children. With surprising ease, she leaves her husband.
Helen is a concentrated manifestation of complete lack of spirituality, emptiness, vanity. Excessive emancipation leads a woman, according to Tolstoy, to a misunderstanding of her own role. In the salon of Helen and Anna Pavlovna Scherer, political disputes, judgments about Napoleon, about the position of the Russian army are heard ... A sense of false patriotism makes them speak exclusively in Russian during the period of the French invasion.
High-society beauties have largely lost the main features that are inherent in a real woman. On the contrary, in the images of Sonya, Princess Marya, Natasha Rostova, those features are grouped that make up the type of woman in the true sense. At the same time, Tolstoy does not try to create ideals, but takes life as it is.
In fact, there are no consciously heroic female natures in the work, like Turgenev's Marianne from the novel "Nov" or Elena Stakhova from "On the Eve". Needless to say, Tolstoy's favorite heroines are devoid of romantic elation? Women's spirituality does not lie in intellectual life, not in the passion of Anna Pavlovna Scherer, Helen Kuragina, Julie Karagina for political and other male issues, but exclusively in the ability to love, in devotion to the family hearth. Daughter, sister, wife, mother - these are the main life positions in which the character of Tolstoy's favorite heroines is revealed. This conclusion may raise doubts on a superficial reading of the novel. Indeed, the actions of Princess Marya and Natasha Rostova during the period of the French invasion are patriotic, and Marya Bolkonskaya's unwillingness to take advantage of the patronage of the French general and the impossibility for Natasha to stay in Moscow under the French are also patriotic. However, the connection between female images and the image of war in the novel is more complex; it is not limited to the patriotism of the best Russian women.
Tolstoy shows that it took the historical movement of millions of people so that the heroes of the novel (Maria Bolkonskaya and Natasha Rostova and Pierre Bezukhov) could find their way to each other. Tolstoy's favorite heroines live with their hearts, not their minds. All the best, cherished memories of Sonya are associated with Nikolai Rostov: common childhood games and pranks, Christmas time with fortune-telling and mummers, Nikolai's love impulse, the first kiss ... Sonya remains faithful to her beloved, rejecting Dolokhov's offer.
She loves resignedly, but she cannot refuse her love. And after the marriage of Nikolai Sonya, of course, continues to love him. Marya Bolkonskaya, with her evangelical humility, is especially close to Tolstoy. And yet it is her image that embodies the triumph of natural human needs over asceticism.
The princess secretly dreams of marriage, of her own family, of children. Her love for Nikolai Rostov is a high, spiritual feeling.
In the epilogue of the novel, Tolstoy draws pictures of the Rostovs' family happiness, emphasizing that it was in the family that Princess Marya found the true meaning of life. is the essence of Natasha Rostova's life. Young Natasha loves everyone: the resigned Sonya, and the mother countess, and her father, and Nikolai, and Petya, and Boris Drubetskoy. Rapprochement, and then separation from Prince Andrei, who made her an offer, makes Natasha suffer internally.
An excess of life and inexperience is the source of mistakes, rash acts of the heroine (the story of Anatole Kuragin). Love for Prince Andrei awakens with renewed vigor in Natasha. She leaves Moscow with a convoy, in which the wounded Bolkonsky ends up. Natasha is again seized by an exorbitant feeling of love, compassion. She is selfless to the end. The death of Prince Andrei deprives Natasha of meaning. The news of Petya's death makes the heroine overcome her own grief in order to keep her old mother from insane despair.
Natasha “thought her life was over. But suddenly love for her mother showed her that the essence of her life - love - was still alive in her.
Love woke up, and life woke up. After marriage, Natasha renounces social life, from "all her charms" and completely devotes herself to family life. Mutual understanding of the spouses is based on the ability "with unusual clarity and speed to understand and communicate each other's thoughts in a way that is contrary to all the rules of logic."
This is the ideal of family happiness. Such is Tolstoy's ideal of "peace." Tolstoy's thoughts about the true destiny of a woman, I think, have not become outdated even today. Of course, a significant role in today's life is played by women who have devoted themselves to political or social activities. But still, many of our contemporaries choose what Tolstoy's favorite heroines have chosen for themselves. And is it really not enough - to love and be loved?
One of the most striking female images in the novel is the image of Natasha Rostova. Being a master of depicting human souls and characters, Tolstoy embodied in the image of Natasha the best features of the human personality. He did not want to portray her as smart, prudent, adapted to life and at the same time completely soulless, as he made another heroine of the novel - Helen Kuragina. Simplicity and spirituality make Natasha more attractive than Helen with her intelligence and good secular manners. Many episodes of the novel tell how Natasha inspires people, makes them better, kinder, helps them find love for life, find the right solutions.
For example, when Nikolai Rostov, having lost a large amount of money in cards to Dolokhov, returns home irritated, not feeling the joy of life, he hears Natasha's singing and suddenly realizes that "all this: misfortune, and money, and Dolokhov, and anger, and honor - all nonsense, but she is real ... ". But Natasha not only helps people in difficult life situations, she also simply brings them joy and happiness, gives them the opportunity to admire themselves, and does this unconsciously and disinterestedly, as in the episode of the dance after the hunt, when she “became, smiled solemnly, proudly and cunningly - fun, the first fear that gripped Nikolai and all those present, the fear that she would do something wrong, passed, and they were already admiring her.
Just like the people, Natasha is close to understanding the amazing beauty of nature. When describing the night in Otradnoye, the author compares the feelings of two sisters, closest friends, Sonya and Natasha.
Natasha, whose soul is full of bright poetic feelings, asks Sonya to go to the window, peer into the extraordinary beauty of the starry sky, breathe in the smells that fill the quiet night. She exclaims: “After all, such a lovely night has never happened! But Sonya cannot understand Natasha's enthusiastic excitement. There is no such inner fire in her that Tolstoy sang in Natasha.
Sonya is kind, sweet, honest, friendly, she does not commit a single bad deed and carries her love for Nikolai through the years. She is too good and correct, she never makes mistakes from which she could draw life experience and get an incentive for further development. Natasha, on the other hand, makes mistakes and draws the necessary life experience from them. She meets Prince Andrei, their feelings can be called a sudden unity of thoughts, they understood each other suddenly, felt something uniting them. Nevertheless, Natasha suddenly falls in love with Anatole Kuragin, even wants to run away with him. The explanation for this can be the fact that Natasha is the most ordinary person, with her own weaknesses. Simplicity, openness, gullibility are inherent in her heart, she simply follows her feelings, not being able to subordinate them to her mind.
Julie Karagina is one of the secondary characters in Leo Tolstoy's book War and Peace.
The girl comes from a noble and wealthy family. She has been friends with Marya Bolkonskaya since early childhood, but over the years they practically stopped communicating.
Julie is about twenty years old. She is still unmarried, which at the time described in the literary work was very late, so the girl longed to go down the aisle as soon as possible, in order to get to know someone, Karagina constantly visits various exhibitions, theaters and other social events. Karagina really does not want to become an "old maid" and makes every effort to turn into a married lady. She has a huge legacy that remains after the death of her parents and brothers: two luxurious mansions and land, as well as cash savings.
Julie is in love with Nikolai Rostov and would gladly marry him, because she believes that this sympathy is absolutely mutual. But the young man behaves nobly towards her and does not want to tie the knot just for the sake of the money of his potential bride, because he does not perceive her as a beloved and future wife. The girl continues to be jealous of Nikolai, but she could not achieve his location. Boris Drubetskoy, on the contrary, diligently looks after Julie in order to take possession of her fortune. He does not like her at all, but Boris makes her a marriage proposal, pursuing exclusively selfish goals, and Karagina agrees.
The girl is stupid and selfish. She pretends to be a different person, tries to seem better than she really is. Karagina even demonstrates her feigned patriotism to those around her in order to earn the approval of society and praise. Julie knows how to play the harp and often entertains the guests of her estate with various musical compositions. Karagina is constantly among the representatives of the Moscow elite and knows the rules of behavior in a secular society, but she is not an interesting conversationalist, so many make friends with her purely out of courtesy.
The girl considers herself a real beauty, but others have a different opinion. She has a round face, big eyes, and short stature. She does not spare money for outfits and is always dressed in the latest fashion.
Julie does not have her own point of view on various topics and imitates the reasoning and opinions of others. This pushes people away from her, because, for example, Julie's husband secretly hates his wife, considers her a burden and feels only irritation towards her, even her longtime friend Marya Balkonskaya stopped seeing and communicating with her, because Karagina became uninteresting to her.
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